Movie: let me come in

Top 2 Billed Cast

Hans Stüwe
Hans Stüwe

(archive footage)

Olga Tschechowa
Olga Tschechowa

(archive footage)

Video Trailer let me come in

All 1 videos

LA Opera Digital Shorts: “let me come in”

LA Opera Digital Shorts: “let me come in” - Featurette

Recommendations Movies

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Midsommar
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Reservoir Dogs
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A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors -- veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie -- unravel.

Halloween
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Fifteen years after murdering his sister on Halloween Night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.

What to Expect When You're Expecting
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Interstellar
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The adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

Eraserhead
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Eraserhead(en)

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Hunting & Gathering
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Hunting & Gathering(fr)

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Sister Act 2: Back in the Habit
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Sister Act 2: Back in the Habit(en)

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Network
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Network(en)

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The Wolf of Wall Street(en)

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You're Next
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Titanic
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Titanic(en)

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Indiana Jones and the Temple of Doom
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Indiana Jones and the Temple of Doom(en)

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The Game
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The Game(en)

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A Beautiful Mind
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Full Metal Jacket
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Full Metal Jacket(en)

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Robin Hood: Prince of Thieves
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Robin Hood: Prince of Thieves(en)

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The Crazies
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The Crazies(en)

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Macbeth - Teatro alla Scala(it)

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La Gioconda - Opera Bruxelles
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La Gioconda - Opera Bruxelles(en)

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Conspiracies and regattas form the backdrop to the fortunes of a young singer. Harassed by a heartless spy, she sacrifices everything to save the man she loves and the woman he prefers over her. Ponchielli based his flamboyant opera on Victor Hugo’s play Angelo, tyrant of Padua. An expert on Hugo, director Olivier Py offers us a dream-like version of this dark Romantic tragedy, presided over by sex and death. Paolo Carignani conducts an exceptional cast in the six demanding main roles.

Owen Wingrave
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Owen Wingrave(en)

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Margaret Williams directs this 2001 production of adaptation of Benjamin Britten's television opera based on a short story by Henry James. Performers featured include Gerald Finley, Peter Savidge and Josephine Barstow. The conductor is Kent Nagano. As pertinent now as then, OWEN WINGRAVE was composed by Benjamin Britten at the height of the Vietnam War. The opera poses the question: Is pacifism an act of cowardice? Or rather a desire to escape from the spiral of war and create world peace? To what extent do we determine our own futures? Should we let past events inform the decisions we make? Britten’s characters grapple with timeless issues in this gripping psychodrama.

L'Enfant et les Sortilèges
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L'Enfant et les Sortilèges(fr)

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Kazushi Ono and Laurent Pelly offer audiences an inspired and poetic interpretation of Ravel's classic children's opera, L'Enfant et les Sortilèges.

Carmen
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Carmen(sv)

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Spain 1820. It's meal time at the cigar factory. Carmen spends her break in the square. Close by is Don José cleaning his weapons.

38/79: Sentimental Punk
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38/79: Sentimental Punk(de)

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'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

The Raft of the Medusa
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The Raft of the Medusa(de)

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Hans Werner Henze’s “The Raft of the Medusa” is directly inspired by Théodore Géricault’s famous painting. The German composer sets to music the fate of 150 people who have been shipwrecked and abandoned to their destiny. This is a radical work that fluctuates between hope and inevitability, agony and sudden bursts of life. The Raft of the Medusa is an oratorio that was first performed in 1968. Fifty years on, the Italian director Romeo Castellucci underscores its immense modernity, drawing a striking parallel between Hans Werner Henze’s work and the current migrant crisis in the Mediterranean.

Rodelinda
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Rodelinda(en)

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With this DVD and Blu-ray of Rodelinda, one of Handel’s most emotionally complex operas, conductor Emmanuelle Haïm adds to her impressive Erato catalogue of the composer’s works. The imaginative production, by Jean Bellorini, was seen at the Opéra de Lille in Autumn 2018, and the cast features soprano Jeanine De Bique in the title role, countertenor Tim Mead as her husband Bertarido and another countertenor, Erato’s rising star Jakub Józef Orliński as Unulfo. Reviewing the production, Le Monde noted Emmanuelle Haïm’s “intimate connection with this music, which she knows how to unleash in all its violence, passion and heart-wrenching expressivity.”

A Cossack Beyond the Danube
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A Cossack Beyond the Danube(uk)

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Zaporozhets za Dunayem (Ukrainian: Запорожець за Дунаєм, translated as A Zaporozhian (Cossack) Beyond the Danube, also referred to as Cossacks in Exile) is a Ukrainian comic opera with spoken dialogue in three acts with music and libretto by the composer Semen Hulak-Artemovsky (1813–1873). The orchestration has subsequently been rewritten by composers such as Reinhold Glière and Heorhiy Maiboroda. This is one of the best-known Ukrainian comic operas depicting national themes.

Zaporozhets Za Dunayem
0%

Zaporozhets Za Dunayem(uk)

1937-01-01

Adapted from the opera written by the composer Semen Hulak-Artemovsky.

Adams: Doctor Atomic
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Adams: Doctor Atomic(en)

2008-08-11

John Adams’s mesmerizing score, in the powerful production of Penny Woolcock, tells the story of one of the pivotal moments in human history—the creation of the atomic bomb. Conducted by Alan Gilbert in his Met debut, this gripping opera presents the human face of the scientists, military men, and others who were involved in the project, as they wrestled with the implications of their work. Baritone Gerald Finley gives a powerful star turn in the title role as the brilliant J. Robert Oppenheimer.

Tosca
0%

Tosca(it)

2023-01-26

Tosca is a melodrama of love, betrayal and death set in the revolutionary unrest of 1800. The story concerns the opera singer Floria Tosca who tries to save her lover, the painter Mario Cavaradossi, from the brutal chief of police, Scarpia. Through-composed and expertly orchestrated it contains some of Puccini’s best-known lyrical arias and remains one of his most performed operas. In this 2022 production, an eminent cast is directed by the acclaimed Australian director Barrie Kosky – ‘the Amsterdam audience was completely swept off its feet by Kosky’s stunning production’ (Opera News).

Beethoven Fidelio
100%

Beethoven Fidelio(de)

1978-11-04

This production is a gala affair; the sets are traditional (evocative of 18th-19th century Spain); the lighting is bright, so colors are good and one can see all of the action. Singers are generally well chosen and perform admirably. However, at this point, slight reservations creep in; although Janowitz (Fidelio/Leonore) and Kollo (Florestan) look "good" and act well, the singing parts tax them a bit when pushed to the limit. Most of the time that doesn't matter, and an argument can be made that a little vocal strain is in character with their dire plight. Ideally, for me, Vickers as Florestan would have added extra vocal heft and more sensitive acting than Kollo.

Giordano: Andrea Chénier
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Giordano: Andrea Chénier(it)

1996-11-09

This live from the Met telecast from October 1996 of Giordano’s infrequently performed verismo gem is an absolute pleasure to watch and listen to and I highly recommend it. Nicholas Joel’s production is extremely elegant while at the same time being simple and uncluttered. Act I, for example, is dominated by an enormous gilt-framed mirror precariously tilted. I assume that it is a metaphor for the imminent downfall of the decadent aristocracy at the party given by the Contessa di Coigny. The costumes designs by Hubert Monloup are terrific. The prerevolutionary costumes in Act I are simply stunning each one individually tailored for the choristers and major performers.

Gluck: Iphigenie en Aulide / Iphigenie en Tauride
80%

Gluck: Iphigenie en Aulide / Iphigenie en Tauride(fr)

2013-03-01

Before the Trojan War, Agamemnon gathered the Greek armies at the port of Aulis. The goddess Diane sent unfavorable winds to prevent the Greeks from sailing. Her oracle set a condition for Agamemnon: to earn the right to sail forth and destroy an innocent country, he would have to sacrifice his own daughter. Agamemnon accepted these terms and killed his young daughter Iphigénie on the altar. In his play Iphigenia in Tauris Euripides imagines that Diane plucked Iphigénie from that altar and delivered her to a temple in distant Tauride, where Iphigénie began to serve the enemy Scythians as Diane’s high priestess—all the while Iphigénie’s family believing her dead.

Rossini: La Cenerentola
0%

Rossini: La Cenerentola(it)

2020-01-31

This occasionally off-the-wall but finely sung and colourfully staged La Cenerentola was Rome Opera’s first foray into the media market, shown on television and in cinemas across Italy in 2016. It clearly had the funding. Emma Dante’s production will not have come cheap – Vanessa Sannino’s costumes are a particular feature – nor would the singers, given that this is as good a Cenerentola cast as any international house might currently muster.