5 Days Of Tsundere Cohabitation With My Cheeky Childhood Friend[2021]

Are We Still Friends?(id)

Three boys are asked to call a friend they haven't seen or contacted in a long time. Their conversations reflect on childhood memories, feelings, and the meaning of friendship.

Les enfants de Vercheny(fr)

Shark Beach with Chris Hemsworth(en)

Chris Hemsworth has a real passion for sharks. The Hollywood star talks to experts to find out more about the apex predators of the oceans.

Sylvia Plath: Inside The Bell Jar(en)

The story of the making of The Bell Jar, the unique, semi-autobiographical novel written by American writer Sylvia Plath (1932-63), published in February 1963, shortly before her death.

Nothing Like Before – The Music of Clube da Esquina(pt)

Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.

Tscharniblues II(de)

Bern, 1979: a tower block called Tscharnergut. Together with a few friends (among them famous Swiss actor Stefan Kurt), director Aron Nick's father and uncle shoot the idealistic Super 8 film "Dr Tscharniblues" ("The Tscharni Blues") – a wild, unvarnished self-portrait of their generation. 40 years later, Nick gathers the friends at Tscharnergut and asks what has happened to them and their ideals in the meantime. What have the achieved? What have they lost? Past, present, and future clash and form a journey of personal disappointments, hopes, and a collective search for identity. In "Tscharniblues II," Aron Nick discovers a kind of friendship that can weather anything.

Visions of Violence(en)

This visceral cinematic snapshot is an inventive commentary on the pleasures and dangers of wielding a camera. Using different video and film formats, the director tries to record life as it is, unpredictable and at times dangerous.

The Noise of Time(es)

In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.

Track Two(fi)

A newspaper clip of a 30-year-old movie makes our middle-aged protagonist in the middle of his peak years to look for his best childhood friend. The journey leads him back to his teenage years in the 1990s depression, over-generational substance abuse and past encounters. This partly essayistic, autobiographical documentary tells the story of friendship and generational experiences while also pondering on the causes and effects of destinies in the judgmental atmosphere of our society.

Soviet Friendsbook(ru)

A friendsbook was like Facebook during the Soviet times. Many had one. Russian kids called it a Form. Classmates were asked to write in it and say what they thought love is, what they wanted to be when they grow up, what their favourite food was. It was mostly girls who had friendsbooks, of course. Twenty-five years later, Alyona Surzhikova browses her 6th grade friendsbook and decides to go and find her then classmates to ask whether their dreams have come true. She travels to Russia and Germany and even Cambodia and puts together a thought-provoking aggregate portrait of the Russian generation that grew up during the restoration of Estonia’s independence. Many of them have left Estonia by now, with half of Surzhikova’s classmates living abroad. Why did they do that? What do they think about Estonia? And what would they write into the Form now?

Sheep(nl)

In the lush fields of northern Belgium, as winter tightens its grip, the sheep of Eddy, Jeroen, and Johny become silent witnesses of a hidden drama when a wolf is driven to the edges of human lands in search of sustenance. With the three human protagonists doing anything within their power to patronize their rights of existence, this film stands up for the least heard voice in Belgium’s brand new wolf territory: that of the bleating sheep.

Women, Maasai and rangers - The lionesses of Kenya(fr)

Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination

drive.(en)

A lonely individual embarks on a scenic drive up a mountain, seeking fresh air and a renewed perspective. At the summit, they wander through serene surroundings, allowing the natural landscape to provide a mental reset and offer clarity—a deliberate retreat to refresh both mind and spirit.

Kaktus Hotel(de)

Ain't Got No Fear(en)

The industrial noise of a factory in the Isle of Grain provides a percussive backbeat as a group of local children rap about their lives and play in the woods, sometimes wearing luminous tribal masks.

Dr Tscharniblues(de)

Bern, 1979: a tower block called Tscharnergut. A group of friends get together to make a film about their experiences growing up in suburban Switzerland.

Hearts in Atlantis(en)

A widowed mother and her son change when a mysterious stranger enters their lives.

Donald Cried(en)

Returning home to working class Warwick, Rhode Island, Peter Latang encounters childhood friend Donald Treebeck for what starts as a simple favor and turns into a long van ride into two friends past.

Bad Education(es)

An examination on the effect of Franco-era religious schooling and sexual abuse on the lives of two longtime friends.

His(ja)

Shun and Nagisa first meet and fall in love during their first year of high school. While Shun is graduating from university, Nagisa tells him that he doesn't see a future for them. Despite Shun's strong feelings, they go their separate ways. Years later, Shun is now a store owner, living alone in a rural area. Out of the blue, Nagisa arrives with his six-year-old daughter, Sora. Spending time together, Shun realizes he still harbors feelings for Nagisa. Can Nagisa reconcile with his feelings for Shun, which have been there all along?