Musetta
Rodolfo
Marcello
2016-06-08
9
The world is shocked by the appearance of three talking chimpanzees, who arrived mysteriously in a spacecraft. Intrigued by their intelligence, humans use them for research - until the apes attempt to escape.
For this second film in the cult comedy series Torrente takes our fat police officer from Madrid to Marbella in Spain to investigate a villain’s plot to destroy the city with a missile. This James Bond style slapstick comedy became the most successful box-office film in Spanish film history beating out only the first Torrente film.
When high-powered executive Samantha LeBon hatches a scheme to spend a romantic Christmas with her new employee – the unsuspecting, blithesome James – his wife, their kids and their two dogs, Rocks and Daphne, must rescue him before he makes a terrible mistake.
Manga artist Gengo Odaka lands a job with the World Children's Land amusement park only to become suspicious of the organization when a garbled message is discovered on tapes. As Gengo and his team investigate, Godzilla and Anguirus quickly decipher the message and begin their own plan of action.
The deconstruction of the Avatar scenes and sets
In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.
Statesman and poet Shri Atal Bihari Vajpayee's eloquence and vision shaped India's destiny. A look at his remarkable life as he led his country through a challenging period of change and development as the 10th Prime Minister of India.
Two best friends set out to rescue their pal after he's accidentally dragged to hell.
Mrs. Dave does not approve of her daughter, Vasundhara's next-door boyfriend, Abhay Narula, and arranges her marriage with Carson Gharodia. In protest, she elopes with Abhay on his motorbike. Enroute to Goa they run out of petrol and hitch a ride from a male named Bihari. It is this ride that will turn their lives upside down and pit them against the Police, goons, and a male named Jagtap Tiwari who thinks that they are gold and cocaine smugglers.
The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
The Venice Hongwanji Buddhist Temple had an opportunity to take part in an episode of East of Main Street, an HBO documentary series that has been produced for the past three years to celebrate Asian Pacific American Heritage Month. This year’s episode, Milestones, focuses on how different groups of Asian Americans mark the milestones throughout their lives.
Seenu loves Sunaina but they're chased by a stalking cop, an infatuated beauty and her mafia don dad - can Seenu's heroics work?
Middle-class housewife Kay Miniver deals with petty problems. She and her husband Clem watch her Oxford-educated son Vin court Carol Beldon, the charming granddaughter of the local nobility as represented by Lady Beldon. Then the war comes and Vin joins the RAF.
Dr Samir is an absolute charmer when it comes to women, but he poses as a married man to keep them at bay. Love becomes a three-ring-circus for him after he ends up tangled in his web of lies with his girlfriend Sonia and pretend wife Naina.
The whole clique of Cruchot's police station is retired. Now he lives with his rich wife in her castle - and is bored almost to death. He fights with the butler, because he isn't even allowed to do the simple works. But when one of the clique suffers from amnesia after an accident, all of the others reunite and kidnap him, to take him on a tour to their old working places and through their memories. In their old uniforms they turn St. Tropez upside down.
Giulia De Martino is a pilot. At seventeen she participates in the GT Championship, under the guidance of her father Mario. But one day everything changes and Giulia has to face alone both the track and her own life.
Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.
Genji and his victorious G.P.S. alliance find themselves facing down a new challenge by the students of Hosen Academy, feared by everyone as 'The Army of Killers.' The two schools, in fact, have a history of bad blood between them. And the simmering embers of hatred are about to flare up again, burning away any last remnants of the truce they had so rigorously observed until now.
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
A filmed version of Tchaikovsky's opera. Onegin visits a friend, his fiancee and her sister Tatiana, who believes Onegin is her fated love. She writes a note telling him so, but he rejects her. Years later he returns, finding her married, but now he's smitten with her.
This Wagner opera is rarely performed because of the scandals that engulfed the Magdeburg Theatre when it was performed in 1836 under the title The Novice of Palermo, and became known as a cursed opera from which the composer had to distance himself. Wagner's adaptation of the story reflects the rebellious mood of a Revolutionary Germany, vindicating sensual love and attack the fanatical repression of sexuality by a puritanical and hypocritical authority. As the prose says, "Shame to him whose cruel striking/Kills for faults of his own liking!". One of the most extraordinary musicals based on a text by Shakespeare, especially worthy of a new performance as it is four hundred years since the death of the Bard.
Shostakovich’s satirical opera adapted from the classic short story by Nikolai Gogol. Baritone Eduard Akimov leads the cast as Kovalyov, the hapless bureaucrat whose nose has mysteriously gone missing.
One of the greatest revolutions in the history of mankind happened around 3000 years ago: the transition from polytheism to monotheism through the prophet Moses. God revealed himself directly to Moses, instructing him in absolute truth. Moses was charged with leading the people of Israel to the Promised Land and escaping from Egyptian slavery. Moses came to embody the relationship between the human and divine truth. God’s call to Moses presented a new idea that exploded all previous religious concepts: ‘One God – unique, eternal, intangible, inconceivable’. Moses understands this concept, but is unable to express it, and therefore God appoints Moses’ brother Aaron as his spokesman. They are bound to fail: Aaron can only approach sharing the idea by compromising its meaning, whilst Moses is left to search fruitlessly for “the word I lack …” This production of Arnold Schoenbergs opera was filmed during the Ruhrtriennale 2009.
The story of the star crossed love between Manon Lescaut and Des Grieux.
Since its premiere on 2 June 1937 in Zurich, Alban Berg's second opera "Lulu" has the reputation of being surrounded by scandals. On the one hand, this is due to the dubious character of the subject, the man-eating femme fatale, which Berg had taken from Frank Wedekind's two Lulu tragedies – "The Earth Spirit" and "Pandora's Box" – and combined into one opera libretto. On the other hand, Berg's window had (for personal reasons) repeatedly refused to have the opera completed, which was unfinished when Berg died. This video is of the unfinished two-act torso of "Lulu."
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.
The documentary draws a portrait of an opera director who is staging Richard Wagner’s Die Walküre. He is torn between the tragicomic routine of an opera house and his own perception of Wagner and the Ring cycle. The film witnesses the director’s drama in maintaining the fragile link between a well-constructed performance and his own vision that lies within the music and the narrative, and is seen as German expressionism-like nightmares.
When the rich and powerful Buoso Donati dies, his family's excitement about his estate is infinitely greater than their sorrow over his loss. They start searching for his will like a flock of hungry vultures. Apparently Donati has bequeathed everything to a monastery. There is absolutely no way they will allow this to happen. They search any means to seize the fortune. Rinuccia, the youngest scion of the family, suggests asking Gianni Schicchi, the father of her lover, for advice. They shudder at the mention of his name, but Gianni Schicchi is already on his way and proves to be a man with ideas.
A collaboration between award-winning American filmmaker Sofia Coppola and Italia haute couture king Valentino comes in the form of a revival of Giuseppe Verdi's classic opera, La Traviata. Captured live from the Teatro dell'Opera di Roma.
"Giovanna d'Arco; ossia, la pulzella d'Orléans" is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The opera partly reflects the story of Joan of Arc and is based on a play by Friedrich von Schiller, although claimed by the librettist to be "an entirely original Italian drama." If the thought of Anna Netrebko strutting her stuff in a suit of armour and tin hat sets your factor tingling then this is a must. It's an inconsistent opera but has some quite wonderful music along the way. The rest of the cast is good and the production won't offend either. Get it for Ms Netrebko's incredible performance alone.
First of all it is impossible to conceive of the creative genius who wrote this music when only [...]. Add to this the outstanding musicianship of the young singers/actors and orchestra members.Christiane Karg has a voice that is pure beauty; her range, precision and her ability to convey tremendous emotion are astounding.Her aria "Laetari, iocari" is a tour de force, tossed off with the greatest ease. Then there is the beautiful duet she sings with Maximilian Kiener. This is to die for! The staging, the singing and the acting are of an extremely high level. On the second disc Christiane Karg plays a totally different character, wily and playful, but oh, that voice!
Gaul has been conquered by the Romans. Oroveso, the Arch-Druid longs to lead a Gallic rebellion against the colonial forces. He and all the others wait for the signal to be given by his daughter, the Druid High Priestess Norma. But Norma has fallen in love with the Roman Proconsul, Pollione, and given birth to two children. They have been brought up in secrecy by her confidante Clotilde. Norma still loves Pollione but he has fallen in love with a novice priestess, Adalgisa.
How do we live together in an age of conflict? How do you heal a divided and angry people? In their 2017 production of Mozart’s La clemenza di Tito, Peter Sellars and Teodor Currentzis examine these questions through the story of a warrior-emperor who brings peace to his divided land and pardons his own would-be assassins. Written under a time crunch (legend has it that it was written in only 18 days, although it is likely an exaggeration) during the last year of Mozart’s life, the opera is based on a libretto written more than half a century earlier by Pietro Metastasio. It was commissioned for the coronation of Leopold II as King of Bohemia, and received its first public performance at the Estates Theatre in Prague on September 6, 1791.
Philippe Jaroussky as Ruggiero is in thrall to Patricia Petibon as the sorceress Alcina in Katie Mitchell’s virtuosic production of Handel’s opera from the 2015 Aix-en-Provence Festival, described by Bachtrack as “a night of a thousand delights”. Conducted by Andrea Marcon, this was, in the words of Opera News, “musically … a performance of the highest festival level”. The production of Alcina, by the British director Katie Mitchell, was welcomed by the Financial Times as “meticulously executed …, rich in detail, consummately polished”. As the New York Times wrote: “It involves a huge sorcery machine for turning people into animals (or whatever). And Ms. Mitchell works magic of her own onstage, constantly showing the enchantresses Alcina and Morgana alternating between glamorous public personas and their ‘real life’, older, private selves …There are also bits of simulated sex, mingling genders and suggesting, among other things, inventive new ways to hit high notes.”
Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.
Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the two operas in the same Sicilian setting, separated by two generations. Marcelo Álvarez takes on the rare feat of singing both leading tenor roles. In Cavalleria, he is Turiddu, the young man who abandons Santuzza (Eva-Maria Westbroek) in his pursuit of the married Lola (Ginger Costa-Jackson)—and ends up being killed in a duel with her husband, Alfio (George Gagnidze). In Pagliacci, Álvarez is Canio, the leader of a traveling vaudeville troupe. Patricia Racette sings Nedda, his unfaithful young wife, whose plans to run away with her lover are foiled by her spurned admirer Tonio (George Gagnidze)—with equally tragic consequences. Met Principal Conductor Fabio Luisi is on the podium.
This hard-edged postmodern production of Giuseppe Verdi's haunting masterpiece brings the story of Shakespeare's bloody tragedy to vivid life, characterized by spine-tingling atmospherics and a triumphant debut by American baritone Thomas Hampson in the title role. This Zurich Opera House production also features a mesmerizing turn by Paoletta Marrocu as the beautiful, power-hungry Lady Macbeth, while striking sets and costumes further enhance the duality of the main character whose rise and fall mirror the darkest impulses of man. Replete with supernatural mystery, sexual tension, and violent power plays, this timeless story remains gripping and chilling for today's audiences and boasts some of the most astonishing music of Verdi's legendary body of work.