July, 1936. The terrible Spanish Civil War begins. When the streets are taken by the working class, the social revolution begins as well. The public shows are socialized, a model of production and exhibition of films, never seen before in the history of cinema, is created, where the workers are the owners and managers of the industry, through the unions.
Himself
Himself
Himself
Herself
Herself
Himself
Himself
Himself
Himself
July, 1936. The terrible Spanish Civil War begins. When the streets are taken by the working class, the social revolution begins as well. The public shows are socialized, a model of production and exhibition of films, never seen before in the history of cinema, is created, where the workers are the owners and managers of the industry, through the unions.
2009-10-23
7.5
An unexpected romance occurs for a female Red Army sniper and a White Army officer.
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
The life of a boy in his adolescence takes a turn when his relationship with his mother and father is exposed
Pavel Ivanovich Chichikov plans to buy the titles to “dead souls” and use them as collateral to obtain a large loan. He comes to a small provincial town and begins to proposition the local landowners. These landowners are revealed to be so petty and avaricious that not even Chichikov’s amazing offer can be worked to his advantage on them. Some stall, some refuse for no obvious reasons, some promise and then renege, and others want “in on the deal.” In the end, Chichikov, having concluded that the landowners are a hopeless lot, leaves for other regions.
A wretched man wanders the streets of Cap-Haitien, dreaming of his imaginary kingdom. He thinks he's the King Christophe, the first ruler of the New World, a former slave and liberator of Haiti in 1804. Out of town, "King Chacha," as he is known, took refuge in the imposing ruins of the castle of Sans Souci along with Timothy, a street urchin he took under his wing. Here he reconstructs a junk yard where reigns absurdly.
This film portrays the issue of child trafficking and the intervention of authorities on that issue.
The documentary was entirely filmed in the province of Burgos, containing monuments and architecture considered emblematic of Spanish heritage. Color was added to the film at a later date, by hand. Burgos is a fine example of the timeless beauty of hand-stenciled film, as well as sound actuality filmmaking by two cinematic pioneers.
In a Thai village childhood friends Kwen and Sompan are looking forward to make the world a better place within their ideology and beliefs. Kwen is a communist and Sompan is a monk. The film is a subtle metaphor for the troubled Thai political situation of the 1970's.
Tom chases Jerry around a high-rise apartment, and then around the ledge surrounding the building. They torment each other with a compressed air horn. Jerry goes down a drainpipe and Tom follows, stretching himself the length of the pipe (and getting unstuck with help from the air horn).
The team-up of Denji Sentai Megaranger and Gekisou Sentai Carranger. This V-Cinema special takes place between episodes 39 and 40 of Denji Sentai Megaranger.
An experimental stop-motion animation made with a piece of yarn.
2 adventurous teenagers decide to go into a supposedly haunted apartment building.
Semyon Bychkov WDR Sinfonieorchester Köln SYMPHONY NO. 3 IN F MAJOR, OP. 90 SYMPHONY NO. 4 IN E MINOR, OP. 98 Far from being conservative, as Brahms often has been referred to, his symphonies show the composer as a groundbreaking pioneer far ahead of his time. He may not have broken dramatic new ground in the same way as his musical colleagues Liszt and Wagner, who invented new genres. Instead, his innovations took place at the mircro-level – within music’s inner palm. In this respect Brahms was far ahead of his time – and this fact explains what half a century later Arnold Schoenberg regards him as “progressive” and was referring to him for his own compositional theory.
The German tourist Kiki and the Swiss tour guide Marlies are kidnapped by Contra rebels from Nicaragua while on vacation in Costa Rica. While Kiki's friend Markus fights for her release together with her mother, Kiki begins an affair with one of the kidnappers. When the two women were released after 72 days on payment of ransom, the police suspected that they had colluded with the kidnappers.
The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)
A documentary on Fellini’s lost alternate ending for 8½
In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
Propaganda short film depicting the rise of Nazism in Germany and how political propaganda is similarly used in the United States. The film was made to make the case for the desegregation of the United States armed forces.
Depression-era bank robber John Dillinger's charm and audacity endear him to much of America's downtrodden public, but he's also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.
An episode of the television program Cinéastes de notre temps in which the director gives his first on-camera interview.
A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.
An exploration of the making of b-movie sci-fi cult classic "The Creeping Terror" and its con-man director Art "A.J." Nelson/Vic Savage.
The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.
The fantastic story of how an ancient martial art, Chinese kung fu, conquered the world through the hundreds of films that were produced in Hong Kong over the decades, transformed Western action cinema and inspired the birth of cultural movements such as blaxploitation, hip hop music, parkour and Wakaliwood cinema.
"The Anarchist's Wife" is the story of Manuela who is left behind when her husband Justo fights for his ideals against Franco's Nationalists during the Spanish Civil War. He is deported to a concentration camp, and upon his release, continues the fight against nationalism in the French resistance. Years, pass without a word from him, but his wife never gives up hope of seeing him again.
A look at the life of legendary American pilot Amelia Earhart, who disappeared while flying over the Pacific Ocean in 1937 in an attempt to make a flight around the world.
From Star Wars to Jedi: The Making of a Saga is a 1983 television documentary special that originally aired on PBS. It is a behind-the-scenes look at the making of the original Star Wars trilogy, with particular emphasis on the final film, Return of the Jedi. Narrated by actor Mark Hamill, the documentary was written by Richard Schickel who had written the previous television documentaries The Making of Star Wars (1977) and SP FX: The Empire Strikes Back (1980).