Filmed as part of Akerman’s film school entrance exam, these raw and playful 8mm miniatures capture life at a Brussels fairground and the courtyard of a hotel, alongside an oblique, two-part fiction set in the seaside shops of Knokke.
Filmed as part of Akerman’s film school entrance exam, these raw and playful 8mm miniatures capture life at a Brussels fairground and the courtyard of a hotel, alongside an oblique, two-part fiction set in the seaside shops of Knokke.
2023-09-10
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A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.
The process of depersonalization maintains a dialogue with the objectification of the body, a sort of thingified flesh, clothed in animosity. In an epiphanic act, the sutures reveal themselves as the reflection of this gaze upon its own spilled fluids and transcend into an internal soup. It is the stream of consciousness in its purest form. It is the raw and the bare. It is the visceral nature of facts. It is the merging of worlds. It is the flesh in turmoil.
Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
Using footage from socialist era Mongolia, Nomadtitude deals with the transition of the traditionally nomadic people to a lifestyle of urbanization. A changing of roads throughout the years and the movement of people from all across the country to the cities. A timeline of changing physical and spiritual paths. Primary instincts of the nomads, such as having a deep respect for natural surroundings, were forcefully replaced by socialist dogma and, later, capitalist machinations. This work presents the roads taken and not taken by the Mongolian nomads up until now. (Zulaa Urchuud)
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
After waking up with amnesia on the beach, the protagonist is pursued by the police to face the consequences of an unknown past. This soundscape uses tension as a tool to explore how uncertainty, anguish and urgency mobilize a body that would otherwise remain paralyzed in time.
This expressive and experimental short film by Iain Delavan features two distinct emotionally significant videos, broken up by an ethereal synthetic universe. Quoted by Delavan as "the best thing [they] have ever made", this film has many layers hidden underneath the seemingly simplistic surface.
Ayush suffers from sleep paralysis and dark hallucinations, haunted by shadowy figures that represent his repressed fears. Trapped between dream and reality, he confronts these manifestations of his inner turmoil.
A man sits at the table and eats his meal...with rather unusual effects.
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
Synopsis: Agent Jayne: A Woman with a Mission” introduces audiences to the unfortunate reality of the youth drug trade, exposing the harrowing consequences of addiction and exploitation. As the story unfolds, viewers are plunged into a world of greed, danger, and moral ambiguity. Written and directed by Waqar Peter Gill, the concept of Agent Jayne is based on real events and personal visual experiences. The film aims to emphasize a prudent issue of substance abuse amongst teens, which portrays the use of candy-like opioids. The film is a blend of social awareness amongst the youth and woman empowerment. Director’s Quote: Agent Jayne is a film designed to raise the profile of local upcoming talent, as wella s create an awareness of drug abuse amongst the youth. As a result of the release of Agent Jayne, we can recognize the contributions of all individuals involved in this project.
One evening under the light of a streetlamp in an unsuspecting neighborhood, events of both microscopic and cosmic proportions take place.
Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010
A bartender takes on the physical form of her imagined alter egos.
cloud film meditates on the calming effects of watching clouds, while also demanding action to combat our impact on the environment. It calls attention to a loss of control as the clouds turn into a storm, reflecting the momentum of climate change. As clouds float on screen, fluctuating between different frame rates, this film calls attention to its handmade form through the use of cameraless techniques such as ray-o-gramming, optical printing and hand processing.