Paralysis(2021)

White Hole(ja)

Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.

It has to be lived once and dreamed twice(en)

In the sixth great mass mortality of the earth, humankind became extinct. Their technology had recently progressed so far as to deconstruct the algorithms of evolution and allow artificial life to develop on Earth.

Electric Eye(pt)

An experimental short film, shot during the COVID-19 pandemic, made by one person. Using recorded scenes and archival footage, the short presents an unorthodox narrative to explore the themes of self-identification, identity, gender expression and androgyny.

Not Even Nothing Can Be Free of Ghosts(de)

Rainer Kohlberger’s abstract film was created entirely without a camera. Through digital algorithms, he precisely arranged a rhythm of light and shadow that pulsates off the screen into our physical space with blinding intensity. The presence of light is almost felt as we are sucked into the image to become its ghostly accomplice. As we leave the theatre, the optical vibrations continue to haunt us.

Manhattan One Two Three Four(en)

A study in visual rhythm with images of architecture in Manhattan, New York, using the technique I did for the first sequence in Sketch Film #3. All edited in-camera and hand-processed afterwards. This film was commissioned by Echo Park Film Center for the celebration of its 12th anniversary.

Trans/Figure/Ground(en)

A film about uncanny valleys and the space between. Painted 16mm film undergoes a monstrous transformation becoming neither analog nor digital.

Mona Lisa(ja)

An experimental short film from Toshio Matsumoto featuring Mona Lisa.

Anti-Objects, or Space Without Path or Boundary(en)

The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and intertwined” - such as the historical and the present and the tool and the artifact. Images and representations of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit(ed) the land are woven with audio tapes of one of the last speakers of chinuk wawa, the Chinookan creole. These localities of matter resist their reduction into objects, and call anew for space and time given to wandering as a deliberate act, and the empowerment of shared utility.

let me come in(en)

Bill Morrison’s experimental short features decayed film reels from the lost, German silent film Pawns of Passion (1928).

Star Ferry(en)

Impressions of Hong Kong and Tokyo by day and night shot entirely with a 35mm still camera. Star Ferry is structured between moments of stasis and frenetic movement, drawing out tensions between abrupt passages forward past neon signs and LED advertisements to quiet observations of personal rituals.

Escape 360(en)

One man, one camera, one goal...to capture the essence of adventure. An experimental, often abstract new type of filmmaking process creating color rich visuals combined with a lush soundtrack that grounds the project. A unique cinematic experience.

Brouillard #14(fr)

Alexandre Larose creates supernally spectral superimpositions infused with a meteorological mix and the intense lusciousness of the Québec landscape.

New York Loft(en)

“Both NEW YORK LOFT and DOLL HOUSE convey a strong sense of resourcefulness, this ‘making something’ out of interiors, specifically domestic spaces. And domestic they are, in an avant-garde sort of way. The filmmaker gives plentiful evidence of arranging things, moving them, adjusting, placing and re-placing. First are poles and sticks found; second is fabric, sheets, pillows; in a third section we see round things. Circular magnets, machine parts, film cans and the like eventually become visually paralleled with the camera lens itself. The lens is seen as Barbara films into a round mirror. How different are the visions of this woman-with-a-movie-camera from Vertov of sixty years ago! Each extols the camera-eye, but Hammer replaces Vertov’s sociopolitical kino-truths with adventures in domestic space.” – Claudia Gorbman, Jump Cut

Extracorpus(fr)

Prom Night(en)

A Lynchian depiction of self-transformation in the social media age. Steeped in saturated colour, unnerving cinematography and bold sound design, this chamber piece depicts a young woman’s confrontation with impostor syndrome and racialised beauty standards.

Portrait of a Clown(en)

A portrait of the performance artists in colorful clothes and painted faces whom have transitioned from a symbol for joy and laughter, to horror and terror, to melancholy and sadness.

Love, Dad(cs)

A short film about ties and gaps between a child and a parent. The author rediscovers letters her dad used to write her from prison. That love seems to be gone now. She decides to write back in hope to find the connection again. She puts in writing what could not be said: blaming him for family´s break-up but also trying to understand.

Third Page from the Sun(fr)

Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has become obsolete by the digital dematerialization. A commentary on the fragility of culture.

The Devil's Trap(en)

A 25-year-old former cult member seeks out his family in a closed world of neon crosses, deadly alcoholism, and abuse.

ReBuild(ja)

After the Great East Japan earthquake and tsunami of March 11, 2011, I witnessed many changes. Towns were lost in a moment. Children living in Fukushima couldn’t go out and play freely. This work was made from the pictures drawn in the landscapes of parts of Japan. Using the reflection of sunlight, we tried to capture people’s emotion for "energy". Source: CaRTe bLaNChe