

A human flock runs across the landscape of fields. Thirteen performers in a teardrop formation form a single organism, guided by collective intelligence or intuition. It flows across the landscape of geometric patterns over terrain waves, flows around copses, divides, regroupes, and reunites. It stops at the horizon, rests, and runs on. The contrast between lively movement and the immobile geometry of the landscape. A hunter enters this magical moment. He walks across the field, climbs into a hunting blind, and loads his shotgun. The unsuspecting flock continues its light-footed, aimless journey.


A human flock runs across the landscape of fields. Thirteen performers in a teardrop formation form a single organism, guided by collective intelligence or intuition. It flows across the landscape of geometric patterns over terrain waves, flows around copses, divides, regroupes, and reunites. It stops at the horizon, rests, and runs on. The contrast between lively movement and the immobile geometry of the landscape. A hunter enters this magical moment. He walks across the field, climbs into a hunting blind, and loads his shotgun. The unsuspecting flock continues its light-footed, aimless journey.
2020-11-22
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5.9Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.
6.0A film that immerses its audience in subjective states of consciousness they might experience when they die, imagining what they can see and think and hear in a seamless but fragmentary flow of poetic images, words and music. The viewer undertakes a journey into their own interior world of dreams and projections in which time and space, and cause and effect logic, are turned on their heads. Text Messages from the Universe is inspired by The Tibetan Book of the Dead, a text which guides souls on their journey of 49 days through the 'Bardo', or intermediate state, between dying and rebirth.
Released on DVD as part of The Criterion Collection's "Martha Graham: Dance on Film" collection.
2.0A professional dancer struggles with his cravings for human flesh until his 'hambre', or hunger, becomes all encompassing. Accepting his status as an apex predator in human form, he fully embraces his life as a carnivorous hunter.
5.9When his first stage show fails, songwriter Cole Porter goes off to fight in WWI until, injured, he lands in a hospital. He impresses nurse Linda Lee with his creativity, but their budding romance must wait as Cole heads home. Back in New York, he mounts a series of popular shows, and when his work brings him back to Europe, he eventually marries Linda. But success doesn't spare him from marital complications or bad news about a beloved relative.
3.0While most of Ken Russell's documentaries for the BBC's Monitor arts strand focused on a single creative figure, he would also occasionally make more wide-ranging surveys of the state of a particular art. The Light Fantastic (BBC, tx. 18/12/1960) was written and presented by Ron Hitchins, a Cockney barrow boy who has long been interested in a great many dance forms, and who has recently taken up Spanish dancing. Hitchins participates in some of the dance sequences, but his main contribution is an enthusiastic commentary that helps personalise what could have been simply a disparate collection of dance footage. He's not shy about expressing likes and dislikes, being none too keen on ballroom dancing (too choreographed), rock'n'roll (too monotonous) and Morris dancing (just doesn't like it), though anything genuinely spontaneous gets a thumbs up, even if it's a room full of people dressed in black swaying to the sound of a gong.
5.0An experimental animation for "One of These Days" by Pink Floyd.
0.0The grandmother figure in the story is an “artistic speaker” who performs in town but seems enigmatic to her own granddaughter. Over the course of the narrative, the granddaughter realizes that, far from succumbing to despair in old age, her grandmother is full of “young laughter that has found its way back to an old body.”
0.0“Siddharta” is a landmark contemporary ballet by Angelin Preljocaj, created for the Paris Opera Ballet and inspired by the spiritual journey of Siddhartha Gautama, the future Buddha. Set to an original score by Bruno Mantovani, this production fuses philosophical narrative with avant-garde choreography and striking visual design by Claude Lévêque. The piece explores themes of desire, suffering, and transcendence, following Siddharta’s path from royal privilege through temptation and enlightenment. The work stands out for its blend of spiritual intensity, physical virtuosity, and the grandeur of Paris Opera’s leading dancers.
7.4Stéphane Lissner, director of the Paris Opera, entrusts the staging of the opera-ballet Les Indes galantes to the visual artist Clément Cogitore. Based on the experience of his short film Les Indes galantes, the artist updates Jean-Philippe Rameau's baroque masterpiece (1735) by bringing together lyric song and urban dance. The choreography is entrusted to Bintou Dembélé who supervises dancers from krump, popping, voguing or even experimental hip hop. From rehearsals to the Premiere, Philippe Béziat films the meeting of urban dancers with the lyric institution and invites the spectator to share a human and artistic experience.
0.0A history of the work of Merce Cunningham.
0.0Four of Sweden's most innovative choreographers travel to Ingmar Bergman's home on Fårö to explore and get inspired. The result is a unique contemporary dance film.The renowned Swedish choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg and Joakim Stephenson, with principal dancers Jenny Nilson, Nathalie Nordquist, Oscar Salomonsson and Nadja Sellrup from the Royal Swedish Ballet, interpret Ingmar Bergman through four unique dance performances reflecting on human relations and intense feelings. The dances are linked together with images of the epic natural beauty of Fårö and Bergman's poetic home Hammars, including the voice of the master himself - Ingmar Bergman - revealing his thoughts about movements and music.
0.0Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.
0.0Salome was the daughter of Herod II and Herodias. According to the New Testament, the daughter of Herodias demanded and received the head of John the Baptist. This is a choreographed version of the play by Oscar Wilde.
0.0A short dance film about a mother’s relationship to her pregnancy, as she deals with fear and hope about bringing a black baby boy into the world in 2020.
0.0Birgit Cullberg's 1950 dance adaptation of Miss Julie was the breakthrough for modern dance in Sweden. 30 years later one of her sons plays the role of Jean in this adaptation for TV.
8.0Nate, a workaholic drummer, spends all his time practicing, always striving for perfection. After he meets Yazmine, a like-minded, dedicated modern dancer, he realizes that the key to success isn't just to work hard – sometimes it requires you to play hard.