She whispers in your ear, so close you can feel her breath, to come inside her, and it's the sweetest sound you've ever heard.
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
Star follows the path of Tito and Jay, two brothers living in the Montreal neighborhood of Park Extension. Accompanying these young people in their daily life marked by complicity and intimidation, Star tackles themes dear to teenagers: identity and friendship.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
Dev Kumar Verma comes from a middle-class family and must find employment to support his dad and mom. Dev, however, has set his mind upon becoming a music sensation like Elvis Presley. He loses his job because of this, and refuses to work until and unless he gets a job to his liking, much to the dismay of his parents and his brother, Shiv Kumar. Dev does get employment at Charlie's Disco, where he meets with Maya and falls in love with her. When Charlie's Disco's competitor, Rana, finds out about Dev, he wants to hire Dev, but Dev decides to continue to work with Charlie's Disco, as a result Dev and Charlie get a beating by Rana's men, and Dev is unable to sing. After recuperating, Dev is devastated to find out that Maya and Shiv Kumar are in love with each other. What impact will this have on Dev and his brother on one hand, and what of his career in music?
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
Sonic Conversion: the Freedom Fighters develop a De-Robotisizer and try it out on Bunnie. Dulcy: After Dulcy exhibits strange behavior, Sally discovers she's going through a rites of passage state of her adolescence. The Void: After Sonic is almost sucked inside the Void, he finds a huge ring which Sally believes is an ancient relic but which turns out to be a trick of Nagus. Spyhog: After Antoine saves Sally's life during a raid, Sonic can't stand his bragging and zips in to see Uncle Chuck, who finds out his bug in Robotnik's hardware is malfunctioning.
Star is a young graffiti writer, the best in his city, Paris. His reputation attracts him as much into art galleries than in the police precincts. Accused of vandalism, he faces jail. Despite the threat, he decides to go to Rome with his crew in search of the meaning of his art.
Based on Aristophanes's play, Athenian women band together to encourage their men to stop fighting the Spartans by withholding sex from them when they return from the front.
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
Taking us into what for Mark Augé is the ultimate non-place - an airport waiting lounge - Stacy Hardy and Jaco Bouwer provide still more proof of supermodernity's failure to do away with organic social life. Granted, the space we enter with them is not one of healthy connections between human beings encountering each other in a functional polis. Clearly, theirs is a world of radical disconnects. At the same time, however, it is a world in which people invent highly idiosyncratic lives for themselves - if there is one thing missing here it is precisely uniformity - and in which imaginaries go haywire. Indubitably, the Hardy/Bouwer airport lounge is a dystopian space and this space, it seems fair to say, functions as a synecdoche for a larger social condition. But dystopia here stands in radical opposition to uniformity and it is determined to break the mold of late capitalist habitus (Dominique Malaquais, SPARCK).
A young woman who wants to break into the theater schemes to become the protege of a famous Broadway star.
This is an epic tale of two gangs, like The Jets and The Sharks. But Girl and Chocolate aren't even gangs. Some of them act tough and some of them act like babies. But they are even more unlike the Jets and The Sharks in that they aren't even battling each other for territory. They really don't know what the hell they are doing. They don't have a feud, most of them really like each other so that is another thing they don't have in common with the Jets and the Sharks. What they do have in common with The Jets and The Sharks is they love to dance. And when I say dance, I mean SKATE. And when I say SKATE, I mean really good. From the directors that brought you Mouse, Yeah Right and Fully Flared, another chapter in this tale with no plot, no ending but beautiful inner battles acted out on a little board with wheels.