In Foreign Soil(2001)

Tukdam: The Point Of Death(en)

Irish director Donagh Coleman explores the extraordinary phenomenon of Tukdam, whereby some Tibetan Buddhist practitioners are able to forestall physical decay at the point of clinical death for days, even weeks, by entering a deep meditative state. Supported by His Holiness the Dalai Lama a group of leading scientists conduct groundbreaking research into the phenomenon, which challenges Western medical understanding of the line between life and death.

A Thousand Pines(en)

In this tale of labor and family that shines a light on the precarity of temporary work visas, Raymundo Morales leads a crew of workers who have to make the challenging decision to leave their families in rural Mexico to plant commercial pine forests in the United States.

Inside Mecca(en)

The events of the hajj have long remained veiled from non-Muslims, who are forbidden even to enter the holy city of Mecca. A team of Muslim filmmakers gained access to Islam's holiest place at the peak of the pilgrimage to document the holy event for National Geographic Television.

No compromise when it's time to die(en)

An intimate portrait of New York artist Michael Anderson during the last year of his life. The film is structured by way of Roberto Bolaño's novel 2666.

Brothers of the Night(de)

Soft boys by day, kings by night. The film follows a group of young Bulgarian Roma who come to Vienna looking for freedom and a quick buck. They sell their bodies as if that's all they had. What comforts them, so far from home, is the feeling of being together. But the nights are long and unpredictable.

I Am Golden Karen(en)

I AM GOLDEN KAREN is a coming-of-age story of Thaawa, a Karen refugee in search of his identity as a migrant in Thailand. In between puberty and adulthood, he nurtures a strong desire to return to his motherland, Karen State, Burma.

Salam(fr)

In the French music world, the beginning of the 2000s was marked by the arrival of a young rapper, Diam's. Over the course of three albums, she has become a phenomenon in France, as well as in many countries around the world. Diam's has won some of the most prestigious awards in French music, graced the covers of countless magazines, and sold millions of records. However, in 2010, at the height of her fame, Diam's made a life choice that shocked the French: she converted to Islam. How did a tortured and suicidal artist find her way to peace? For the first time Diam's, known to her family as Mélanie, tells us the real story.

Beyond Ratings(hi)

Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.

Half Elf(is)

A lighthouse keeper prepares his earthly funeral while trying to reconnect with his inner elf. Hulda and Trausti have shared a roof on the Icelandic coast for over seventy years. Her love of books is matched by his love of stones. When he tells her he wants to change his name to Elf she warns him that the family will reject him. Now, as his one hundredth birthday nears and Trausti senses the hand of death upon him, he is searching for an elf’s coffin…

Wham! Bam! Islam!(en)

WHAM! BAM! ISLAM! tells the story of Naif Al-Mutawa and his venture to create the first team of superheroes from the Muslim world called THE 99. Following the tumultuous journey of THE 99 from concept to reality, from acclaim to censure by Islam's cultural gatekeepers, from the edge of bankruptcy to plans for theme parks and an animation series, Al-Mutawa dodges cultural minefields and tries to tackle the harsh realities of the global marketplace while doggedly pursuing his vision to bring new heroes to Muslim children while re-introducing Islam to the West

La Vie sans Brahim(fr)

3 Days of Terror: The Charlie Hebdo Attacks(fr)

In November 2015, when gunmen attacked Paris, France declared war on the Islamic State. But that war - and France's 'year of terror' - began a year ago with the attack on satirical magazine Charlie Hebdo. With unprecedented access to the French authorities and previously unseen footage, five-time Bafta-winning director Dan Reed reveals the untold story of the massacre and of the first Islamic State strike in Paris at a kosher grocery store. Key witnesses, police officers and survivors - many speaking for the first time - piece together the dramatic attacks and the unprecedented manhunt that gripped the world for three extraordinary and terrifying days.

The Charcoal People(pt)

This deeply human documentary examines the subject of environmental destruction, highlighting the impoverished migrant workers who are chopping down the Amazon rainforest to create charcoal for pig iron production used primarily in the automobile industry. The film examines the children and elders and their daily lives and work as they burn timber in igloo-looking huts, their bodies charred gray for $2 a day, struggling to survive.

The Enemy Within(ar)

Six stories from Italian Islam. As in the rest of the country, in Bologna, intolerance and attempts at dialogue coexist, ghetto neighborhoods and second generations fighting, crime and everyday life.

Light Upon Light: A Documentary On Hijab(en)

Light Upon Light: A Documentary on Hijab is an intimate and deeply personal exploration of the diverse, raw, and untold stories of hijabi women. Through open and vulnerable conversations with 7 women, the film dismantles stereotypes, highlights the challenges imposed by society, and celebrates the profound beauty of the hijab beyond a mere clothing choice. It captures the individuality of each woman’s story—how they came to wear the hijab, the struggles they’ve faced, and the strength they’ve found in it. More than just fabric, the hijab is a journey, often misunderstood, and influenced by the way the world perceives it. By amplifying voices that are often unheard, the documentary creates a space for empathy, challenges misconceptions, and invites a deeper understanding of what it truly means to wear the hijab; inspiring everyone to see hijab in a new light.

Dieu peut se défendre tout seul(fr)

Babylon(ar)

After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.

Migrant Dreams(en)

When Umi and Dwipa left Indonesia to work in an Ontario greenhouse as part of Canada's Temporary Foreign Worker Program, they hoped the jobs would provide the opportunity and income for a better life. They didn't expect that fixers and false promises would lead to deception and exploitation. Sadly, their story is not uncommon. Min Sook Lee continues to speak truth to power with her commitment to providing a voice to the silenced, fulfilling documentary's capacity as a powerful tool for social change.

Personale(it)

Folding towels, straightening out sheets, taking bathrobes out of the dryer, stripping beds, cleaning up vomit. Fluffing pillows—making a dent for elegantly turned-up corners—and endless scrubbing, cleaning and clearing up messes. Behind the scenes of a hotel in the Italian Dolomites, the staff do everything they can to serve the guests and prevent complaints. The hotel has four stars, and a fifth is in sight.

The 99 Names of God(en)

Arab-American filmmaker Yumna Al-Arashi embraces the rhythmic rituals that have run alongside Islamic tradition throughout the centuries in this surreal and poetic short film. Piecing together old and new, Al-Rashi's dream-like imagery breathes fresh air to a subject hardly seen in positive light.