A moving portrait of traditional Finnish American culture in the Upper Peninsula of Michigan, highlighting that fragile community of memory connecting ourselves with parents and grandparents. It uses the “biographical model” of folklore filmmaking to tell the story of Erikki Vourenmaa, a 92-year-old Finnish immigrant, and his family living near Ironwood, Michigan. This three-generation farm family works, celebrates, reflects, and grieves together. The film explores the meaning of family, ethnic history, aging and intergenerational bonds. It contrasts between the immigrant elder, his American-born son and the partially assimilated grandchildren to illustrate change and continuity in the "sauna belt" of the Lake Superior Region. As Dr. Sharon Sherman concluded, “Loukinen’s focus on the bonds between generations will strike emotional chords about family relationships and ethnic identity for numerous cultural groups.”
8.0Somewhere on the coast of the Bering Sea, a father and son make a living fishing in a community that seems almost outside of time. Aliaksandr Tsymbaliuk’s camera takes us in close to the subjects, recording both the harshness of their condition and the rigour of education, softened by paternal love and the universal insouciance of childhood.
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7.4A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".
6.8This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.
7.2Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.
0.0A man recounts his life experiences from his youth in Türkiye, to his many years spent behind the counter at a small Fish & Chip shop in the UK.
0.0After the near death of her grandfather, Chinese Canadian filmmaker Michelle Wong embarks on a personal journey back home to her small town of St. Paul, Alberta to speak to her grandparents about their journey from China to Canada.
0.0Work. Eat. Sleep. And back to work. For a long time skippers in the North East of Scotland could not find locals to work on their fishing vessels. That was until Filipino fishermen started coming to town for work. Both nationalities strive to shorten the distance between two very different worlds.
7.4This documentary follows 8 teens and pre-teens as they work their way toward the finals of the Scripps Howard national spelling bee championship in Washington D.C.
7.0Wisconsin's tribe's ongoing fight to protect Lake Superior for future generations. "Bad River" shows the Bad River Band of Lake Superior Chippewa's long history of activism and resistance in the context of continuing legal battles with Enbridge Energy over its Line 5 oil pipeline. The Line 5 pipeline has been operating on 12 miles of the Bad River Band's land with expired easements for more than a decade. The Band and the Canadian company have been locked in a legal battle over the pipeline since 2019.
7.0Per Persson left Sweden 40 years ago. In Pakistan he fell in love and became the father of two daughters. Trouble starts when the girls grow up and the family decides to emigrate to Sweden. When they end up living in a caravan outside Hässleholm, all their expectations are dashed.
0.0An absurd game of “finding happiness” is being played by local Latvian coyotes* and illegal immigrants on the Russian and the European Union border. It is a game with no winner – all participants are driven to play by the sense of despair. While one side leaves home and undertakes a perilous journey to the other side of the globe, hoping to spend the rest of their lives in a free country, the other side risks their freedom to earn a chance to stay right where they are, in their homeland. *coyote – someone who smuggles illegal immigrants
Filmed in the white working-class suburbs of Detroit, Spook House reveals a community reveling in the macabre. Front lawns are transformed into cemeteries, kitchens become mausoleums and dismembered ‘bodies’ are prepared for cannibal feasts. Cameron Jamie’s camera tracks the celebrants as the nights become longer and darker.
6.0Oscar, not quite a child anymore, scavenges for scrap metal for his father. He spends his life in improvised landfills among what remains of leftovers. Worlds apart, yet close-by, there is Stanley. He tidies the church in exchange for a monetised hospitality, picks fruits, herds sheep: anything that keep his foreign body busy. Oscar, the young Sicilian, and Stanley the Nigerian don’t seem to have much in common. Except for the feeling of being thrown into the world, to suffer the same refusal, the same overwhelming wave of choices imposed on them by others.
6.7British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
7.0Co-directed by acclaimed cinematographer Ellen Kuras and subject Thavisouk Phrasavath, this haunting documentary chronicles a refugee family’s epic journey from Laos in the aftermath of the secret war waged by the United States there to New York, where they find themselves fighting a different kind of war on the streets of Brooklyn. Filmed over the course of 23 years, THE BETRAYAL is a visually and emotionally stunning look at the complex ways in which the political shapes the personal.
