1961-01-01
0
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
An intimate portrait of a strong independent feminist who has witnessed the gradual emancipation of women. Now a pillar of support in her community, 85-year-old Terese is savouring every moment of living, and being a liberated woman.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Entering in the darkness of his memories, with the aid of some old photographs, one man travels to his past, building along his way a story which spans multiple generations to recover the image of his father, whose early passing marked him as a child.
The story of a unique Georgian musician - Gia Iashvili, who makes music for the sake of creating and remains little-known in his own country.
Safety film from the late 70s/early 80s about the (then) new hobby of skateboarding. Produced by Sid Davis.
In Natpwe, the feast of the spirits, co-directors Tiane Doan na Champassak and Jean Dubrel have produced an immersive, seemingly timeless document of an annual Burmese trance ritual that dates back to the eleventh century. Shot in Super 8 and 16mm in sooty black and white, the film conveys the astonishing sense of liberation of tens of thousands of bodies and minds — a mass expression of faith, but also a rapturous respite from societal intolerance.
Denys Colomb de Daunant (1922 - 2006) is a writer, poet, photographer and filmmaker known for being the author and co-writer of the film Crin-Blanc (1952) directed by Albert Lamorisse. Highly symbolic character of the Camargue, aristocrat and dandy, he was also a manager and hotelier. He would lead the immemorial life of an animal herder if he did not have another passion: images. The photographic apparatus and the camera are like sensitive antennas that he spreads over his world and which seek the truth beyond appearances. Since Crin Blanc his photographs have appeared in illustrated books on five continents. Among his many films, Corrida Interdite (in competition at the 1959 Cannes Film Festival) and Le Rêve des Chevaux Sauvages (Golden Bear at the Berlin Film Festival) are global short film successes. The animals, the images... a single passion: that of a free life in one of the rare countries where you can still live freely: the Camargue.
"A well-known character, in a dance that created considerable excitement when first introduced in America."
A gay man reminisces about his deceased lover, a victim of AIDS.
A short documentary on how people view art and its value in today's society.
Man Ray shoots from a window on 31 bis rue Campagne-Première, in the heart of Montparnasse, where he rented a ground-floor studio.
The High Holy Brothers is a documentary on a mysterious Messianic cult formed by peasants who fled the violence of the forties/fifties in Colombia and are admitted to live in the mountains of southern Tolima. Its members dress in sacks, they have their own dialect and regard everything as “Blessed”, minus the right side of the body, which castrated covering it with the “holy coat”. This group rejects all elements of the consumer society, established institutions, the state, church and political parties.
Sicily, Granitola, 1955. At the first light of dawn, the fishermen set out in their boats for open water, timing the rhythm of their oars to murmured chants. They set their nets in the sea, regulate the cords, organize the boats in a square. The men’s work becomes increasingly harder as the tuna are hoisted onto the boats, wriggling, beating their tails until death arrives and the water is tinged with blood.
From the lens of its alumni, this film chronicles about the history of Marching Band Korps Putri Tarakanita, a marching band extracurricular that continues its legacy to this day.
Trains travel through the night without stopping. The clatter of the carriages quickly disappears, along with the wail of the locomotive. The people at the station are all asleep. But why are they so exhausted ? And what are they waiting for? Set inside an isolated train depot, The Train Station is one of Sergei Loznitsa's most haunting films. It is also one of his most pointed social critiques. In this film, we are brought to a remote train station deep in the Russian woods. It's nighttime. In the distance, we hear the clatter of locomotives. The station, a small wooden building, sits silently, surrounded only by snow and train tracks.
Andrea and Krisztina Marics are 28-year-old identical twins with a teaching degree that have lived together since birth. They work together at a touring circus, doing joint artistic performances. After a long circus tour abroad, Andrea leaves the close relationship and ends their work together. She feels that she can succeed on her own. Krisztina still lives and works in the circus but struggles to find her place there without Andrea. After the winter tour, Krisztina has to decide if she stays at home with her sister or continues the life of a wanderer.