Lovci lebek(1954)

African Dwarves(cs)

Searching for Cannibal Holocaust(en)

Italian horror fan and academic Calum Waddell speaks with some of the original makers of the controversial horror classic "Cannibal Holocaust" before venturing into the Amazon jungle and surrounding city port, Leticia, to uncover some of the local stories behind the making of the motion picture. What is uncovered, however, leads to a wider and unexpected "true crime" story.

Wild Honey(ru)

Sans Soleil(fr)

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

Xondaros - Guarani Resistance(gn)

The 6 Guarani villages of Jaraguá, in São Paulo, fight for land rights, for human rights and for the preservation of nature. They suffer from the proximity to the city, which brings lack of resources, pollution of rivers and springs, racism, police violence, fires, lack of infrastructure and sanitation, among others. Unable to live like their ancestors, their millenary culture is lost as it merges with the urban culture.

Du teweikan à l'électro : voyage aux sources de la musique autochtone(fr)

Bamboo Theatre(cn)

This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.

Live, song, live!(ru)

The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.

Circumcision(fr)

Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".

In the Frozen Tomb of Mongolia(fr)

Ex-Shaman(pt)

Ever since their first contact with the Western world in 1969 the Paiter Suruí, an indigenous people living in the Amazon basin, have been exposed to sweeping social changes. Smartphones, gas, electricity, medicines, weapons and social media have now replaced their traditional way of life. Illness is a risk for a community increasingly unable to isolate itself from the modernization brought by white people or the power of the church. Ethnocide threatens to destroy their soul. With dogged persistence, Perpera, a former shaman, is searching for a way to restore the old vitality to his village.

Salamanca(es)

A walk through the landscapes of the province of Salamanca, Spain, as well as a testimony of the daily life and customs of its inhabitants.

In Reindeer Shape Across the Sky...(fi)

This Finnish documentary film directed, written, produced and shot by Markku Lehmuskallio is the first part of a documentary trilogy about the Nenets people. It's a folkloric documentary describing the traditional nomadic life of the Nenets on the Yamal Peninsula. It includes Nenets songs sung by Anastasia Lapsui and her mother Maria Lapsui. The film was the first film collaboration of Markku Lehmuskallio and Anastasia Lapsui.

Quiet Killing(fr)

An examination of the issue of missing and murdered Indigenous women, the film explores the reasons why Indigenous women are uniquely vulnerable to violence by juxtaposing the stories of some missing or murdered women with the personal testimonies of women who are doing activism on the issue and women who have personally survived incidents of violence.

Four Corners: Saving the Amazon(en)

The Amazon plays a vital part in regulating the planet's temperature. Yet, last year, forest destruction in the Brazilian Amazon soared by 85 per cent. Illegal logging and slash-and-burn agriculture are decimating the land. With huge profits to be made, the Amazon is a dangerous place to ask questions. Despite the threat, the Amazonian tribes want the world to hear their message.

Cracks in the Mask(en)

A century ago the Torres Strait Island were the subjects of the famous Cambridge Anthropological Expedition - the resulting depletion of their cultural artifacts left them with nothing but a history of remembered loss. The only people in the Pacific to make elaborate turtleshell masks have none left - they are all in foreign museums. In a quest to reclaim the past, Ephraim Bani, a wise and knowledgeable Torres Strait Islander, travels with his wife to the great museums of Europe where his heritage lies. The film, an SBS Independent production, shows that the thickest of masks cracks when a descendant of the original owners enters a museum.

Green Ash(es)

In the mountains of Córdoba hides a historical scar. In 1575, hundreds of Hênia-Kâmîare women, children and elders jumped off in order to avoid slavery. A free, poetic view at the very place where the largest mass suicide in the history of the territory known today as Argentina took place. The film is a phantasmagoric trip within this geographical extension, taking it as a vast, green cemetery.

Worlds of Ursula K. Le Guin(en)

The extraordinary life story of science fiction and fantasy writer Ursula K. Le Guin (1929-2018) who, in spite of remaining for many years on the sidelines of the mainstream literature, managed to be recognized as one of the most remarkable US writers of all time, due to the relevance of her work and her commitment to the human condition.

Les secrets des fresques d'Amazonie(fr)

Eami(es)

Eami means ‘forest’ in Ayoreo. It also means ‘world’. The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the "Ayoreo Totobiegosode Natural and Cultural Heritage". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.