Amateur travelogues by women in the 1920s-50s are woven into this meditation on the traveler’s gaze. A mountaineer, a divorcee on a tour of biblical gardens, an antique merchant and others are revealed through their own optical autobiographies.
A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.
Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.
Documentary about urban violence in Brazil, especially in Rio de Janeiro. Policemen, drug dealers, and shantytown dwellers get trapped into a daily war that knows no winners.
Filmmaker Cheryl Foggo re-examines the story of John Ware, the Black cowboy who settled in Alberta, Canada, prior to the turn of the 20th century.
At 14 Rabha El Haimer was an illiterate child bride, beaten, raped and then rejected. Ten years later, she is a single mother, fighting to legalise her sham marriage and secure a future for her illegitimate daughter. With unprecedented access to the Moroccan justice system, “Bastards” follows Rabha’s fight from the Casablanca slums to the high courts.
Tells the true story of one woman's quest to help two elephant landmine survivors-Motala and Baby Mosha-walk on their own four legs.
Learn the origins and rise of modern day hula-hooping through eight extraordinary stories of hoop devotees who have embraced it as an art form, a teaching aid, and even an instrument of redemption. From the streets, to intimate clubs, to giant arenas, we alternate between self-filmed video diaries, verité documentary footage, and spectacularly filmed performances in an attempt to celebrate the healing power of movement and the spirit of human inventiveness.
Houda al-Habash, a conservative Muslim preacher, founded a Qur'an school for girls in Damascus, Syria when she was just 17 years old. Every summer, her female students immerse themselves in a rigorous study of Islam, in addition to their secular schooling. A surprising cultural shift is underway-women are claiming space within the mosque, a place historically dominated by men. Challenging tradition, Houda insists education for women is a form of worship. Using Qur'anic teachings, she encourages her students to pursue higher education, jobs, and public lives, while remaining committed to an interpretation of Islam prioritizing women's role as wives and mothers. In a world rarely seen, The Light In Her Eyes tells the story of a leader who challenges the women of her community to live according to Islam, without giving up their dreams. Shot right before the uprising in Syria erupted, the film is an exclusive look at a social movement thriving in a country controlled by a repressive regime
This is the story of a year in the life of one mother whose daily struggles illuminate the challenges faced by more than 42 million American women and the 28 million children who depend on them.
“It’s not my memory of it” is a documentary about secrecy, memory, and documents. A former CIA source recounts his disappearance through shredded classified documents that were painstakingly reassembled by radical fundamentalist students in Iran in 1979 following the takeover of the U.S embassy. A CIA film—recorded in 1974 but unacknowledged until 1992—documents the burial at sea of six Soviet sailors, in a ceremony which collapses Cold War antagonisms in a moment of death and honor. A single photograph pertaining to a publicly acknowledged but top secret U.S. missile strike in Yemen in 2002 is the source of a reflection on the role of images in the dynamic of knowing and not knowing.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.
The film is set to the music of Franz Schubert and is very strange. Much of it consists of disembodies arms and legs all moving about to the music. There are also folks in body suits moving rhythmically to the tune. Occasionally, there are shots of a guy in full color with multiple exposures.
A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.
In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.
A testament of the greta B-movie director Lucio Fulci, whose films inspired great director like Quentin Tarantino. Lucio Fulci gift a long meditation about moviemaking fascinating for his sincerity, irony e clearness, about his filmmaking and his particular career.
Shattered Glass: A WNBPA Story dives deep into the lives beyond the court of the next generation of basketball luminaries, Jonquel Jones, Nneka Ogwumike, and Breanna Stewart, as well as WNBA legend, Sheryl Swoopes. From intense off-season routines to the intricacies of family dynamics to navigating the politics of women's sports, this documentary offers viewers a rare, all-encompassing look at the athletes as holistic individuals.
Filmmaker Stephanie Wang-Breal sets out to cross the generational divide, confronting long-simmering tensions with her Chinese immigrant mother by literally becoming her. Dressing in her mom’s iconic St John Knit power suits and re-creating her 1980s local TV cooking show, Stephanie becomes Beta-Florence, a radical reinterpretation of Asian-American identity.
In 1965, Patsy Takemoto Mink became the first woman of color in the United States Congress. Seven years later, she ran for the US presidency and was the driving force behind Title IX, the landmark legislation that transformed women’s opportunities in higher education and athletics.
This cinema-verite-style documentary interweaves the pregnancy and childbirth of a young woman with the lingering death of a cancer patient to comment on the celebration and tragedy of existence. The tenderness and intimacy of the young couple, and the mystery of birth are contrasted with the dignity of a man who faces his death without deception.