Documentary about India
Documentary about India
1926-01-01
0
Set in a small town in the region of Tamil Nadu, in southern India, the film follows the days and works of a hijra family. Silky, Mahima, Trisha, Durga, Kuyili, Priyanka, Vasundhara and Yamuna, under the firm protection of their guru Lakshmi Ma, deliver snippets of their marginal but sovereign existence. From a millenia-old sacred tradition to getting by every second, "Guru" composes with them a poem of intertwined voices in which the world is a tough playground, where the third gender is primarily the resistance force of a life shared.
This film describes the nature and impact of major religions in India, artistic monuments and contributions of each dynasty and cultural development of the people in different regions of the vast subcontinent.
Lord Louis Mountbatten arrives in India in March 1947 as Britain's Last Viceroy. He is committed to transfer administrative and authoritative power to an independent and sovereign India. Six months later India indeed was set free, but it had also been partitioned and overwhelmed by an orgy of sectarian violence involving Hindus, Muslims and Sikhs.
Stretching along the river Ganges rests Varanasi, the holiest of India’s seven sacred cities, and a place where devout Hindus go to die in hopes of achieving moksha - becoming liberated from the cycle of rebirth. Hindu scriptures say that a soul has to undergo 8.4 million rebirths before reaching the human form, the only form one can attain moksha, and dying in Varanasi and being cremated along the banks of the river is believed to be the ideal way of achieving this. Several so-called ‘death hotels’ exist to accommodate believers who abandon their lives and come here in wait for death - some for as long as 40 years.
A brief but colorful travelogue of India's biggest cities following the partition of the country in 1947 at the end of the British Raj.
The Kumbh Mela is a great roving Hindu spiritual festival that has moved around India for more than four thousand years, erecting temporary cities along the Ganges River.
In India, young people must marry someone approved by the family. Those who fall in love with someone else risk being killed for dishonour. But now they have someone to turn to for help: the Love Commandos.
After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.
The Price of Cheap tells the stories of modern slaves in textiles manufacturing supply chains and the brave individuals fighting on the ground against immeasurable odds to help them. We follow a man named Joseph Raj, who runs an organization called T.E.S.T. (Trust for Education and Social Transformation) in Tamil Nadu, India as he goes on raids to rescue underage children from unsafe and labour intensive factories. We hear from the survivors he has helped rescue, hear of their horrific experiences, and desire for education and change. Academics and social justice workers weigh in on why the issue of forced labour persists.
Technicolor scenes from an Indian Durbar, held for the Maharaja of Alwar in Rajasthan.
In the holy city of Varanasi, 16-year-old Ali has one of the most dangerous jobs in the world – catching poisonous snakes. The boy balances life and death on a daily basis to support his family.
One of the earliest films to be shot in India apparently shows the Calcutta ghats - or does it?
Rocky Braat went to India as a disillusioned American tourist. When he met a group of children with HIV/AIDS, he decided to stay. He never could have imagined the obstacles he would face. Or the love he would find.
An evocative and unsettling journey through christian and also deeply communist Kerala. Amidst red flags and altar boys, between the sea and the jungle, mixing the language of reportage and that of fable, the unedited docufilm tells the touching, profound, at times funny stories of a group of priests and nuns in the days leading up to Easter.
In Bundelkhand, India, a revolution is in the making among the poorest of the poor, as the fiery women of the Gulabi Gang empower themselves and take up the fight against gender violence, caste oppression and widespread corruption.
Shot over 3 months through the Monsoon, Nick Read's film captures the unvarnished reality of life for four children living in the slums and on the streets of Mumbai: seven-year-old Deepa, who lives next to an open rubbish dump and runs barefoot through Mumbai traffic selling flowers to help support her family; 11-year-old Salaam, who, a few weeks after running away from his abusive stepmother lives rough outside the main railway station; and twins Hussan and Hussein, also 11, who risk cholera and infection fishing for scraps in a filthy canal so they can earn money to eat.
A filmmaker's insight into the biggest gathering on earth -the Kumbh Mela.
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
A Dream Trip Across India Some kilometers from Bombay, the Indian megalopolis, lost on a hill of Bollywood, is the grandiose set of a vast temple with a magical touch, reminiscent at the same time of an Indian shrine and an ancient Inca temple. Inside, Ten Ford Mustangs are waiting. Ten Ford Mustang with an incredible pedigree: Bullitt GT390, Shelby GT500, Shelby GT500 KR 1968... the deep sound of a gong resounds, the doors of the templeopen launching the first edition of the Maharajah of the Road. At the wheel of the ten Ford Mustang, passionate people coming from all over the world: Indian, French, American, Italian, Lebanese... they are business men, automobile designers, manufacturers, artists… From Mumbai to Jodhpur, a 2.000 kilometres tour will lead our Mustangs through India. From the Rats Temple in Deshnoke city to the thousand-and-one palaces, the two princesses will show the Rajasthan to the adventurers of the road in an eventful trip...