1956-05-24
0
Ohyaku is a grifter who falls in love with a thief, who recruits her for his plan to rob a shipment of government gold. When this plan goes wrong and Ohyaku ends up in prison, she resolves to do anything to escape and claim revenge on the ones who betrayed her and her lover.
While Hirono is in prison, his rival Takeda turns his own crime organization into a political party, whose two executives stir up new tensions in their thirst for power.
Bunta Sugawara is Miyoshi, a low-level assassin of the Yamamori gang who is sent to jail after a bungled hit. While in stir, family member Aoki attempts to seize power from the boss, and Miyoshi finds himself stuck between the two factions with no honorable way out.
The seventh in the shocking "Jingi Naki Tatakai" movie series, which exposes the true lives of the yakuza that is hidden by a mask of "jingi". The next stage of this continuing drama is the Kanmon Channel where the Owada and the Kyoei groups are battling for territorial rights and drug smuggling. The Owada sends their man, Tetsu, and his friend Shuji to kill the Kyoei boss. With the promise of fame and riches, Shuji takes the fall and goes to jail for 7 years. But when he's released, he discovers that he and Tetsu have been all but forgotten by the Owada. Feeling betrayed, Shuji takes matters into his own hands and becomes an unsuspecting pawn in an internal conflict and an assassination attempt on the Owada boss. And now angered, Shuji seeks revenge...
Based on the tragic true story of China's first prima donna of the silver screen, Ruan Lingyu, chronicling her rise to fame as a movie actress in Shanghai during the 1930s. Nicknamed the 'Chinese Garbo', Ruan Lingyu began her career at 16 and committed suicide at 24.
In the 1970s, the Japanese youth emancipation also found its way into the yakuza (crime) societies. A Girl Boss may have a choice between bikes, and between boyfriends. But she has to defend her choices the hard way, as her triumph and power over the girls' gang is questioned by her female rivals, and the all powerful Yakuza Boss. She inspires loyalty to her girls, and to men to the extent of many of them literally giving their lives for her - in a world of knife and gun fighting, bike and car chasing, and violent death.
A wandering tough biker girl aids a female delinquent gang in their battles against an all-male Seiyu group over a fixed boxing match.
Nijima, a white-collar worker, finds the man responsible for his young daughter's murder. He tortures and interrogates the man, who maintains his innocence, before killing and burying him. He returns to his ordinary life feeling listless and hollow, until he encounters a man that introduces himself as an old friend. The man offers Nijima a new job, and subsequently introduces Nijima to his band of hired killers.
Two best friends—Tatsuo, a retiring Yakuza member, and Kiyoshi, a cop—travel to the funeral of a woman they both loved.
Giovanni, a married man with a child, meets on a train Maria, a former lover.
Second film of the Gokudo series starring Tomisaburô Wakayama
Akemi is a dragon tattooed leader of the Tachibana Yakuza clan. In a duel with a rival gang Akemi slashes the eyes of an opponent and a black cat appears, to lap the blood from the gushing wound. The cat along with the eye-victim go on to pursue Akemi’s gang in revenge, leaving a trail of dead Yakuza girls, their dragon tattoos skinned from their bodies.
During the Taisho Period (early 1920's) a monastery of warrior monks was split apart between two factions. One of these factions was led by the Chief Abbot and his protege, Shinkai. When Shinkai intercedes in a fight between a rival priest and some ruffians it leads to his expulsion from the order. This story introduced us to the character of Shinkai, a "Karate Priest" and his long running feud with Ryotatsu, his greatest rival. There are touches of humor as Shinkai breaks all the commandments of a priest, including fighting, gambling, and running after women. All this leads to an awesome conclusion as he must destroy a gang of yakuza aided by corrupt priests. The fighting is fast and furious as Ryotatsu waits to see if Shinkai can live long enough to face him in the ultimate test! /Winterheart of CG
An ex-cop finds himself caught up in a battle between Japanese mobsters and local gangland thugs and discovers that he was framed for wrong-doings by a corrupt cop.
Forth film in the Gokudo series with Tomisaburô Wakayama
Eighth installment in the "Gokudo" series. Depicts the activities of Shimamura Seikichi and his henchmen
This is one of the many films based on the legend of Chuji Kunisada, a wandering gambler and a defender of the weak in the Edo period. In other words, he was the Japanese Robin Hood. In this film Kunisada (Chiezo Kataoka) arrives to a small town terrorized by an evil gang. He insists that he is not Kunisada, as the word is Kunisada has been executed, but of course the audience know better. Sonny Chiba plays an unusual supporting role as a helpless young man unable to defend himself from the gangsters. He does, however, get to play taiko drums and dance with Junko Fuji (who makes her film debut here). Chiba's father, an old judge who helps Kunisada, is played by Takashi Shimura. The film hardly anything exceptional, but it's a pretty decent jidai geki / yakuza drama.
When a lucrative waterfront development becomes available, the Kawade gang quickly use their political connections to secure the land. However, the acting boss of the Ohara gang also has his eyes on the property and recruits crooked detective Tokumatsu Kuno to help him hijack the deal. With relations between the rival gangs at breaking point, it's not long before all-out war breaks out as the gangsters, police and local politicians battle for control of the city.
In the setting of the Hokuriku region, where the snow and cold winds rage, for the first time in true-life yakuza film history, director Kinji Fukasaku shows battles among yakuza who value land over tradition. Hiroki Matsukata stars as Noboru Kawada, a Hokuriku yakuza who will use any measure for survival, disregarding parents, brothers, and tradition.