

Drawing animation, Reshooting 8mm Film.

Drawing animation, Reshooting 8mm Film.
1982-01-01
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0.0One of Rimmer's early 2000s video works which he made by hand-painting 35mm film, running it on a flatbed viewer, and shooting it off the screen with a video camera to then subject it to further manipulation.
0.0An abstract animation. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.
0.0A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
0.0Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.
0.0Chaotic poem read by a bimbo voice in cute piggery perfumed with poppers, the body loosen and is thinking about other possibilities of bottoming while deconstructing penetration, moving with fluids.
6.3Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.
3.0Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)
6.0Dilution is an experimental short film that explores the transit between resistance and (di)ssolution, between holding and releasing and a path towards obsessive repetition. They are layers, exposed pores, matter that oscillates between remaining or disappearing. The sound is not a background, but a puncture: friction, tearing, water that drags what still persists. A sensorial testimony of what refuses to vanish completely.
4.5Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carnival, he and composer Henry Brant worked separately, preferring to see if the score and visual track would synchronise by chance. Lye also experimented with a new Direct Film technique, drenching the filmstrip in colourful paint and marker pen.
0.0The Possible Fog of Heaven is a consideration of the dimensionality of metaphysics and the metaphysics of dimensionality. Elvis speaks for the first time from the afterlife, describing in voice over and graphic text, his experience in Heaven. The Structure of the tape follows the King’s last prescription.
0.0A man sits in his living room, doing absolutely nothing while morning arrives.
0.0After a threesome proposal, Beatrix drinks cranberry juice non-stop hoping it will improve her sexual life.
The enduring romance of the lines. A visual exploration of Dave Brubeck's jazz classic "Take Five".
7.0Gan Escapism is an experimental short film by Ukrainian-born artist Anna Malina. The film was crafted using a Generative Adversarial Network (GAN) to create a unique and captivating visual experience that blends abstract illustrations and evading sounds to create a surreal and thought-provoking piece of art.
3.0What could possibly be more important than feeding your daughter?
7.0"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.
0.0“[T]he sense of moving forward [in space or time] alternates with a sense of expansion and contraction, as the finished cycle [of movement] returns to itself and rushes to catch up with its successor.” (Gadassik) Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
0.0This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.
0.0Norman, arrives at a giant building and climbs up the countless stairs that exist in the building until he reaches the top.