Documentary film about a slum community on the outskirts of Recife, a major city in northeastern Brazil. A portrait of life in extreme poverty and lawlessness: men without work, hopeless women, hungry and sick children.
Documentary film about a slum community on the outskirts of Recife, a major city in northeastern Brazil. A portrait of life in extreme poverty and lawlessness: men without work, hopeless women, hungry and sick children.
1992-02-10
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Under the Trump administration, USA is a deeply divided country. One side feeds populism and religious rectitude in a monochromatic landscape, painted white, lamenting for a past that never will return. The other side fuels diversity and multiculturalism, a biased vision of a progressive future, quite unlikely. Both sides are constantly confronted, without listening to each other. Only a few reasonable people gather to change this potentially dangerous situation.
Over 300,000 children were given food aid in the UK last year. While politicians argue about why so many kids are experiencing food poverty, we ask the children themselves to tell us why they think the cupboards are bare.
Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.
A feature length documentary that tells the story of nine young men and women constructing positive lives as they face the challenges of growing up poor in one of America's most famous African American communities.
As her adolescence gives way to the obligations of motherhood, troubled Gemma matures in Motherwell, her Scottish hometown, heavily dependent on the steel industry. Unfortunately for her, her hedonistic way of understanding the world does not fit in with the philosophy of the rest of the villagers, so trouble soon follows.
An exploration of potential extraterrestrial encounters, centered on a series of events in 1996 when citizens of Varginha, Brazil, reported seeing one or more strange creatures and a UFO crash.
Behind the scenes of news coverage during the pandemic. Follow the work of the professional press in a fight against denialism.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Megacities is a documentary about the slums of five different metropolitan cities.
In the mountains of Northern Thailand lies a boarding school. The students come from different tribes in the area and live together with their Thai teacher, grow their own crops and cook their own meals while continuing their education. The biggest question on their mind, having spent all their lives in the mountainside, is where the rivers running down the hills end. If they pass the final exams their reward is a trip to the end of the river, to the ocean itself. The children are poor, some orphans, and most of them only speak their tribe's language, but all try their best to pass the exams to be able to take the long-awaited trip. This trip is not only a journey from the children's villages to the ocean but also a journey that symbolizes the change from childhood to adulthood.
3.5 million children are growing up in poverty in the UK. It’s one of the worst rates in the industrialised world and successive governments continue to struggle to bring it into line. Struggling & without a voice, 'Poor Kids' shines a light on this pressing issue.
Shot over three years, Pariah Dog paints a kaleidoscopic picture of the city of Kolkata, seen through the prism of four outsiders and the dogs they love. These men and women have found meaning and purpose in their shared mission to care for neglected street dogs, who have existed in the towns and villages of India for thousands of years. For some this mission is enough, for others, dreams of a better life are always near.
The Documentary tells the story of Jane Vanini from the author's reflections on her militancy-building process. Starting with the meeting of the two during the “Jornadas de 2013”, we will look at Jane's path as we follow steps, from her hometown, Cáceres, to Concepcion, in Chile. It is the possibility of discussing this journey from a personal point of view that makes this project unique and takes us to social, political and human borders. This window is opened to us through Jane's 41 letters to her family, allowing us to glimpse nuances of her intimacy and militancy choices. It was while researching Jane's militancy that the author debated these reflections on his own militant career and the context in which it takes place. Telling Jane's trajectory, going through her family and religious formation and its implications for her activism was one of the moments of encounter between these two days.
A woman who had been raped and whose family wiped out by the collaborators of the occupying forces during the bloody "liberation war" of Bangladesh in 1971 now roams the streets, 30 years later, as a mad person.
Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).
Following four Lakota families over three years, Homeland explores what it takes for the Lakota community to build a better future in the face of tribal and government corruption, scarce housing, unemployment, and alcoholism. Intimate interviews with a spiritual leader, a grandmother, an artist, and a community activist from South Dakota’s Pine Ridge Indian Reservation reveal how each survives through family ties, cultural tradition, humor, and a palpable yearning for self-reliance and personal freedom.
After the waning of the protests in Sanrizuka, Ogawa Pro started questioning the future of the collective and looking for other subjects to film. Following the method developed in the previous films, the filmmakers moved to the slum of Kotobuchi in the port city of Yokohama, where more than 6000 people were struggling to get by without any means of survival, exposed to industrial accidents and diseases. The result is one of the most moving films produced by the collective, a series of beautifully filmed portraits, voicing the silenced stories and songs of a group of people living in this community. Credit: ICA London
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
In the form of a posthumous letter to Storck, using clippings from the original 'Borinage' film, the director paints a personal picture about a corner of Western Europe, where shocking living conditions of those trapped within
As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.