Plan Colombia: Cashing In on the Drug War Failure(2003)

Snake Man(fr)

It is with an old bus an about thirty snakes that Franz Florez struggles for the preservation of nature in Colombia, one of the most environmentally diverse country in the world. His snakes are his pass to enter the deep jungle, where guerrillas fight the regular army and where narco-traffickers meet coca growers. Facing the threat of the industrial exploitation of these preserved areas, he tries to gather support among the population, including the armed actors.

La Negociación(es)

When Multinationals Attack Nation States(fr)

In autumn 2016, demonstrations sprang up all over Europe against the CETA free-trade agreement between the European Union and Canada. The reason? An obscure clause which allows multinationals to sue nation states if they feel their profits may be damaged by government decisions. An investigation into the hidden world of international arbitration.

Beatriz González, why are you crying?(es)

What happened to painter Beatriz González, who made us laugh with the irony of her works, to get to the point of making a self-portrait that shows her crying naked? The path of the artist is intimately linked with the history of Colombia during the past fifty years.

The Birders(es)

The film highlights legendary Colombian birdwatching guide Diego Calderon-Franco and National Geographic photographer/videographer Keith Ladzinski as they travel through Columbia, a nation that boasts one of the most diverse populations of birds in the world, to capture footage of rare and unique birds, some of which have never been filmed before.

Plains: Testimony of an Ethnocide(en)

A documentary on the massacre of Planas in the Colombian east plains in 1970. An Indigenous community formed a cooperative to defend their rights from settlers and colonists, but the government organized a military operation to protect the latter and foreign companies.

Walkers of time(es)

María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.

Colombia in My Arms(fi)

After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor. Ernesto is one of them. The much celebrated Colombian peace agreement throws Ernesto and the polarised society around him into chaos in which everyone is afraid of the future and their own survival.

Carlitos Medellin(es)

This documentary reveals the most violent part of the most violent city (Medellin) of the most violent country (Colombia) in the world. For around 75 minutes, different people from Medellin explain how difficult it is to live and survive in a city where violence, weapons, killing is common. Everyday, someone you know may die or get wounded by one of the different armed factions that struggle throughout the country and in the cities to take control over the population, drug cartel, politics, etc... sometimes for no reasons at all but fun.

Suspension(es)

In the depths of the Colombian jungle, the skeleton of an immense abandoned cement bridge is tucked away. It has turned into a delusional tourist attraction.

Mama Goema: The Cape Town Beat in Five Movements(en)

If you take a pinch of Khoi-San lament, a dash of Malay spice, a bold measure of European orchestral, a splash of Xhosa spiritual, a clash of marching bands, a riff of rock, the pizzazz of the Klopse, some driving primal beat, and a lot of humour and musical virtuosity, what do you get? Goema Goema Goema! Weaving together the ancient, the traditional, and the classical into the contemporary universal sound of Cape Town, Mac MacKenzie, musical mastermind and founder of The Genuines and The Goema Captains of Cape Town, puts together the final touches to the culmination of his life’s work: Goema in Five Movements. Musicians and musical commentators Hilton Schilder, Neo Muyanga, Iain Harris and Graham Arendse, and new kids on the block, Kyle Shepherd and Shane Cooper, add a contemporary context to Goema, while the orchestra rehearses for its premiere performance at the SABC studios.

Our Film(es)

Faced with his imminent death from AIDS, Colombian artist Lorenzo Jaramillo looks back on his life and work through the five senses.

Resistencia En La Línea Negra(es)

El último carnaval(es)

The real-life story of Benjamín García, a man who dressed up as Dracula in Barranquilla's Carnival and ended up believing he was the Count of Transylvania.

El Acordeón Del Diablo(es)

Memory of the Silenced: The Red Dance(es)

In the mid-1980s, peace initiatives between the Colombian government and the guerrilla group, FARC, led the latter to disband after two decades of fighting and establish a legal-political party, the Union Patriótica (Patriotic Union). As the UP met with some successs in local elections, it became a target of right-wing death squads and paramilitaries. So far, 3,000 UP members have been murdered or have disappeared, making it a case of political genocide unparalleled in the world. The documentary "The Red Dance" views, through the memories of survivors and relatives of victims, this period of terror and assassination. While FARC has reverted to war, a petition is pending before the Inter-American Commission on Human Rights (IACHR) regarding human rights violations by the State of Colombia.

La Gorgona Historias Fugadas(es)

La Buena Vida - The Good Life(de)

The village of Tamaquito lies deep in the forests of Colombia. Here, nature provides the people with everything they need. But the Wayúu community's way of life is being destroyed by the vast and rapidly growing El Cerrejón coal mine. Determined to save his community from forced resettlement, the leader Jairo Fuentes negotiates with the mine's operators, which soon becomes a fight to survive.

Like Shadows Growing as the Sun Goes Down(es)

Medellin. Tireless car traffic. In the margins of a society launched at top speed, some lurking engines shutdown to make a living; Jugglers at intersections, employees on breaks, whose precise and repetitive work mark the flow of time which is always repeated.

It All Started at the End(es)

An intimate portrait of the pioneering artistic collective Grupo de Cali, whose work is now considered a fundamental part of Colombia’s film history.