Dorchester: au coeur de la mêlée

Who We Are(en)

Autism spectrum disorder (DSA) - It is not what they have, but what they are, who they are. They are Felix, Anthony, Marc and Brigitte. They are different.

Les 16 de Basse-Pointe(fr)

This Beggar's Description(en)

It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?

Gardens of the Orient(en)

This portait of life on the tea plantations is decidedly rosy – clearly, there are no exploited workers here. However, the film provides an intriguing overview of tea production – from the planting of tea seeds to the final shipping of the precious leaves across the globe.

Fredy(fr)

Coast Modern(en)

A core group of architects embraced the West Coast from Vancouver to LA with its particular geography and values and left behind a legacy of inspired dwellings. Today, architects celebrate the influence established by their predecessors.

We The North: From Prehistoric to Historic(en)

A basketball team born out of an egg, in a hockey-crazed city, playing in a baseball stadium, fights for survival and ultimately conquers a nation and the league. This documentary offers an in-depth look at how a fledgling franchise transformed into a cultural phenomenon, uniting communities and reshaping Canada's identity.

Inbound(en)

Documenting the shared trajectory between Canada’s rise as a global basketball powerhouse and the circumstances that helped shape the country’s multicultural identity.

Noble and Mundane Prague(cs)

A documentary film comparing current / everyday and historical / noble aspects of Prague.

Anticosti: La chasse au pétrole extrême(fr)

Architecton(en)

An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?

Jack Kerouac's Road: A Franco-American Odyssey(fr)

Part documentary, part drama, this film presents the life and work of Jack Kerouac, an American writer with Québec roots who became one of the most important spokesmen for his generation. Intercut with archival footage, photographs and interviews, this film takes apart the heroic myth and even returns to the childhood of the author whose life and work contributed greatly to the cultural, sexual and social revolution of the 1960s.

Empire City(en)

A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.

Nomoto: A BC Tragedy(en)

The injustice of the Japanese internment is explored through the story of Kyuichi Nomoto, one of the first Japanese Canadians to graduate from UBC, who suffered a breakdown deep in the BC Interior.

The Fence(en)

Two thousand Canadians suffered the longest incarceration anywhere in the Second World War, a bitter four-year period inside Japanese POW camps in Hong Kong and Japan.

Shameless Propaganda(en)

This feature documentary examines its own genre, which has often been called Canada's national art form. Released in the year of the NFB's 75th birthday, Shameless Propaganda is filmmaker Robert Lower's take on the boldest and most compelling propaganda effort in our history (1939-1945), in which founding NFB Commissioner John Grierson saw the documentary as a "hammer to shape society". All 500 of the films produced by the NFB until 1945 are distilled here for the essence of their message to Canadians. Using only these films and still photos from that era, Lower recreates the picture of Canada they gave us and looks in it for the Canada we know today. What he finds is by turns enlightening, entertaining, and unexpectedly disturbing.

Ka Ho‘ina: Going Home(en)

Ka Hoʻina documents members of Hui Mālama I Nā Kūpuna O Hawaiʻi Nei's final repatriation of over 140 sets of iwi kupuna and provides an intimate look into the legacy forged by these committed and passionate few, ensuring that Hawaiians will mālama or care for kupuna for generations to come.

The Rumba Kings(en)

In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.

The Gateway Arch: A Reflection of America(en)

The Gateway Arch: A Reflection of America chronicles for the first time the complete story of this great American symbol… from Thomas Jefferson, Lewis & Clark, and St. Louis’ role in westward expansion; to the eventual construction of the largest stainless steel structure in history.

The Architects(en)

Amie Siegel’s film installations often reveal the hidden narratives behind architecture and design, investigating the mechanisms by which objects, materials, and spaces accrue meaning and value. The Architects examines the processes of architectural creation, using the artist’s signature slow, parallel tracking shots to offer insight into the inner workings of multiple architecture firms, slicing through them laterally like an architect’s section plan... Siegel not only punctures the myth of the singular “master architect” but also poses questions around creative autonomy, the sociopolitics of labor, and the circulation of capital. (Source: MoMA)