Guaret(2024)

Soy(es)

SIN PIEDAD(es)

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

The Song of the Years to Come(es)

On the island of La Gomera, children imagine stories while they examine archeological remains. An ethno-fictional journey in which past and present coalesce, creating resonances between the volcanic landscape and Silbo, the whistled language of the island.

next stop is...(en)

A filmic letter to New York City, the subway, and self.

Desert Vows(en)

Hunter, a bride-to-be, feels overworked and unappreciated. Her artistic spirit is squelched by the shallow corporate world she’s in and she has had enough. Unfortunately, she feels as if she can’t turn to Ian, her commercial executive fiancé, for solace. As her wedding day approaches, Hunter and her three bridesmaids embark on a road trip to Las Vegas for one last hoorah together. As the girls venture from the city, they decompress and let their personal barriers fall. An impromptu sightseeing excursion into the desert leads to a clash of anxieties and attitudes between Hunter, the bridesmaids, and her fiancé as Hunter searches for the road that’s right for her.

Blue Bedroom(en)

June has had the same dream every night for the past three months. Lorelai is worried something bad is going to happen. Things get weird.

weak signal(en)

Images of something like nature struggling to endure against the noise of an entropic electronic signal.

Ode to R.G. Springsteen(en)

Daily dedications to a minor artisan of the classical Hollywood western. Each segment was originally a kind of letter, a private correspondence, sent in fragments to a friend over a few weeks—an ode to R.G. but also to B.C. (an ode to cinema, to everyday life, and to the cinephilic fantasy of their becoming indistinguishable).

Madeleine(en)

A stop motion/collaged based independent short film plays with the recontextualisation of memories and how time distorts them.

Social Butterfly(en)

A socially awkward, neurodivergent youth struggles to adapt at a social gathering that quickly takes a turn into the uncanny and surreal.

Death in Vegas(en)

The life, death, and resurrection of Elvis Presley, as he is transformed from man into product. Composed primarily of an illustrated biography filmed with a microscope camera.

Bebote(es)

Lift Up Your Voices(en)

In a not so distant future artificial intelligence speaks to suffocating humanity. On the last journey, humanity is escorted by surreal entities, through twists and turns that led to humanity’s last breath.

The Sounds of 7am(en)

This short film follows an intoxicated character's journey through the mystery, beauty and eeriness of his environment.

Everything Will Be Forgotten in Korea(es)

Occasionally, "your own" life is only based on the lifes of the rest. The human being, cutted off from the cultural and social, finds things in common with the other of the antipodes. An essay of the common and the different. The protagonist writes a letter and digress and imagine, with what isn't theirs. Taking it, transforming it and turning into another part of their body.

Megalópolis(es)

Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.

The Tuba Thieves(en)

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

A Lovers' Discourse(en)

Experimental short film about a couple

Leda + Swans(en)

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?