
Beethoven's opera Fidelio.

Leonore
Florestan
Jacquino
Don Pizarro
Don Fernando
6.8A down-on-his-luck coach is hired to prepare a team of the best American dancers for an international tournament that attracts all the best crews from around the world, but the Americans haven't won in fifteen years.
6.2A detective is hired to protect the life of a singer, who has recently inherited a department store, from the store's crooked manager.
8.7The Immaculate Collection is the first commercially released greatest videos compilation by singer Madonna. Released on November 13, 1990 to accompany the audio CD, it contained hits spanning 1983-1990. The collection won "Best Long Form Video" category at the 1991 MTV Video Music Awards. Includes the following videos: 1. Lucky Star 2. Borderline 3. Like a Virgin 4. Material Girl 5. Papa Don't Preach 6. Open Your Heart 7. La Isla Bonita 8. Like a Prayer 9. Express Yourself 10. Cherish 11. Oh Father 12. Vogue 13. Vogue (1990 MTV Awards Show Performance)
6.8After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to complete their mission and to retrieve them. She starts out condemning the decadent West, but gradually falls under its spell—with the help of an American movie producer. A remake of Ninotchka (1939).
7.0A young teenage rapper must use his musical talent to help his friend out and win the girl of his dreams by going through several events of betrayal, trust and agreement while his religious parents have strictly dislike his interests.
7.1This visual album from Beyoncé reimagines the lessons of "The Lion King" (2019) for today's young kings and queens in search of their own crowns.
5.8In the tradition of Fantasia, Make Mine Music is a glorious collection of musically charged animated shorts featuring such fun-filled favorites as "Peter and the Wolf", narrated by the beloved voice behind Winnie the Pooh. In addition you'll enjoy such classic cartoon hits as "Casey at the Bat," "The Whale Who Wanted to Sing at the Met" and "Johnnie Fedora and Alice Bluebonnet."
5.8A farm girl is on an epic quest to recover a cherished family heirloom. Her journey leads her to a strange and dangerous city where she meets her one true love – but in order to save his soul, she must put the power of destiny and song to the ultimate test.
7.4The Marx Brothers take on high society and the opera world to bring two lovers together. A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.
7.3A celebration of the musical work of a group of session musicians known as "The Wrecking Crew." a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys, and Bing Crosby.
7.0Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.
6.5Talented but self-centered trumpeter Bleek Gilliam is obsessed with his music and indecisiveness about his girlfriends Indigo and Clarke. But when he is forced to come to the aid of his manager and childhood friend, Bleek finds his world more fragile than he ever imagined.
8.9Live in Texas is the first live album and third DVD by American rock band Linkin Park. The band's main setlist includes songs from their studio albums Hybrid Theory and Meteora, as well as one song from their remix album Reanimation. The live album peaked at #23 on the Billboard 200, and it has sold 1.1 million copies in the United States.
6.3The surviving Resistance faces the First Order once again as the journey of Rey, Finn and Poe Dameron continues. With the power and knowledge of generations behind them, the final battle begins.
6.8An edited version of Rosefeldt's installation work of the same name, Manifesto is an outstanding tribute to various (art) manifestos of the nineteenth and twentieth century, ranging from Communism to Dogme, in connection with thirteen different characters, including a homeless man, a factory worker and a corporate CEO, who are all played by Cate Blanchett. A striking humorous audio-visual experience.
6.8Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to, gives him the name of his partner.
6.0Ethan, a sullen high-school student whose life is defined by what he hates, finds love with a blindly optimistic Christian girl Trinity, much to the annoyance of his angst-filled band mates and her evangelistic brethren.
7.4A woman is released from prison after serving a sentence for a violent crime and re-enters a society that refuses to forgive her past.
6.6Three angels bestow the gift of song to a young girl, who must follow a series of rules in order hold on to it during her rise to fame and fortune.
8.5Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.
0.0Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti’s comedy of domestic drama across two generations. The witty story of a middle-aged man whose supposed young wife runs rings around him – with her own ulterior romantic purpose in mind – has long delighted and surprised audiences, not least as presented with the sparkle of its music and the virtuoso skill of its performers. Damiano Michieletto’s exhilarating production shows how contemporary the characters still are and how immediate and touching the story remains.
6.6The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.
0.0This DVD of a live 2005 performance from the Zürich Opera under the musical direction of Franz Welser-Möst has many things to recommend it -- the young tenor Piotr Beczala as Alfredo, the marvelous Thomas Hampson as Giorgio Germont, the playing of the Zurich Opera orchestra, the simple but effective sets by by Erich Wonder, the uncluttered stage direction by Jürgen Flimm. It also has some flaws: strangely variable volume level of the recorded sound sometimes coming on so loud as to make one reach for the volume control, and the uneven performance of the Violetta, Eva Mei who, for all her merits, gives a dramatically effective performance marred by occasional difficulties with vocal production. Still, overall I felt this was a moving production, one that I would recommend, although perhaps not as an only DVD of one of Verdi's most popular operas.
A popular production from 2021, straight from the historic building of the National Theatre. This star-studded title is directed by experienced director Magdalena Švecová, with soloists, the National Theatre Orchestra and Choir, and conducted by Jaroslav Kyzlink. The Barber of Seville was composed by the then 23-year-old Gioachino Rossini in just three weeks, resulting in a witty and dynamic work that perfectly captures the genre of Italian opera buffa. Rossini based his work on the 1772 play The Barber of Seville, or The Misguided Precaution by French dramatist Pierre-Augustin Caron de Beaumarchais. The two-act opera tells the story of the young love between Rosina and Count Almaviva. However, her guardian Don Bartolo also has his eye on her. Almaviva does not give up and asks the local barber Figaro for help, who comes up with a daring plan to bring the couple to their dream wedding.
0.0Tchaikovsky’s setting of Pushkin’s timeless verse novel is presented on the Met stage in Deborah Warner’s moving production, starring Anna Netrebko as Tatiana and Mariusz Kwiecien and Peter Mattei sharing the title role. Alexey Dolgov sings the role of Lenski, and Robin Ticciati conducts.
7.0In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask
4.0Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music Director Emeritus James Levine, who led the work’s company premiere in 1982, again on the podium. Tenor Matthew Polenzani brings both steely resolve and compassionate warmth to the title king of Crete, who is faced with an impossible decision. With her rich mezzo-soprano, Alice Coote sings the trouser role of Idomeneo’s son Idamante, who loves the Trojan princess Ilia, sung with delicate lyricism by Nadine Sierra. Elza van den Heever gives a thrillingly unhinged portrayal of the jealous Elettra. Jean Pierre-Ponnelle’s timeless production blends the grandeur of ancient myth with the elegance of Enlightenment ideals.
Wolfgang Amadeus Mozart's Magic Flute is undoubtedly one of the most multi-layered, profound, complicated, and therefore also most difficult to stage works in the entire opera repertoire. In terms of genre, it can only be understood if it is seen as a mixture of four things: a philosophically profound drama of ideas with countless encryptions, a naïve fairy tale, a bawdy comedy, and a crude Punch and Judy show. It is based on the intersection of the traditions of Baroque magic opera, Italian buffa, and Viennese Singspiel, where all manner of wonders are conceivable and permissible. Peter Ustinov's production appeals to all those who love a primarily fairy-tale-like interpretation; the atmosphere is traditional and conventional. An outstanding ensemble of singers has been assembled.
0.0Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as Glauce’s father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris. Carlo Rizzi conducts.
Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. This 1994 recording, directed by Riccardo Muti, stars Roberto Alagna, Renato Bruson and Andrea Rost.
7.3La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]
0.0Die Walküre (The Valkyrie), WWV 86B, is an opera in three acts by Richard Wagner with a German libretto by the composer. It is the second of the four operas that form Wagner's cycle Der Ring des Nibelungen (The Ring of the Nibelung). The story of the opera is based on the Norse mythology told in the Volsunga Saga and the Poetic Edda.[1][2] In Norse mythology, a valkyrie is one in a group of female figures who decide which soldiers die in battle and which live. Die Walküre's best-known excerpt is the "Ride of the Valkyries". DVD release June 2009.
7.5Although Domingo was younger and Banackova looked more like the sweet and innocent young Madalena than the one played by Tomowa-Sintow in the ROH production, this production was not as good. It was not as tight and neat. The tempo set was far too slow for the time-period of the story. The stage setting was distracting. The lighting was too dark. Except Domingo, a natural actor who was always into his role and sings and acts with passion, none of the other performers came up with a convincing portrayal of the role he/she played.
0.0Le convenienze ed inconvenienze teatrali (Conventions and Inconveniences of the Stage) is a two-act opera that shines an exaggerated spotlight on the behind-the-scenes working of a theatre and the rehearsal process, showing what can go wrong when the egos of the performers get in the way of putting on a good show. A regional (and mediocre) operatic troupe is rehearsing a new work and faces numerous obstacles. The prima donna acts every bit the diva, refusing to rehearse. The Tenor finds himself in the wrong production and quite out of his depth. The Seconda Donna’s mother (played by a baritone) demands that her daughter be given a more prominent role, before deciding to take on several roles herself. Not be outshone, the Prima Donna’s husband takes to the stage too. When the show eventually collapses and the company tries to flee under cover of night, rather than pay back all the investors (whose money has already been spent), the Impresario has other plans…
0.0An excellent performance of this delightful opera. The principals are superb, especially the sisters. Bruscantini as Don Alfonso is past his prime, but he knows and understands the role inside out, so one does not even notice his vocal limitations. Araiza is in top form as Ferrando, and Morris makes virile Guglielmo. The only disappointment is Battle as Despina. Unlike her partners, she does not have feel for the Mozart ensemble, and her vocal mannerisms are totally unbecoming. How the producers allowed that to happen is a mystery. Muti's conducting is terrific, much better than on his La Scala video, where he is uninvolved.
7.5John Adams’s groundbreaking work vividly brings to life US President Nixon’s 1972 visit to the People’s Republic of China. Peter Sellars’s Metropolitan Opera production, based on his 1987 world-premiere staging, features choreography by Mark Morris and stars James Maddalena as Nixon, Robert Brubaker as Chairman Mao, Janis Kelly as First Lady Pat Nixon, Russell Braun as Chinese Premier Chou En-lai, and Kathleen Kim as Chiang Ch’ing, Mao’s wife. From the pomp of the public displays to the intimacy of the protagonists most private moments, Adams, Sellars and librettist Alice Goodman reveal the real characters behind the headlines in this landmark American opera.
0.0Classics on a Summer's Evening is an outdoor concert for an enormous audience which was staged in an architecturally striking public square in Dresden in July 1999. It features the most glamorous young husband and wife currently active on the international operatic scene, soprano Angela Gheorghiu and tenor Roberto Alagna. Along with these fine performances comes Giuseppe Sinopoli--before his untimely death at age 54--who was considered one of Europe's finest opera conductors, and, in the Dresden orchestra and chorus, performers who match his creative energy.
7.1A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.