A retired bricklayer wants his grandson, who lives hundreds of miles away, to stay with him. Will he convince the young man despite the lack of opportunities in the country?
Luciano Scarpari
Andrea Scarpari
Bruna Lonati
A retired bricklayer wants his grandson, who lives hundreds of miles away, to stay with him. Will he convince the young man despite the lack of opportunities in the country?
2022-05-09
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December 1981: Helmut Schmidt, chancellor of the FRG, visits the chairman of the state council of the GDR, Erich Honecker. The experiences with the visit of Willy Brandt in Erfurt in 1970 have warned the state leadership: Euphoria for a federal chancellor is out of the question this time. For December 13th, the protocol plans a visit to Güstrow. The Christmas market, the Barlach memorial, and the cathedral of Güstrow are on the agenda. The enormous machinery of the ministry of state security is set into motion in order to ensure the “safety of the guest”. Erich Mielke: “Never before, such a high effort was necessary as here in Güstrow.” People are temporarily arrested, inhabitants placed under house arrest, Stasi employees dressed up as “visitors of the Christmas market”. And like that, the media was supposed to get presented with a favourable image of the GDR. A reconstruction of three hours of state visit to Güstrow.
The Via Emilia changes and becomes an open-air museum: hidden installations - although architecturally majestic - invite us to shift our perspective, to rethink the journeys that we thought we knew by heart.
Feature documentary on the pioneering life and work of iconoclastic filmmaker/musician/composer/artist Tony Conrad.
A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems. Featuring ongoing dialogues of experts from all over the world, including former Soviet Prime Minister Mikhail Gorbachev, renowned scientist Stephen Hawking, former head of the CIA R. James Woolse
Food writer and critic William Sitwell investigates the passions, pressures and obsessions behind that apparently all-important description, ‘Michelin-starred chef’. ‘It elevates your average stove monkey to superior cheffy status; it puts you in a completely new culinary class. But how relevant is Michelin? Do we want poncey food? Or can you get a Michelin star for a good steak and chips? Is the Michelin Guide harmful in its influence? And does the path to Michelin-starred perfection lead to dangerous obsession?’
Land is supposed to be the embodiment of permanence, but what happens when it's not? What is life like when the nation you live in has an expiration date?
Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.
The trajectory of flamboyant bodies that expose themselves in their social networks, whether artistic or not, and use these spaces freely.
Clarissa Dickson Wright tracks down Britain's oldest known cookbook, The Forme of Cury. This 700-year-old scroll was written during the reign of King Richard II from recipes created by the king's master chefs. How did this ancient manuscript influence the way people eat today? On her culinary journey through medieval history she reawakens recipes that have lain dormant for centuries and discovers dishes that are still prepared now.
To many African Americans, soul food is sacrament, ritual, and a key expression of cultural identity. But does this traditional cuisine do more harm to health than it soothes the soul?
After the 1999 premiere of the first Matrix movie, it became a pop culture phenomenon. A special documentary about the Matrix saga and its prophetic aspects.
Childhood leukemia, which accounts for 30% of childhood cancer, affects the lives of three in every 100,000 children. Of those affected, 20% do not survive, and these statistics have remained unchanged for over 20 years. But there's a way we can improve this outcome: through research.
During the pandemic, a 14 year old boy remains stuck in his school dormitory while his mother tries to contact him.
An Australian icon found on every supermarket shelf, and coating every game day pack of hot chips. But the story of the South Australian man who invented the famous Chicken Salt has never been told. While he sold the company in the late 70’s to the brand names you see in your cupboard today, he maintains that the original recipe, held secret for more than 40 years, tastes even better.
The true story of a young teenage girl whose mother is incarcerated for murder. Living in a Catholic Children's home run by an order of nuns, she provides poignant commentary about her mother, her own situation and her outlook for the future.
We are a conversation is a 2014 documentary directed by Alexis karpouzos and Spyros rasidakis and written by Alexis karpouzos exploring the unity of humanity, featuring poets from around the world, whose lives have been dedicated to explore the mysteries of life and existence.
Estado de Excepção is a documentary about CITAC (Coimbra Theater Initiation Circle), a university theater group, revealing history since it was constituted in 1956 until the aftermath of the 1974 revolution. It is the history of the theater group university and, through it, the history of theater in Portugal, revealing two remarkable decades of the History of Portugal. Through the Academy of Coimbra, the documentary reproduces student life, the position of women in society, and the change in mentalities of being and being in the world. It reproduces the existing censorship and the fight against the dictatorship, the resistance to an exhausted regime, as well as the emerging contradictions of the democratic revolution. CITAC has a heritage of 50 years of experience in Coimbra. It carries with it the possibility of the theatrical and civic formation of thinking bodies, constituting a proper ball of a possible model, generation by generation, between studies, theater, and social drama.