Produced for the 1972 Museum of Modern Art exhibition, Italy: The New Domestic Lanscape, Supersurface was the first of five films planned by Superstudio as a "critical reappraisal of the possibility of life without objects." Superstudio envisioned a "network of energy and information extending to every properly inhabitable area". According to the artists, this network would bring about the destruction of objects as status symbols, the elimination of the city as an accumulation of formal structures of power, and the end of specialized and repetitive work as an alienating activity. "The logical consequence," they write, "will be a new, revolutionary society in which everyone should find the full development of his possibilities".
Produced for the 1972 Museum of Modern Art exhibition, Italy: The New Domestic Lanscape, Supersurface was the first of five films planned by Superstudio as a "critical reappraisal of the possibility of life without objects." Superstudio envisioned a "network of energy and information extending to every properly inhabitable area". According to the artists, this network would bring about the destruction of objects as status symbols, the elimination of the city as an accumulation of formal structures of power, and the end of specialized and repetitive work as an alienating activity. "The logical consequence," they write, "will be a new, revolutionary society in which everyone should find the full development of his possibilities".
1972-01-01
9
EVOLVE 89 was an event put on by Evolve which took place on July 9, 2017 at the Marietta Event Hall in Marietta, Georgia.
A grieving young inventor finds solace in repairing an antique typewriter.
I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.
Six college friends blowing off steam on a camping trip, find themselves caught up in a cat and mouse hunt with an Alien monster. Not knowing what to do or who to trust, they struggle to protect themselves. Reluctantly, they join forces with another, seemingly friendly, alien, Ava, who orbits the Earth and appears to them in the form of an avatar. Having only one chance at stopping the monster, they must race to locate and repair the Ava’s earth sent robot, before it slaughters them one by one.
A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.
On May 30, 1990, Midnight Oil interrupted its North American tour for a “special guerrilla action” on the crowded Avenue of the Americas in midtown Manhattan. The agit prop event was a live concert from the back of a flat-bed truck that eventually drew more than 10,000 people at the high noon hour. The Australian band took this chance to make public its feelings on the planet’s crumbling environment
A man of at least five faces.
The department store clerk Mary prevents a robbery at the store where she works, involving a necklace belonging to a rich unmarried woman named Eva Bandy. Later, she manages via a misunderstanding to prevent a million-dollar robbery of the same woman. With the man of her dreams, who helped her foil the robberies, she is "adopted" by Eva.
A boy realizes he is going to be late for school, so he quickly tries to make it in time before he's too late.
Astronauts Pete Burke and Allan Virdon crash on Earth in the far future and are captured by the apes. The men befriend a chimp named Galen who helps them to escape. In the hopes of finding a way to get back to their own time, the astronauts search for a computer in an earthquake-threatened city, with which they will be able to access their flight records. [The first of five telefilms edited from episodes of the 1974 TV series; this film combines the episodes "Escape from Tomorrow" and "The Trap"]
Miss Yamagami is beautiful with a willowy figure and slender legs. She seems out of place teaching in an all boys school. The young school marm is fully aware of her power over the impressionable boys in school and it satisfies her vanity. She stirs up their nameless longings until they are carried away and resort to acts on which Miss Yamagami had not counted on.
Sardar Joginder Singh alias Sardar Saab (Jackie Shroff) and his younger brother (Guggu Gill) act as messiahs for the people suppressed by the rich, wealthy and powerful. They do not shy away from taking law and order in their own hands. Due to the nature of their work, Sardar Saab sends his son (Daljeet Kalsi) to New Zealand, who meets Mehak Arora (Neetu Singh) and falls in love with her. Daljeet and Mehak want to get married to each other and their parents before the rituals take place. Once Daljeet reaches Delhi, Sardar Saab is arrested by the police and he gets killed in a bomb blast. How Daljeet avenges his killing forms the rest of the story.
About the adventures of the good doctor Aibolit and the evil robber Barmalei.
Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.
The Philosophy of Horror is a seven-part abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. The film uses hand painted and decayed 35mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).
An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.
"A l likeness is a gift... it avoids... or confuses time if your prefer." said John Berger. Following this premise, 81.92 is a structuralist inquiry into the notion of presence and absence as it reveals archival radio broadcasts from former Montreal radio host Mike Wolkow. The former (the audible) is left invisible while the later (the visible) seeks to find the missing elements that trace the passage of this vocal presence. Past and present interplay in this piece that shifts between epochs, thus mimicking a radio signal that is being tuned in.
This film essay about mushrooms and their connections to other living things tries to use the structure of mushrooms to explain nature, science, and civilization, all the while searching for various analogies, such as the similarities between mycorrhiza and other structures.
How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.
The film is an insight into a teacher's soul and a contemplation upon his teaching fate. This portrait of a unique, experimental filmmaker and teacher Martin Čihák takes a look at his teaching methods, his meetings with his students at FAMU and at a park where they work with film, or in his studio.
Italy, March 1980. César travels to the ruins of Pompeii with the extravagant intention of recording psychophonies, supernatural echoes of the great eruption of Mount Vesuvius that destroyed the city in the 1st century, but he does not succeed. However, on one of the tapes a strange phrase, much more recent, is recorded, words that César has already heard somewhere…
The Drone is the Message. It's not the laptop nor phone that best typifies our relationship to the internet. It's the drone.
Twenty-five films from twenty-five European countries by twenty-five European directors.
A look into the career and impact of "classical liberal" talk show host Dave Rubin
A video essay where the author presumes motivations and insights in a fictionalized biography regarding Debra Paget, a contract player for 20th-Century Fox whom they groomed and coached for stardom.
An essay film about Jean-Paul Sartre and the French Existentialists, featuring Roland Barthes' last interview.
Swimming, Dancing examines audiovisual representations of the Yangtze (1934–present), from silent film to video art to the contemporary vlog. Inspired by the city symphonies of the 1920s, Swimming, Dancing pieces together a “river symphony”, evoking the images, sounds and contradictions that make up the river’s turbulent history.
Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on the screen Galician artists working in disciplines of different nature. The result is four pieces around the creative process of these artists. Lois Patiño film their parents working on their paintings in their studio in Vigo, Jaione Camborda films dancer Janet Novás rehearsing for one of her pieces, Xisela Franco follows film director Margarita Ledo revisiting the location of her latest film Nation and Alfonso Zarauza reflects on the relationship between actress-director by putting together the work of Melania Cruz in two of their collaborations.
The Water Map is an essayistic journey through the ethnography and landscapes of the Region of Murcia. These places are in the process of disappearing due to the increasing and abundant agricultural exploitation. Water has marked the territory and the culture of the area, and with its disappearance, the memories of four characters fade away.
Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)