Ganga Ma(1989)

Ganga & Me(en)

'Ganga & Me' is a Docu-Feature Film by the award winning film director Sunil Babbar. The 49 minutes film depicts the spiritual and emotional bond of a Hindu with the mother Ganga. Shot at the beautiful locales of Haridwar, Rishikesh and Varanasi, the film takes you on a spiritual journey in India. The language of the film is English.

Tawai: A Voice from the Forest(en)

Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity's changing relationship with the world around us.

UMA 'Light of Himalaya'(pt)

Thousands of people from every corner of the world go to India every year for a spiritual experience that provides self-knowledge and healing of past trauma.

Ganges(en)

A journey that follows the Ganges from its source deep within the Himalayas through to the fertile Bengal delta, exploring the natural and spiritual worlds of this sacred river.

By the River(en)

Varanasi is the Indian city where Hindus go to die. Stretching along the Ganges, Varanasi holds great spiritual significance because Hindu scriptutres say that anyone who dies there will attain moksha—liberation from the cycle of rebirth. Berlin-based director Dan Braga Ulvestad captures life and death in India’s heartland in this moving documentary filled with exquisite cinematic moments. By the River starts its narrative journey with the city’s “death hotels,” dedicated apartments where people wait to die, sometimes for decades, so they can be cremated on the banks of the Ganges.

Children of the Pyre(en)

This documentary follows the life of Seven children who are working under extreme conditions at India's busiest cremation ground, Manikarnika in Banaras.

Uttarakhand, aux sources du Gange(fr)

Living River: The Ganges(en)

Go Ganges!(en)

Television producers and adventurers Josh Thomas and J.J. Kelley test their skills on an epic adventure down India's sacred River Ganges.

BBC Earth - Amazing Earth: Ganges(nl)

The River(en)

Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.

Mahanadhi(ta)

Krishnaswamy, an honest man, is conned into a chit fund business and imprisoned. While he faces unspeakable hardships in prison, his family disintegrates.

Shakti(te)

The central minister's daughter who secretly goes on a trip is targeted by some evil Egyptians who want her and a holy diamond in their custody, while a guide gets linked to the fight as he protects her from all possible dangers.

Masaan(hi)

Four lives intersect along the Ganges: a low caste boy in hopeless love, a daughter ridden with guilt of a sexual encounter ending in a tragedy, a hapless father with fading morality, and a spirited child yearning for a family, long to escape the moral constructs of a small-town.

Un + une(fr)

A successful film composer falls in love when he travels to India to work on a Bollywood retelling of Romeo and Juliet.

The Treasure of Bengal(it)

A fun fantasy classic for the entire family! In this exotic adventure, young hero Ainur played by Sabu is living in a remote Hindu village. There he must protect the town treasure, the world's largest ruby, from being stolen.

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

30 Days in Hell: The Making of 'The Devil's Rejects'(en)

An exhaustive, detailed documentary on the 30-day film shoot of "The Devil's Rejects"