In this tale of labor and family that shines a light on the precarity of temporary work visas, Raymundo Morales leads a crew of workers who have to make the challenging decision to leave their families in rural Mexico to plant commercial pine forests in the United States.
Liz Bonnin is setting out on a global mission to reveal the full scale of the world’s plastic problem – and explore ways in which this looming environmental disaster might be averted. As she chases plastic around the world, Liz is going to show us that this is a crisis far greater than we’d ever imagined…
When Umi and Dwipa left Indonesia to work in an Ontario greenhouse as part of Canada's Temporary Foreign Worker Program, they hoped the jobs would provide the opportunity and income for a better life. They didn't expect that fixers and false promises would lead to deception and exploitation. Sadly, their story is not uncommon. Min Sook Lee continues to speak truth to power with her commitment to providing a voice to the silenced, fulfilling documentary's capacity as a powerful tool for social change.
In a unique science experiment, Dr George McGavin and Dr Zoe Laughlin chronicle the history of rubbish and explore how what we throw away tells us about the way we live our lives. With unprecedented access to one of the UK's largest landfill sites, the team of experts spend three days carrying out tests all over the site, revealing the secret world of rubbish. They also carry out three other 'archaeological' digs into historic landfills to chart the evolution of our throwaway society. Ultimately, their quest is to discover whether the items we throw away today have any value for tomorrow's world.
It is the early 70s, and oil has been discovered in the North Sea. The UK needs rigs and needs them fast. Their search for a location to build the platforms settles on the sleepy Highland bay of Nigg on the Cromarty Firth, and a way of life is changed for ever.
The Amazon plays a vital part in regulating the planet's temperature. Yet, last year, forest destruction in the Brazilian Amazon soared by 85 per cent. Illegal logging and slash-and-burn agriculture are decimating the land. With huge profits to be made, the Amazon is a dangerous place to ask questions. Despite the threat, the Amazonian tribes want the world to hear their message.
It’s now 40 years since the end of the Cod Wars between Britain and Iceland. During the 1950s and 60s, Britain consumed 430,000 tons of cod each year, but as the stocks started to diminish the livelihoods of fishing communities in both countries were at stake. Iceland took steps to protect their fishing industry - the mainstay of their economy - resulting in the three so-called Cod Wars. This was a David and Goliath struggle, where the small fleet of Icelandic gunboats were pitted against the British trawlers and the Royal Navy in the North Atlantic. This Icelandic film, made in 2001, tells the story from both sides and reflects on the impact of the Cod Wars in Grimsby and Hull.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.
A diminishing water supply is driving people from their land in a remote region of Nepal. The younger generation of the Gurung family adapts by commuting from their ancestral home, where subsistence depends on grazing goats and cows, to a village that has a commercial apple orchard, fed by irrigation. “We cannot give up cultivating our fields,” a elderly man explains. “The apple farm is not going to be able to feed us easily.” The older generation believes that water shortages stem from road building and bulldozing, upsetting the natural order, a young man explains. Both generations fly prayer flags, beseeching water.
Transformed into a salmon, an Indigenous street artist travels through decayed urban landscapes to the forests of long ago, in this sublime mixed animation.
This is a story about youth with music. It all happens at the Dandelion School, Beijing’s first middle school specifically established for the children of migrant workers. Every year when new pupils arrive, Ms. Yuan Xiaoyan, who has worked in the school choir for eight years, would choose a group of music-loving first-years with solid musical foundations to join the choir. A new group of children join the choir while those who have advanced to the second year have to discuss with their families their future choices. For choir members, their music career in middle school will eventually stop due to the pressure of high school entrance examinations and the inevitable parting. But along this journey accompanied by music, they have been savoring the joys and sorrows of their youth, burying them deep in their hearts, and transforming them into growth-promoting nutrients.
My name is Ion. Who could have imagined the fate that awaited me: my birth under the Romanian dictatorship, the loss of my eyesight through an accident, my sudden escape from my homeland to seek a future that was a little too idyllic? One thing is certain: fate is like all the criminals that I listen to today for the Belgian federal police. With a little willpower, there is always a way to dodge its tricks. The person who taught me that is a close and loyal childhood friend. That friend is literature. Without her, I probably would not be what I am now, here, among you.
The whale hunters of the Faroe Islands believe that hunting is vital to their way of life, but, when a local professor makes a grim discovery about the effects of marine pollution, environmental changes threaten their way of life forever.
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
Brussels, Béguinage church. Migrants organize a hunger strike to obtain papers. A man dies. Tunisia, Libya. A border camp of Choucha refugees tell the horror of crossing the Sahara to the north. Liège. In a refugee center, a man narrates his Mediterranean crossing in a chamber of air. Three moments of a battle for survival.
By 2045, twenty localities in Germany will be resettled because of brown coal open pit mining. The film Waste Land follows the inhabitants of three villages in the Rhenish coal-mining district during their last years in their old home and documents how an entire region prepares for its collective relocation.
Armed with a camcorder, farmer-filmmaker-activist Severine von Tscharner Fleming spent two years crisscrossing America, meeting and mobilizing a network of revolutionary young farmers resettling the land. 'The Greenhorns' is an ode to their grit and entrepreneurial spirit, an exploration of sustainable agriculture, and an enticement to reclaim our national soil. The ninety minute feature is the culmination of well over 200 hours of original footage from all regions of the United States, as well as original animation by young urban farmer and artist Brooke Budner, and rare agricultural archival footage from the Prelinger Archives. Ultimately, The Greenhorns shows us how farmers can move out of the margins recent history has consigned them to, and back to the heart of the American food landscape.
Rotem Genossar, a teacher at the Bialik-Rogozin campus in south Tel Aviv, founds a running group for his students, young African refugees whose families fled their homeland and now live in Israel without any legal status. At first running is just a social activity for the students, but it quickly becomes a means to fight for their civil rights, part of a struggle to secure them a place of their own, out of the margins of Israeli society.
The environmental measures taken by the oil industry at the Sullom Voe terminal in the Shetlands.
How has Brazil dealt with nature and its natural resources in the early 20th century? What state is the Amazon Forest in? Based on specialties with specialties from the most diverse areas and with the rescue of historical figures, we discuss the notion of forestry, that is, the citizenship of the forest, a term necessary to reflect on Brazilian identity.