A vacation house in a rural Swedish forest setting is observed by mysterious forces transforming into modern ghosts in city life. Shifting into forms of what we cannot yet deal with. Kaleidoscopic visuals following a constant shift between micro and macro perspective inform the form and narrative in this experimental hybrid art movie exploring film from a post-humanist perspective.
Ambulance driver #1
Ambulance driver #2
The presence
Medic
A vacation house in a rural Swedish forest setting is observed by mysterious forces transforming into modern ghosts in city life. Shifting into forms of what we cannot yet deal with. Kaleidoscopic visuals following a constant shift between micro and macro perspective inform the form and narrative in this experimental hybrid art movie exploring film from a post-humanist perspective.
2022-05-07
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We all have our ways of living a breakup. Is there really a limit on what we can do to find peace again ?
The legend surrounding Camp Greenlake had been told for decades, nobody really knew what had happened there. When two friends decide to look into the mystery, they get far more than they had hoped to uncover. Every town has a local urban legend. Some of those legends are best left alone!
A comedic-spoof of Sofia Coppola's 'The Little Mermaid'.
Fully exercising the transformative potential of the close-up, Paul Clipson brings us face-to-face with the beguiling strangeness of a bee drawing nectar and a butterfly working its wings. The so-called "butterfly effect" (in which a single theoretical butterfly flapping its wings can result in a hurricane across the globe) seems freshly tangible after this installment of the COMPOUND EYES cycle. - Max Goldberg
A discussion of the very important and highly controversial film, GUESS WHO'S COMING TO DINNER, featuring interviews with people like Katharine Houghton, Martin Baum, Louis Gossett, Jr., Norman Jewison, Garry Marshall, Karen Sharpe and Salome Thomas-El.
The destruction of nature by man seen through the eyes of a snail. The life of a snail on a tiny patch of weeds in the middle of grey stone: what seems wondrous and paradisiacal to it is the reason for road builders to repair a huge paved area for good. The snail reacts to the threat to its life in an unusual way.
A follow-up of A LOVE STORY OF TODAY, where actors and crew discuss GUESS WHO'S COMING TO DINNER.
Between inner conflicts and personal tragedies, two wounded souls embark on a journey of revenge against one man, revealing layers of complex stories amidst deep-seated grudges.
Nico and Thomas are childhood friends who were separated. Years later, at the beginning of their adult lives, they meet again and feelings from the past resurface, causing them both to face personal dilemmas. This is how, between dreams and disagreements, Nico and Thomas reflect on life, themselves, and love.
A friendship is at stake when love comes in the way. A hurtful conversation is overheard. The bond between two sisters breaks when a bloody secret is revealed. The girls' bathroom is a place full of conflict that forces the truth to the surface. But it is at the same time forgiving and accepting.
Omid is an Iranian immigrant who came to France with his family. One evening, in the street, he is attacked and stabbed in the heart. But Omid gets back up! At the hospital, the diagnosis is blunt: he has no heart. Did he leave it behind in Iran?
two Policemen are required to investigate a new murder attempt that happened in town, Who tried to kill the one and only - The time lord?
A diner is bound to get a surprise as he prepares to order in a unique sidewalk cafe.
We learn about the life of one very unique Indian woman, through the eyes of a British documentary crew.
In this early stop-motion film by Czech surrealist Jan Svankmajer, a device consisting of a clock, a pendulum, a faucet and a bucket enacts a series of events whenever the clock chimes.
A man wakes up, hearing a knock on the door. Something familiar is wrongly connected. When he opens the door, the light in the bathroom is turned on. When he turns on the light of the bathroom, the television is turned on.
A short film that explores gay male psychical intimacy, with some explicit nudity scenes. Matt, a gay man in his late twenties, navigates the lonely intersection of carnal sex and human closeness. With the arrival of Luke, a new man in his life, he finds a way to reconcile pleasures of the flesh with the new aroused imperatives of the heart.
Eade is a fourteen year old girl who has spent her entire life on the spaceship Cradle. Eade and her dad are on the return journey to Earth when an explosion cripples the craft and seriously injures her father. As the clock counts down to self-destruction Cradle’s computer, System, assumes control of the ship and refuses to perform the life saving medical procedure that her father desperately needs. Whilst trying to outwit System to save her dad, Eade discovers the shocking truth of her existence and must face her uncertain future armed with the knowledge that her life in space is not as it seems.