

A man has shelled out good money to be served at a bath house, or soap land, by the attendants. He has paid enough to receive the services of not one but five of the women who work there and respectfully after the requisite and customary greetings avails himself of the wiles and bodies of the young women.

5.7In a remote Kyrgyz village, a mother navigates daily life as her family is drawn into the upheaval of World War II. Left behind to tend the land and hold her household together, she clings to hope amid growing uncertainty. As seasons pass, the quiet weight of absence and memory shapes her world. A deeply personal story of endurance, Mother’s Field captures the emotional cost of war from the perspective of those who wait.
9.2A young actress arrives late to a casting, making up a great excuse without knowing a small detail.
5.0A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.
7.0A classic about an anteater who makes life rough for a colony of ants. In the ant community, the queen spreads warnings of their greatest enemy, the Anteater. "He's a menace, he's a brute, he will scoop you with his snoot." Their motto is "make him yell uncle," which they do when the anteater invades them.
7.0"Behind the Sun" clearly identifies the time identity of his film. It follows the horrific military defeat of June 1967, when a senior military commander insists on an investigation into the real causes of the defeat, leading to his assassination by the commander of the military prison , When the rebel military commander refuses to ignore his insistence on requesting this investigation, during the special visit by "Jaafari" commander of the military prison in order to convince him to do so, "Jaafari" can not escape from his assassination by firing bullets,
6.1When Celeste gets engaged to Jason after just a few months of dating, her father and the couple’s would be officiant, Pastor Mark, insists on putting them through a pre-wedding “bootcamp” filled with Christmas-themed challenges. As the couple grows stronger through the festive activities, Celeste considers following her dreams in the fashion industry. Meanwhile, Pastor Mark learns to trust his daughter’s choices, leading to a heartwarming holiday season for the whole family.
6.5Naruto Shippūden Ultimate Ninja Storm Generations OVA Madara vs Hashirama is the tenth Naruto OVA. It is distributed as part of Naruto Shippūden: Ultimate Ninja Storm Generations.
"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage
6.6Frank Wagner goes deeper undercover to infiltrate Europe's most dangerous Mafia, the Russian-est, consisting of ex - KGB officers.
7.2A palimino cow pony, through a series of owners and adventures becomes a champion mount for one of the US equestrian team.
10.0Directed by Patrick Gramm, 'The Pigeon People' (2023) takes you deep into Arizona's underground pigeon racing scene as racing rivals prepare for and compete in the Grand Canyon Classic - a 350-mile pigeon race from Utah to Arizona that crosses over the Grand Canyon.
5.4In Nilópolis, Eliane, a 15-year-old girl, who is the daughter of a lower-middle-class couple, falls in love with Otávio, a 33-year-old divorcee. Upon learning of the relationship, Eliane's parents forbid her to meet her lover.
4.0"InuNeko" is the story of a very strange love triangle between a teacher, her student and the young man they both love. Things get really strange, though, when Yuki, the teacher played by former Miniskirt Police member Tomomi Miyauchi, switches bodies with Makino, her student played by gravure idol Charlotte Yabuki. Toraichi (Masato Uchiyama), the young man in the middle of all this isn't quite sure what to make of it all... including how Yuki has somehow inherited Makino's hairy armpits.
6.3Alex Fong hangs around gangsters, stresses out his girlfriend with his reluctance to commit and embarrasses his father (Ku Feng) when he gets into trouble. Moon Lee is his sister who’s also a cop working at the same the station of her father and she can’t stand her brother nor his lifestyle. When their father is murdered in cold blood by a hired hitman (Billy Chow), Moon Lee vows to avenge his death.
2.0A documentary about the girls of the Mustang Ranch, a legal brothel in Nevada.
6.0Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".
6.8Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.
6.0Putito is a production with no specific genre, where reality and fiction blend through a testimony written by José Carlos Henríquez - a feminist activist and male prostitute who plays himself in the project. Available in a censored and uncensored version.
7.0This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.
7.0The current trend to render prostitution a profession "as any other" is belied by women who were themselves prostitutes. With clarity and courage, the women in this film reveal the hidden face of that so-called "sex work". They are 22, 34 or 48 years old; they live in Montreal, Quebec and Ottawa - They have recently given up prostitution, or are trying to escape it. These women are leading the bitter fight to turn their lives around and it is a long and lonely struggle fraught with difficulties. Shot in a Cinéma Vérité style, The Fallacy (L'imposture) takes us to the heart of their realities.
6.5Megacities is a documentary about the slums of five different metropolitan cities.
7.0In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.
6.0A chronicle of gay culture in New York during the post-Stonewall, pre-AIDs era. Thirteen men and one woman look back at gay life and sex in Manhattan and Fire Island - from Stonewall (June, 1969) to the first reporting on AIDS (June, 1981). They describe the rapid move from repression to celebration, from the removal of shame to joy, the on-going search for "someone," the freedom before AIDS, the friendships, and brotherhood.
7.0A gripping journey through seven decades of sexual ignorance, oppression, and suffering, brought to life through the words and experiences of the first Soviet sexologist. Ukrainian survivors of the regime courageously recount the harsh realities they endured, from the pervasive suppression of sexual expression to the rampant exploitation and abuse that plagued Soviet society.
4.4British filmmaker Beeban Kidron ventures onto the mean streets of the South Bronx and other New York locales to examine the lives of those involved in the city's thriving sex industry.
6.7Documents 18 months in the lives of three crack addicts in Lowell, Massachusetts.
4.2High Class Call Girls is a a revealing glimpse into the lives of Emily B and Cookie Jane, two self-dubbed high class call girls who charge thousands of pounds for a night with clients who find them through new location-based apps.
0.0A lonely individual embarks on a scenic drive up a mountain, seeking fresh air and a renewed perspective. At the summit, they wander through serene surroundings, allowing the natural landscape to provide a mental reset and offer clarity—a deliberate retreat to refresh both mind and spirit.
6.8In Bangkok, Thailand, women punch a clock and wait for clients in a brightly lit glass box; in the red-light district of Faridpur, Bangladesh, a madam haggles over the price of a teenage girl; and in the border town of Reynosa, Mexico, crack-addicted women pray to a deity named Lady Death.
7.7From the sultry streets of Hunts Point in the South Bronx, comes the rawest, realest and truest documentation of the world's oldest profession ever captured on video. From Brent Owens, the director of Pimps Up, Ho's Down, comes the first two in a series of five films. Hookers At The Point focuses on the business of sex and the people involved in it. As a special bonus we have included Hookers At The Point: Going Out Again, where we follow up on the personalities from the first film and see where "The Life" has led them.
Afro-American men and women express their views on why some Black men are travelling from the US to Brazil to find sex partners.
4.3Filmmakers Holly Dale and Janis Cole explore the culture of Davie Street, located in the underbelly of Vancouver, where dozens of prostitutes work and live every day. Surprisingly, they find that the sex trade there is stable and largely non-violent, and that the women who work on Davie Street meet daily to discuss safety and health issues and don't use pimps. The film also includes candid interviews with the prostitutes and footage of negotiations with potential clients.
8.5The French female pioneer of immersion journalism, Maryse Choisy, who infiltrated in 1928 the prostitution underworld of Paris. Posing as a chambermaid, a lesbian bar dancer and more, she wrote a very successful and scandalous book about that avant-garde experience, and changed her mind about this world and these women's difficult condition.
7.5Karayuki-san, the Making of a Prostitute is a 1975 Japanese film by director Shohei Imamura. It is a documentary on one of the Japanese "karayuki-san," who were women that were taken from their homes in Japan and used as prostitutes in the post-war period. Many of these women were told that they were doing this to support their families because of the extreme poverty that the war left much of Japan to live in. Imamura focuses on a particular such woman who was sent to Malaysia and never returned to Japan. Joan Mellen, in The Waves at Genji's Door, called this film, "Perhaps the most brilliant and feeling of Imamura's fine documentaries."










