A hardened criminal is transformed into a responsible member of society after he undergoes plastic surgery.
A hardened criminal is transformed into a responsible member of society after he undergoes plastic surgery.
1936-09-25
6.7
DEAD...BUT THE LAW WANTS TO KILL HIM!
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.
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Soapy Gibson (Edward Ellis) and his wife Annie (Marjorie Rambeau) run a lonely hearts club in a small town. Even during the Depression years these were often "clip joints" - places where people with money but no mate got taken by someone offering the promise of companionship. However, Soapy and Annie are strictly on the level - and they have more than one reason to want to stay on the level. You see Soapy escaped from the law years ago, had some plastic surgery and changed his name, and has been living on the lam with his wife ever since.
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