
The Law of Silence, a final-year documentary by Moïra Chappedelaine-Vautier at Femis, examines the 1963 Amnesty Law and the consequences it had on studies of the Algerian War. It brings together interviews conducted in 2002 with Henri Alleg, editor of the daily newspaper Alger Républicain from 1951 to 1955, and Pierre Vidal-Naquet, historian and essayist. It also features incredible statements from General Massu and lawyers unraveling the various legal defenses of people like Jean-Marie Le Pen. Not only does Moïra have her father, René Vautier, speak, but she also includes footage he himself filmed forty years earlier. A very interesting report, which notably reminds us that the Amnesty is not a pardon but the erasure of the sentence and also of the crime itself.


The Law of Silence, a final-year documentary by Moïra Chappedelaine-Vautier at Femis, examines the 1963 Amnesty Law and the consequences it had on studies of the Algerian War. It brings together interviews conducted in 2002 with Henri Alleg, editor of the daily newspaper Alger Républicain from 1951 to 1955, and Pierre Vidal-Naquet, historian and essayist. It also features incredible statements from General Massu and lawyers unraveling the various legal defenses of people like Jean-Marie Le Pen. Not only does Moïra have her father, René Vautier, speak, but she also includes footage he himself filmed forty years earlier. A very interesting report, which notably reminds us that the Amnesty is not a pardon but the erasure of the sentence and also of the crime itself.
2003-10-10
9
5.9Amber, a mean popular girl who gets electrocuted and dies, is not allowed to enter into heaven unless she helps the least popular girl in school become Prom Queen within a week, but things do not go as planned.
5.8Two silent movie actors escape from their film. Forced to find a way to survive in the real world, they will only cause troubles to the people they will meet along the way.
5.4Wedding Planner, Kelsey Wilson, is about to have her big break: planning her beloved cousin's lavish and exclusive wedding. Everything is going smoothly until Connor McClane, a devilishly handsome private investigator, shows up and turns Kelsey's world upside-down. Hired by a secret source, Connor quickly disrupts the upcoming nuptials but wins Kelsey's heart in the process.
6.3A routine tow lands Mater in Tokyo, where he is challenged to a drift-style race against a nefarious gang leader and his posse of ninjas. With the help of his friend, 'Dragon' Lightning McQueen, and some special modifications, Mater attempts to drift to victory and become Tow-ke-O Mater, King of all Drifters.
6.8Carly, Sam and Freddie kick off their adventure in Japan on a tin can of a plane packed with caged possums and piloted by Spencer's odd acquaintance.
6.8In 19th-century Italy, Giacomo Leopardi channels his debilitating illness and isolation into poetry.
6.4After cancer claims Matt Kell's life on Christmas Day 2005, his widow, Gina and two young boys are left to cope with the pain of his loss while their close church community gathers around them for support.
6.3Someone from another planet crashed on Earth and evil is chasing him, and then love appears, and it defeats evil through an amulet.
6.0What would happen if two sworn enemies, two opposed women in temperament and lifestyle find out to share the most incredible legacy: the child of their ex-husband?
7.3A portrait of the man behind the greatest fraud in sporting history. Lance Armstrong enriched himself by cheating his fans, his sport and the truth. But the former friends whose lives and careers he destroyed would finally bring him down.
7.4The film tells the story of a man who has just arrived to work in one of the villages as a security guard in an old club. There he meets the employees of the club, and they take turns telling him scary stories. People tend not to believe strange stories. He contradicts everything, expressing his arguments, proofs. But he's wrong. Because everything told has its roots of truth, reality and goes deep into the past times, which can not be returned.
6.5Two outsiders, both shaped by the circumstances that have brought them together, forge a deep and lasting love.
6.7Reunited witch twins Camryn and Alex adjust to their new life as supernatural beings while at the same time trying to maintain a normal existence in this sequel to the magical Disney Channel original movie Twitches. But they soon find themselves going head to head with the forces of darkness that threaten to destroy their world. Luckily, their birth mother, the powerful Miranda, is on hand to help out.
7.4A startling expose of rape crimes on US campuses, their institutional cover-ups, and the devastating toll they take on students and their families. The film follows the lives of several undergraduate assault survivors as they attempt to pursue—despite incredible push back, harassment and traumatic aftermath—both their education and justice.
6.5Two ice skaters develop a love-hate relationship while dreaming of Olympic glory.
7.0A backstage and on-stage look at Justin Bieber during his rise to super stardom.
6.5In a life full of triumph and failure, "National Lampoon" co-founder Doug Kenney built a comedy empire, molding pop culture in the 1970s.
10.0Illustrated with archival photographs, animations and live action, this film explores the history and historical and spiritual heritage of Emir Abd El-Kader. Algerian leader of the 19th century, was admired by Abraham Lincoln and celebrated to this day by the Red Cross as a great humanitarian. Emir Abd el-Kader, the man who challenged the French armies from 1832 to 1847 before creating the bases of a real Algerian state, is today considered by independent Algeria as one of the most outstanding figures. of its history. The nobility of his attitude after his capture and the very effective protection he brought to the Christians of Damascus at the end of his life also earned him great prestige among his former adversaries. A documentary told in dialectal Arabic by the voice of Amazigh Kateb.
10.0The Algerian Sahara is the most exceptional deserts. He densifies everything he hosts, men and nature, and invites you to pay attention to the world. Jean-Louis and Odette Bernezat were born at the foot of the Alps, but it was in the Sahara that they found their way, and devoted almost forty years to the discovery of this environment and have extraordinary knowledge to share. Director Maryse Bergonzat accompanies them, in a meha, in the Hoggar in Algeria, with their Tuareg friends. A privileged place to appreciate the desert, its landscapes, its inhabitants, its laws and its stories, in the company of exceptional guides.
10.0Pierre Clément, student and photographer of René Vauthier, first accompanied him to Tunisia to make a film on the country's independence in 1957. Destiny led him to Algeria and his presence in February 1958 at the Tunisian-Algerian border changed his life. . Forever. He took his camera and photographed the attacks on Sakia Sidi Youssef before committing himself body and soul to the Algerian cause. Shortly after, he directed the film “Algerian Refugees” before being arrested, tortured and imprisoned, while his third film, “The National Liberation Army in Almaki”, was not finished. Abdel Nour Zahzah, a director who commemorates Pierre Clément, the director who risked his life, the brother of the Algerian resistance, who disappeared in 2007.
10.0This docu-fiction recounts the difficulties overcome by an ALN detachment whose perilous mission is to transport weapons and ammunition from Tunisia across the Algerian Sahara during the Algerian liberation war (1954-1962) against the French army of occupation.
10.0Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.
10.0On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's independence. France, colonizer since 1830, hastened to reinforce its military contingent in the four corners of the country and to prevent the advance of the rebels. A little Chaoui, born in a mountainous region of the country, sees his placid childhood collapse in the middle of a crossfire that he does not understand. The story, inspired by real testimonies, is constructed with images from the archives of the French army. From this apparently dissociated dialogue between image and word arises a sensitive homage to the memory that rests in the archives and to the ignored voice of its protagonists.
6.4Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.
7.5Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.
8.0As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.
10.0By ending the life of Jean Senac on August 30, 1973 in Algiers, his assassins believed they would silence him forever. They were wrong since his voice is a little louder every day. Witnesses to these craze: the publication of the complete works of this great poet, the countless conferences and radio broadcasts devoted to him and finally the production of films such as "Jean Sénac, the blacksmith of the sun". The moving and overwhelming testimonies of those who knew him, the unpublished film archives, the generous voice of the poet on the radio, the discovery of his travels in the territories of poetry and politics make this film a precious document on the life of Jean Senac.
10.0Jean Sénac, born in Béni Saf in Algeria in 1926 and died in Algiers in 1973, is today considered one of the great French writers and poets and the only one of his reputation to have accompanied the Algerian revolution before November 1954. part of all the debates and got involved, very early and with immense enthusiasm, in a work of commitment which ended badly. His poetry, his sexual preferences and his political lyricism work against him: rejected as much by the Pieds Noirs as by the FLN activists then by the power in place in Algiers, Jean Sénac was assassinated in 1973 at his home in Algiers, in circumstances never clarified.
7.2Meet the real-life airmen who inspired Masters of the Air as they share the harrowing and transformative events of the 100th Bomb Group.
7.2While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.
10.0In 2024, Abdelkrim Baba Aissa, aged 75, engages in a series of filmed interviews with Algerian journalist Thoria Smati. They address the chronology of the rich and committed career of this self-taught Algerian actor, director, producer and screenwriter, who made his debut on Algerian television as an assistant director then at ONCIC as a director in the years 70.
0.0During the Algerian war (1954-1962), some French people helped the F.L.N. in France.
7.2This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
4.0Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, due largely to the shame attached to rape in German culture at that time.