Takeshi Nanjo, a junior lieutenant in the navy whose father, the head of the Nanjo-gumi yakuza family, was killed, is forced to leave the army and become the head of the Nanjo-gumi in the second generation. He brutally chivalrously avenges the death of his father by a vicious yakuza linked to extremists within the army through the courage and swordsmanship of naval training!
Tose
Osawa
Takeshi Nanjo, a junior lieutenant in the navy whose father, the head of the Nanjo-gumi yakuza family, was killed, is forced to leave the army and become the head of the Nanjo-gumi in the second generation. He brutally chivalrously avenges the death of his father by a vicious yakuza linked to extremists within the army through the courage and swordsmanship of naval training!
1969-11-01
0
The film tells about Masayoshi, a noble Yakuza who lives by the laws of honor and humanity, and who is bound by an oath to his brother in a conflict between the Gamblers' family and the Tekiya family.
End of the Taisho period. In the city of Kiryu, where the wind is constantly blowing, the heads of the yakuza families of Kanhasshu (eight Kanto provinces) were to raise funds for the construction of the Chuji Kunisada monument. Responsible for the fundraiser was Jokichi from the Asami family, but Matsugoro from the Kuromatsu family, who wanted to become the greatest boss of the Kanhasshu yakuza, is trying to take over the textile market that Jokichi controls and intercept the fundraiser.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
The yakuza have their best days behind them and are only a shadow of themselves. The old rituals seem out of date and their tattoos make them outcasts of society. The inexperienced student Ryō stumbles into their ranks by chance, and before he knows it, he becomes entangled in dark machinations. He quickly succumbs to the fascination of omnipotence fantasies and hedonistic decadence and sinks deeper and deeper into a parallel world of prostitution, blackmail and violence. However, there is one thing that Ryō has not considered in his naivety: once yakuza, always yakuza!
Former hitman Ginya Yabuki (Riki Takeuchi) left the mafia and split somewhat contentiously with his longtime former partner. Years later, that same ex-partner has emerged as the head of a very dangerous crime syndicate and Yabuki is forced to confront his former partner, which may start an all-out war within the Tokyo Mafia.
Ten years after his greatest triumph, Yabuki has lost the Mafia that was once his to rule. But when a young gangster comes to him for guidance, he discovers that the old rage still burns. It's time for Yabuki's final stand and one last blaze of glory!
Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search. While looking, he finds a mysterious isolated hotel where he decides to take a rest. Not only are the front desk clerks a bit strange, but even the ambiance feels unusual. Minami soon realizes he may have gotten more than he bargained for.
Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
A lethal assassin for a secret Chinese organisation, who sheds tears of regret each time he kills, is seen swiftly and mercilessly executing three Yakuza gangsters by a beautiful artist. She is captivated by the grace of his kill and later falls in love with him. An intense power struggle for the leadership of the Yakuza Clans ensues as they seek vengeance for the death of their leader.
A corrupt cop teams up with an unlikely partner to protect the city from a gang of ruthless drug addicts.
Satomi Oka is worried about his final choir competition but is accosted by a shadowy gangster, Kyouji Narita, who demands karaoke sessions with him.
Shimamura is a violent street thug who joins the yakuza & is merciless & unscrupulous on his rise, lacking any sense of either duty or chivalry. When imprisoned, he is repeatedly transferred from one prison to another, because no one can handle him.
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
Murakawa, an aging Tokyo yakuza tiring of gangster life, is sent by his boss to Okinawa along with a few of his henchmen to help end a gang war, supposedly as mediators between two warring clans. He finds that the dispute between the clans is insignificant and whilst wondering why he was sent to Okinawa at all, his group is attacked in an ambush. The survivors flee and make a decision to lay low at the beach while they await further instructions.
A member of the jieitai ("Self-Defense Force"; i.e. Japanese military) is on leave and finds a woman giving birth in a graveyard in the former Yoshiwara district. He takes her to an inn to gove birth, and stays on a few days as she recovers, but becomes fascinated with the strange people he meets there, particularly the owner, who visits a house in his courtyard every day to talk and give food to his mother. He says she is very sick and can't leave bed, but no one else has ever been inside or seen her.
A young leader of the Yamazaki family of Nagasaki, Takida (Ken Takakura) is an A-bomb survivor. He fiercely battles violent elements in southern Japan like there is no tomorrow.
A trio of teenage tarts try to earn money through shoplifting and prostitution scams and get into deep trouble.
Part 4 in a long running (8+1 films) action/comedy/melodrama series about a pair of short tempered, amoral, but not evil chinpira (Bunta Sugawara and Tamio Kawachi) thinking too big of themselves. Sugawara tries to overcome a traumatic experience of getting in bed blindfolded with a girl who turned out to be an old granny. Later he and Kawaji try to settle down in a neighbourhood harassed by businessman yakuza Bin Amatsu.
A crossover between Wakayama's Gokudo and Sugawara Mamushi series. Gokudo runs a restaurant and makes Takuzo Kawatani his kitchen bitch. He tries to do the same for the Mamushi bros. but the boys don't play along, which pisses Gokudo off. Things get worse when he starts helping a young teacher and Bunta has a crush on a pretty girl... and unbeknownst to them it's the same woman! Yes, the film has not one but two romantic subplots! Of course it all ends in bloodshed.