This feature documentary zooms in on the city of Sapporo, on the Island of Hokkaïdo in southern Japan. In contrast to the unplanned sprawl of neighbouring industrialized cities, Sapporo appears to be one of the best-planned large cities in the world, combining growth and technology with town planning and the preservation of green spaces.
This feature documentary zooms in on the city of Sapporo, on the Island of Hokkaïdo in southern Japan. In contrast to the unplanned sprawl of neighbouring industrialized cities, Sapporo appears to be one of the best-planned large cities in the world, combining growth and technology with town planning and the preservation of green spaces.
1974-01-01
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Great Britain was the first country to plan the establishment of 'new towns' to house the overflow from rapidly expanding industrial centres. Today these towns number over one hundred. This film examines the operation of two of them.
A biography documentary of the Argentine modernist architect Amancio Williams.
Individualized for profit, yet harmonious in its whole, Düsseldorf has met and largely conquered the conflicting demands of economic growth and human environment.
The film Together we cycle investigates the critical events that has led to the revival of the Dutch cycling culture. For most people, cycling in the Netherlands, seems a natural phenomenon. However, until the 1970s the development of mobility in the Netherlands followed trents across the globe. The bicycle had had its day, and the future belonged to the car. The only thing that had to be done was to adapt cities to the influx of cars. Then Dutch society took a different turn. Against all odds people kept on cycling. The question why this happened in the Netherlands, has not an easy answer. There are many factors, events and circumstances that worked together, both socially and policy-wise. In Together we cycle, key players tell the story of the bumpy road which led to the current state. Where cycling is an obvious choice for most citizens.
An ancestral house builds itself, comes to life, and shows us its story spanning one hundred fifty years. Through the ages, it allows us to perceive the passage of time.
Since the end of World War II, one of kind of urban residential development has dominate how cities in North America have grown, the suburbs. In these artificial neighborhoods, there is a sense of careless sprawl in an car dominated culture that ineffectually tries to create the more organically grown older communities. Interspersed with the comments of various experts about the nature of suburbia
Caracas has been changing since the nineteenth century this is a story that tries to explain why the Venezuelan capital is complex, chaotic and fertile. In light of these new evidences, community experiments, social awareness and organization of people, seem to be the necessary ingredients to rescue a metropolis that is not yet completely lost.
Urban architecture as seen through the eyes of four female veterans in the field.
Caged. Invisible. Shamed. Trapped. These words mark the tenants, clerks and even the owners of Chicago's last remaining Singe Room Occupancy (SRO) hotels. These small spaces are home for many at the bottom of Chicago's housing ladder. Cloaked in darkness and secrecy, these hotels are often maligned as drug dens and havens for prostitution but the people who live, work and own these hotels have never fully shared their stories. Caged Men is a feature-length documentary which examines the disquieting stories of near-homeless Americans living on the margins and their invisibility in a largely indifferent and, at times, hostile community. It attempts to lend a voice to SRO residents, clerks, owners and to the hotels themselves.
Sundance award-winning director Julia Kwan’s documentary Everything Will Be captures the subtle nuances of a culturally diverse neighbourhood—Vancouver’s once thriving Chinatown—in the midst of transformation. The community’s oldest and newest members offer their intimate perspectives on the shifting landscape as they reflect on change, memory and legacy. Night and day, a neon sign that reads "EVERYTHING IS GOING TO BE ALRIGHT" looms over Chinatown. Everything is going to be alright, indeed, but the big question is for whom?
Make No Little Plans: Daniel Burnham and the American City reveals the fascinating life and complex legacy of architect and city planner Daniel Hudson Burnham. In the midst of the late nineteenth century urban disorder, Burnham offered a powerful vision of what a civilized American city could look like, one that provided a compelling framework for Americans to make sense of the world around them. A timely, intriguing story in the American experience, Make No Little Plans explores Burnham's impact on the development of the American city as debate continues today about what urban planning means in a democratic society.
A film about "the father" of Malmö Eric Svenning and how the city has developed during his time.
The documentary offers an overview of the district of Cidade Tiradentes and its inhabitants. It starts by the acquisition of land by the public authorities from the 1970s onwards, to the occupation of what is today one of the largest housing projects in Latin America.
A documentary essay film about coincidences, shattered lives and posthumous fame. A found footage family film about love and passion, friendship and heartbreak in Berlin between the wars. But a film also about self-sufficiency and recycling, about the green movement and the environment – before these notions had yet been properly invented. And it touches the utopian potential of ideas that have lain buried in the ground of an island for the past 70 years. The film’s protagonist, Martin Elsaesser, was one of the most prominent modernist architects of Weimar Germany.
Targeted for several failed redevelopment plans dating back to the days of Robert Moses, Willets Point, a gritty area in New York City known as the “Iron Triangle,” is the home of hundreds of immigrant-run, auto repair shops that thrive despite a lack of municipal infrastructure support. During the last year of the Bloomberg Administration, NYC’s government advanced plans for a “dynamic” high-end entertainment district that would completely wipe out this historic industrial core. The year is 2013, and the workers of Willets Point are racing against the clock to forestall their impending eviction. Their story launches an investigation into New York City’s history as the front line of deindustrialization, urban renewal, and gentrification.