
Blood Brother
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Himself
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India Cabaret(hi)
A documentary exploring the "respectable" and "immoral" stereotypes of women in Indian society told from the point of view of 2 strip-tease dancers in a cabaret house in Bombay.

Ladakh(en)
A stunning trek from the vale of Kashmir, via Sind Valley and Kargil and Lamayaru Monastry.

Picturesque India or, In and About Calcutta(en)
Botanical gardens in Bombay plus the highly decorative Jain Temple in Calcutta.

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Sixteen year olds Palani and Karthik want to become "ladyboys." They're bullied in school and beaten by their families. Their parents would like to see them grow up as normal boys, but they're falling deeper and deeper into the world of the "Aravanis." Loved as dance performers but hated as homosexuals, their stories emblazon the inner conflicts of India's gender culture today.

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A spirited cancer survivor goes on a spontaneous search for 'The Berlin Patient' - the first man in the world actually cured of HIV.

The Power of Utopia: Living with Le Corbusier in Chandigarh(de)
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Doin' My Drugs(en)
The story of musician Thomas Muchimba Buttenschøn - born HIV+ in 1985 - and his crusade to use his music to wipe out AIDS in his native Zambia and beyond.

Fascinating India(de)
"Fascinating India" spreads an impressive panorama of India’s historical and contemporary world. The film presents the most important cities, royal residences and temple precincts. It follows the trail of different religious denominations, which have influenced India up to the present day. Simon Busch and Alexander Sass travelled for months through the north of the Indian subcontinent to discover what is hidden under India’s exotic and enigmatic surface, and to show what is rarely revealed to foreigners. The film deals with daily life in India. In Varanasi, people burn their dead to ashes. At the Kumbh Mela, the biggest religious gathering of the world, 35 million pilgrims bathe in holy River Ganges. This is the first time India is presented in such an alluring and engaging fashion on screen.

Waiting for the Sun(en)
In China more people are on death row than the rest of the world combined. The children of the convicts are often left alone, stigmatized and living in the streets. Grandma Zhang, as the kids call her, is a former prison guard who has founded an orphanage in Nanzhao.

Machines(hi)
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.

People We Come Across(fi)
What happens when a group of Finns travel to a tiny village in Benin to participate in a vaccination study? By participating, they can aid in the development of a diarrhea vaccine for children in developing countries – and, at the same time, have a different kind of vacation in West Africa. The complicated side of helping people and the clashes between two cultures rise to the forefront of Mia Halme’s delicious documentary film.

The Kumbha Mela: Same As It Ever Was(en)
This is a silent film, with a musical soundtrack, shot during a boat journey along the waterways of Kashmir that took him to the festival. Using the simplest equipment, a Super-8-camera with a special lens, and directing his attention at simple things--the rhythmic splashing of a heart-shaped oar, the sparkle of evening sun on still waters--Albert Falzon has captured the timeless slow motion of Northern India.

Arrival of the Earl of Lytton at Calcutta(en)
Lord Lytton takes up the post of Governor of Bengal.

A Road in India(en)
Life on the road in India, showing the traffic, people and animals.

Temples of India(en)
Hindu temples at Benares and Belur and the mythologies associated with them.

Mind of Clay(hi)
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

Arrival(hi)
To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.
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