Lina Mangiacapre(2015)

Ritratti: Andrea Zanzotto(it)

Marco Paolini discusses with poet Andrea Zanzotto about nature, history and language.

Crack: Cocaine, Corruption & Conspiracy(en)

A cheap, powerful drug emerges during a recession, igniting a moral panic fueled by racism. Explore the complex history of crack in the 1980s.

Frida Kahlo & Tina Modotti(en)

An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.

Hospedaria(pt)

An old hostel, located in the center of Porto, served for many years as a hostel for people with few possessions, prostitutes and people passing through who made that place a more or less prolonged residence.

Star Wars Kid: The Rise of the Digital Shadows(fr)

Ghyslain Raza, better known as the “Star Wars Kid,” breaks his silence to reflect on our hunger for content and the right to be forgotten in the digital age.

Uniforme(pt)

Dixie Chicks: Shut Up and Sing(en)

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

Fritz Berger: The Photographer of Memories(el)

In the spring of 1962, members of the Christian Peace Service aid group flew in from Bern, Switzerland and settled in the poorest villages in all of Greece. Led by photographer and social worker Fritz Berger, the group itself had one purpose: the provision of aid and development services to local communities inhabiting the southwest region of Lefkada. What followed were revolutionary advancements that would leave their lives forever changed.

Saynatakuna: Masks and Transfigurations in Paukartambo(es)

An ethnographic film that tells the story of the mask makers and dancers during the festival of the Virgen del Carmen in Paukartambo, Cuzco. The dancers reinterpret their history and socio-political forces that drive them to perform their rituals of magic and resistance. The 18 dance troupes reenact and satirize the different ethnic groups that passed through Paukartambo since the beginning of time. They connect and tell a story of the past, the present, and the future wearing hand-made colorful masks and intricate beaded costumes.

Who are we? Psychoanalysis of Ukrainians(uk)

The Prostitutes of Lyon Speak(fr)

Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.

Wonder of the Century(pt)

D'Emmanuelle à Emmanuelle(fr)

« Emmanuelle » was released 50 years ago. Its main character, played by the young Sylvia Kristel, delve freely into her sexuality, without taboo. This bold movie became one of the great success of french cinema in the 70s, and Emmanuelle became the face of sexual liberation. Through the gaze of a woman, the character is back on the screen in 2024. This new Emmanuelle, written by Audrey Diwan, go in quest of a lost pleasure.

Sara(es)

A young woman from Barcelona's La Mina neighborhood inquires into the past of the Roma people in this documentary about the persecution of the Roma people.

Three Lives(en)

Photographed by an all-female crew and directed by the author of Sexual Politics, these are autobiographical interiews with three very different women who talk frankly about their lives, conflicts, and contrasting life styles.

A Film for Discussion(en)

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.

Silvana(sv)

A documentary about the Swedish rapper and artist Silvana Imam.

Inside Red China(en)

October 1st, 1957. Dusk descends on Tiananmen Square, Peking. Fireworks crackle light across the night sky, above a city alive with National Day festivities and celebrations. Two intrepid New Zealand film-makers - Rudall and Ramai Te Miha Hayward - are there, documenting the life and times of communist China. The distinction of being the first English speaking foreigners to film unfettered in communist China was significant. The invitation to visit China was facilitated through the New Zealand China Friendship Society. They filmed in Canton, Shanghai, Peking (Beijing) and Wuhan. It was a small window of opportunity for Westerners to gaze on a country that was largely a mystery to the outside world since 1949. The unfortunate irony was that two of the documentaries; “Wonders of China”, and “Inside Red China”, were considered to be communist propaganda, and were not distributed outside of New Zealand.

Kaffee - Geheimnisse eines Wundertranks(de)

Coffee is the second most important commodity in the world after oil. The drink has a long history and what's more, its effect seems to be stimulating in two senses.

WATERSHED(en)

WATERSHED chronicles the story of Mallory Weggemann, who was paralyzed at the age of 18 and found refuge in the pool as a swimmer. Having won five Paralympic medals, Weggemann is now not only looking to reclaim her spot on the podium, but she’s trying to become a mother as well. In WATERSHED, which was self-documented by Weggemann and her husband Jay Snyder, Weggemann trains for the Tokyo Paralympics during COVID-19 and battles an additional injury to her arm, putting her career in question. Against the backdrop of these crossroads, the couple bravely share their struggles with infertility, the importance of IVF, and their journey to start a family. In this deeply personal and inspiring film, Weggemann reminds us that trauma and tragedy not only change how we are perceived by society, but how we perceive ourselves. And that if we’re brave enough, we too can write our own ending.