La Bohème(2008)

Rubinstein in Concert(en)

Live 1973 concert performances by celebrated Polish-American virtuoso concert pianist Arthur Rubinstein, with the Concertgebouw Orchestra under conductor Bernard Haitink. Filmed in August 1973 at the Concertgebouw in Amsterdam, the performances include Beethoven's Third Piano Concerto, in C minor, op. 37; and Brahms's First Piano Concerto, in D minor, op. 15. These are followed by four short pieces for solo piano, by Schubert, Brahms, and Chopin. The 2008 DVD release by Deutsche Grammophon also includes a short documentary, "Rubinstein at 90", an interview with Robert MacNeil, filmed at Rubinstein's home in Paris in 1977.

Hokuspokus(de)

What's New Scooby-Doo? Vol. 3: Halloween Boos and Clues(en)

4 TV Episodes Spectacle!

Senritsu Kaiki File Kowasugi! Preface: True Story of the Ghost of Yotsuya(ja)

From the team's previous work, director Kudo is now convinced of the existence of parallel universes. But now, a new video posted convinces the group to learn the truth about a mysterious woman with a swollen face.

Scooby-Doo: Agence toutou risques, vol. 2 : Le fantôme de la télé(fr)

RES CREATA - Humans and other animals(it)

The Three Friends(ar)

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

Maja/Ulrikke(no)

Jakob thinks that everything is going well with his girlfriend, but the relationship ends abruptly. He can not put her behind him, even if a new girl enters the picture.

Almost Coming, Almost Dying(ja)

To reward himself for his new teaching gig in Sapporo, 29-year-old Manabu decides to celebrate New Year's Eve with a little treat at a local sex club. On the verge of... climaxing, he's struck by a brain hemorrhage and ends up buck naked at the hospital surrounded by his worried family who want to know how this happened.

Where Love Lives: A Story of Dancefloor Culture & Expression(en)

Documentary by the music label Defected and its brand Glitterbox about electronic music, its beginning in New York and its importance for minorities all around the world.

Sonic Youth: Koncertas Stan Brakhage Prisiminimui (April 12, 2003)(en)

Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).

Fraternidade(pt)

Girl top(ru)

La venganza del padre Rosendo(es)

The Taming of the Shrew(en)

Baptista has two daughters: Kate and Bianca. Everyone wants to wed the fair Bianca, but nobody's much interested in problem child, Kate. Baptista declares that he won't give Bianca away in a marriage until he's found a husband for Kate, so all the suitors begin busily hunting out a madman who's willing to do it, and they find Petruchio: a man who's come to wive it wealthily in Padua. And Petruchio marries Kate with a plan to tame her, while everybody else begins scheming to win Bianca's hand.

Genie(ko)

A serial kidnapper is out in the streets of Seoul targeting women...

Car Men(xx)

Car Men is a collaboration between the renowned choreographer Jíri Kylían and filmmaker Boris Paval Conen. Based on the opera 'CARMEN' by Georges Bizet they shot a hilarious and poetic short film in the destroyed landscape of a Czech brown coal mine. The actors in this film are older dancers from Kylían's troupe (around 50 years old) and the main prop is a 'TATRA 87', a famous car from 1937.

The Marriage of Figaro(it)

This is a good video of "Figaro", but there are a couple of better ones available. The Bohm and the Pappano are better still due to the female members of the casts. The reason for buying this one is the "Figaro", Bryn Terfel. No one can top him today in that role. John Eliot Gardiner also stands out. Many of us have voiced their opinion that If the Metropolitan Opera would release it's 1998 version, that would be the one to get.

Puccini: Manon Lescaut(it)

All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.

Bluebeard(fr)

When Barbe-bleue loses his fifth wife, the turbulent Boulotte is selected at random to be the next one. But Barbe-Bleue falls in love with Hermia – who loves the shepherd Saphir – and soon wearies of Boulotte. So, he asks his alchemist to concoct for him an “anti-wife” philtre. But, as on the previous occasions, it is merely a sleeping potion and Boulotte wakes up the other five “dead” wives. They reappear, dressed up as gypsies and bring the truth to light.

Maria Callas Sings Tosca, Act II(en)

At the beginning of 1964, the music world experiences something completely unexpected. Maria Callas returns to the opera stage as the prima donna. Her “Tosca” at the Royal Opera House becomes a sensation. Maria Callas wants to show everyone once again that she deserves the title of “prima donna assoluta.” On the condition that star director Franco Zeffirelli take over the direction, the exceptional singer agrees to sing the role of Tosca. The BBC recorded the 2nd act of the opera for television. It is one of the most dramatic acts in opera history: in order to free the painter Cavaradossi from the hands of torturers, Tosca ends up murdering the police chief Scarpia. The film footage is one of the rare opportunities to see Maria Callas in an opera performance and to experience her highly emotional performance art and vocal abilities...

La Traviata(en)

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

Così fan tutte(it)

Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.

Rossini: Il Barbiere di Siviglia (Théâtre des Champs-Élysées, 2017)(en)

This is Laurent Pelly’s Théâtre des Champs-Élysées staging of Rossini’s Il barbiere di Siviglia, with a cast featuring Florian Sempey as Figaro, Catherine Trottmann as Rosina, and Michele Angelini as Il Conte Almaviva. Jérémie Rhorer conducts Le Cercle de l-Harmonie.

Der Freischütz(de)

Weber was at the forefront of the rise of German Romantic opera and sought to dethrone Rossini from his position as the leading operatic composer in Europe. In his breakthrough and most popular opera Der Freischütz (The Marksman) composed in 1821, he succeeded in his aim of establishing a truly German form. Turning to the folklore and folk songs of his native land he took a story of a marksman who makes a pact with the Devil, vesting it with powerful intensity not least in the famous Wolfs Glen scene and an astonishing control of orchestral color and atmosphere.

Britten Death in Venice(en)

Britten's last opera, in two acts, presented by Teatro Real.

The Metropolitan Opera: The Tempest(en)

Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.

The Metropolitan Opera: Cavalleria Rusticana & Pagliacci(it)

Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the two operas in the same Sicilian setting, separated by two generations. Marcelo Álvarez takes on the rare feat of singing both leading tenor roles. In Cavalleria, he is Turiddu, the young man who abandons Santuzza (Eva-Maria Westbroek) in his pursuit of the married Lola (Ginger Costa-Jackson)—and ends up being killed in a duel with her husband, Alfio (George Gagnidze). In Pagliacci, Álvarez is Canio, the leader of a traveling vaudeville troupe. Patricia Racette sings Nedda, his unfaithful young wife, whose plans to run away with her lover are foiled by her spurned admirer Tonio (George Gagnidze)—with equally tragic consequences. Met Principal Conductor Fabio Luisi is on the podium.

A Woman's Way(en)

Set in Paris, the story concentrates on the romantic triangle involving cabaret singer Liane, bon vivant Tony and petty crook Jean.

Swan Lake(en)

Tchaikovsky's Swan Lake, a ballet in three acts, is present by the Ballet Company of the National Opera of Ukraine, with music provided by the Orchestra of the National Opera of Ukraine, conducted by Mykola Dyadura

Verdi: Macbeth(it)

Star soprano Anna Netrebko created a sensation in her first Met performances as the malevolent Lady Macbeth, the central character in Verdi’s retelling of Shakespeare’s tragedy. She is joined by Željko Lucic, who brings dramatic intensity and vocal authority to the title role of the honest general driven to murder and deceit by his ambitious wife. René Pape is Banquo, Joseph Calleja is Macduff, and Principal Conductor Fabio Luisi presides over Adrian Noble’s atmospheric production.

Adolphe Appia Visionary of Invisible(fr)

The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.

Tchaikovsky: The Enchantress(en)

Originally set in the 15th c century, Tchaikovsky's "The Enchantress" is updated to the present day in this innovative production. The charismatic, emancipated Nastasya, who rejects the advances of the devious Mamïrov, duly faces the implacable forces of traditional values in a society riven by divisions between liberal freedoms and religious orthodoxies. The tragic outcome engulfs everyone...

L'Enfant et les Sortilèges(fr)

The 1987 Glyndebourne production of Ravel's L'enfant et les sortilèges, designed by Maurice Sendak and directed by Frank Corsaro.

Pavarotti, Birth of a Pop Star(fr)

Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.

Giuseppe Verdi: Macbeth(en)

The acclaimed Italian director, Emma Dante, presents a powerful, barbaric and at time frenzied Macbeth with great attention to detail. Staged and filmed in Italy's largest theatre, the Teatro Massimo in Palermo, Sicily, this production captures remarkable performances by the Italian soprano Anna Pirozzi as Lady Macbeth, the renowned Verdi specialist, baritone Roberto Frontali, in one of his signature roles, and the rising star, Croatian bass-baritone Marko Mimica as Banco (Banquo). The conductor, Gabriele Ferro, has opted to use the 1865 Paris version of the score, sung in Italian and without the ballets, for a production that received generous praise in Palermo and on tour.