The first Colombian film with synchronous optical sound.
The first Colombian film with synchronous optical sound.
1937-03-22
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A documentary on the massacre of Planas in the Colombian east plains in 1970. An Indigenous community formed a cooperative to defend their rights from settlers and colonists, but the government organized a military operation to protect the latter and foreign companies.
María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.
It is with an old bus an about thirty snakes that Franz Florez struggles for the preservation of nature in Colombia, one of the most environmentally diverse country in the world. His snakes are his pass to enter the deep jungle, where guerrillas fight the regular army and where narco-traffickers meet coca growers. Facing the threat of the industrial exploitation of these preserved areas, he tries to gather support among the population, including the armed actors.
In the depths of the Colombian jungle, the skeleton of an immense abandoned cement bridge is tucked away. It has turned into a delusional tourist attraction.
Once every decade in a small Colombian village, musicians engage in a fierce battle for the title of the Accordion King. Travel down to Colombia, and go behind the scenes of the Vallenato Kings Festival where, each April, the world's greatest accordionists assemble to perform, compete, and celebrate the squeezebox. Meet the players and hear their stories, including professors of the Turco Gil Academy, where over two thousand children dedicate themselves to their instrument, and Yeime, a young girl who overcame cultural stereotypes to become the first woman to win the competition in over forty years.
Faced with his imminent death from AIDS, Colombian artist Lorenzo Jaramillo looks back on his life and work through the five senses.
Ciro Galindo was born on August 29th, 1952 in Colombia. Wherever he's gone, war has found him. After twenty years of friendship, I understood Ciro 's life sums up Colombia's history. As so many Colombians he is a survivor, who has run away from war for more than sixty years, and now dreams of living in peace. "Ciro and Me" is a journey to memory, seeking to give sorrow words; a journey, similar to that of Colombia in times of peace, in search to recover its dignity.
A Matter of Land recounts the first year of application of Colombian's Land Restitution Act from the perspective of a community who decide to engage with the process. The film explores the tensions that arise when such communities come face to face with the complex institutions responsible for enforcing the law. The result of these tensions is a narrative worthy of Kafka, in which a doorway to justice is opened for the sole purpose of demonstrating that no one can pass through it.
Drivers of urban public transport in Bogotá do not receive a fixed salary¸ only a percentage per passenger picked up. Through the testimony of two champions of this daily war¸ an unpleasant daily life is shown¸ distressing and dangerous¸ both for the users and for the drivers themselves los and from which the only ones who benefit are the great transport entrepreneurs¸ true architects of a bloody war in which the State is hardly an indolent spectator.
From the land of narco-violence to the land of displaced persons. The documentary Guerras Ajenas ('Wars of Others') explores the consequences of the war on drugs in Colombia, and one of its main tools: aerial spraying.
An intimate portrait of the pioneering artistic collective Grupo de Cali, whose work is now considered a fundamental part of Colombia’s film history.
The village of Tamaquito lies deep in the forests of Colombia. Here, nature provides the people with everything they need. But the Wayúu community's way of life is being destroyed by the vast and rapidly growing El Cerrejón coal mine. Determined to save his community from forced resettlement, the leader Jairo Fuentes negotiates with the mine's operators, which soon becomes a fight to survive.
Camila lives her last days in the jungle as a guerrilla of the FARC-EP at the crossroads between an uncertain future of peace and the lingering memory of a childhood severely punished. Sent to a war hospital in the middle of the jungle, Camila begins a journey into her past, to the depths of an old wound that needs to be healed. A journey that ends up leading her to an unexpected reunion with her friend Ricardo, a young guerrilla recently amputated due to a mine.
If you take a pinch of Khoi-San lament, a dash of Malay spice, a bold measure of European orchestral, a splash of Xhosa spiritual, a clash of marching bands, a riff of rock, the pizzazz of the Klopse, some driving primal beat, and a lot of humour and musical virtuosity, what do you get? Goema Goema Goema! Weaving together the ancient, the traditional, and the classical into the contemporary universal sound of Cape Town, Mac MacKenzie, musical mastermind and founder of The Genuines and The Goema Captains of Cape Town, puts together the final touches to the culmination of his life’s work: Goema in Five Movements. Musicians and musical commentators Hilton Schilder, Neo Muyanga, Iain Harris and Graham Arendse, and new kids on the block, Kyle Shepherd and Shane Cooper, add a contemporary context to Goema, while the orchestra rehearses for its premiere performance at the SABC studios.
After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor. Ernesto is one of them. The much celebrated Colombian peace agreement throws Ernesto and the polarised society around him into chaos in which everyone is afraid of the future and their own survival.