1954-04-14
0
Her first foray into documentary filmmaking was a short called Green Street (1959), a look at an over-loaded freight train departing from Prague. Though only nine minutes in length, Chytilová’s astute editing ensured a visual spectacle.
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.
a lazy girl is depressed and confused of what to do next, after she realizes that she has grown up.
A grieving widower is offered a pill that can help ease his grief by erasing certain bad memories.
A poetic documentary portrait about czechoslovakian painter.
April arrives home and asks for food for dinner. The delivery man who arrives is not the one she expected and neither is the situation she’s about to live.
Using a unique format of episodes and advertisements: GUNKWORLD is a short film about a horror cult cartoon series on TV where the main characters: Gunkman, Sallysweets and Roboji, are cute monster schoolchildren who terrorize human characters. Outside the TV show, GUNKWORLD begins to advertise its brand through commercials and merchandise, which quickly gains popularity at an unholy rate. The entire planet eventually becomes crazed, all their thoughts replaced with messages from GUNKWORLD. Back in the TV show, Gunkman starts to miss his lines. Gunkman is up to something... As a film, GUNKWORLD overloads the viewer with loud, colorful and compressed visuals, audio, stories and designs, playing with ideas of hypnotic subconscious consumption. It paints a vibrant yet ugly picture of needless ‘over-consumption’ and loss of control. GUNKWORLD is also a love letter to Japanese media, seen from the eyes of a child growing up in Singapore during the 90s.
Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.
Two little girls are playing with a ball. But after a petty quarrel, they get angry with each other and take offense. Their umbrage makes them inflate like balloons, they fly all the way up to the clouds. Girls get stuck up there, with no idea how to get down and save their kitten stuck in the tree.
A group of three students making a short film, however, while the two enthusiastic students are proud of the work, a reserved student casts doubt on how the audience will perceive the film.
Roadkill Jamboree is a stop-motion/ 2D hybrid music video about how roads and drivers affect animals, featuring music from the ska-punk band Suburban Legends. This grim yet humorous story centers around a band of five undead animals encompassing various species along Interstate Highway 5. Each animal in the band represents a different type of creature native to California while embodying different reasons why roadkill happens.
When Ana's childhood friend dies she attempts to skip the five stages of grief with the help of her best friends, ex-boyfriends and naked Twister.
Jethro is a young man happily speeding through his youth, but when his reality starts to literally fall apart around him, he has to make a hard decision that'll affect the time he has left.
Another dreary day in a small town. Viki, Sára, and Kiki, three inseparable friends since childhood, are planning to spend their free afternoon the same way they always do: vodka, cigarettes, talking about everything and nothing. But their group dynamic is different today, more explosive: one of them has reached the second round in a casting call for a modeling job, thus raising her chances of leaving this place of dashed hopes and dreams. Her friends might be willing to support her, if only their anger, sadness, and envy weren’t so powerful… A relentless but non-judgmental look at growing up without any prospects of a brighter future.
Tilly, Miah and Safa are three young women who endure debilitating period pain. Following an adolescence with little menstrual education, support or relief, they navigate the physical and emotional toll of intensely painful periods while trying to maintain a normal life.