Making Dances: Seven Post-Modern Choreographers(1980)
Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.
Movie: Making Dances: Seven Post-Modern Choreographers
Top 7 Billed Cast
Video Trailer Making Dances: Seven Post-Modern Choreographers
All 1 videos
![Making Dances: Seven Post Modern Choreographers 2K [trailer]](https://img.youtube.com/vi/TpwLWNq4KOU/sddefault.jpg)
Making Dances: Seven Post Modern Choreographers 2K [trailer] - Trailer
Similar Movies
Everybody's Cage(en)
In “Everybody’s Cage”, German film artist Sandra Trostel turns John Cage and his approach to art into a tangible fascination, without giving in to explain just a single bit of it.
Ingmar Bergman Through the Choreographer's Eye(en)
Four of Sweden's most innovative choreographers travel to Ingmar Bergman's home on Fårö to explore and get inspired. The result is a unique contemporary dance film.The renowned Swedish choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg and Joakim Stephenson, with principal dancers Jenny Nilson, Nathalie Nordquist, Oscar Salomonsson and Nadja Sellrup from the Royal Swedish Ballet, interpret Ingmar Bergman through four unique dance performances reflecting on human relations and intense feelings. The dances are linked together with images of the epic natural beauty of Fårö and Bergman's poetic home Hammars, including the voice of the master himself - Ingmar Bergman - revealing his thoughts about movements and music.
Rough Stage(ar)
Maher, a Palestinian man, a former political prisoner. He is an electrical engineer by profession but an artist at heart. He dreams of staging a contemporary dance performance in Ramallah. In order to do so, he must deal with his disapproving family, tight budgets and cultural norms. Set in today's most contested location, Maher's story is a parable about a society in conflict, where the real war is between dreams and traditions.
Plutocracy I: Divide and Rule(en)
History of US labor movements and their suppression. It includes sections on the American Constitution; the Civil War draft riots; Reconstruction; Industrialization; the evolution of the police; the robber barons; early American labor unions; and major mid-to-late 19th Century labor events including the uprising of 1877, the Haymarket Affair, the Homestead strike and the New Orleans General Strike. The introduction examines the West Virginian coal wars of the early 20th Century, culminating in the Battle of Blair Mountain.
The Universal Language(en)
The Universal Language is a new documentary from Academy Award-nominated director Sam Green (The Weather Underground). This 30-minute film traces the history of Esperanto, an artificial language that was created in the late 1800s by a Polish eye doctor who believed that if everyone in the world spoke a common tongue, humanity could overcome racism and war. Fittingly, the word “Esperanto” means “one who hopes.” During the early 20th century, hundreds of thousands of people around the world spoke Esperanto and believed in its ideals. Today, surprisingly, a vibrant Esperanto movement still exists. In this first-ever documentary about Esperanto, Green creates a portrait of the language and those who speak it today that is at once humorous, poignant, stirring, and ultimately hopeful.
We are a conversation(en)
We are a conversation is a 2014 documentary directed by Alexis karpouzos and Spyros rasidakis and written by Alexis karpouzos exploring the unity of humanity, featuring poets from around the world, whose lives have been dedicated to explore the mysteries of life and existence.
If the Dancer Dances(en)
Filmmaker Maia Wechsler follows choreographer Stephen Petronio as he prepares dancers to restage the 1968 production of "RainForest."
Like It Is(en)
This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.
The Maltese Cross Movement(en)
The film reflects Dewdney's conviction that the projector, not the camera, is the filmmaker's true medium. The form and content of the film are shown to derive directly from the mechanical operation of the projector - specifically the maltese cross movement's animation of the disk and the cross illustrates graphically (pun intended) the projector's essential parts and movements. It also alludes to a dialectic of continuous-discontinuous movements that pervades the apparatus, from its central mechanical operation to the spectator's perception of the film's images... (His) soundtrack demonstrates that what we hear is also built out of continuous-discontinuous 'sub-sets.' Preserved by the Academy Film Archive in 2009.
Appalachian Spring(xx)
A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.
Boundless Life(de)
Bobbi Jene(en)
A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.
