1974-01-01
7
The animation is made using quotes of Medieval Persian Poetry, to tell a fairytale love story between an wandering poet and a princess. To win her (and half the kingdom) he needs to fulfil 3 tasks given by the Caliph. The poem quotes are by Omar Kayyam (1048-1123) from Nishapur, now Iran; Babur (Zahiriddin Muhammad Bobur) (1483-1530) ( Founder of the Mogul Empire), born in Andijan in present day Uzbekistan; Nizami Ganjavi (1141-1209) from Ganja, now Azerbaijan link , Ali-Shir Nava’i ;(Alisher Navoi) (1441-1501) link from Herat, now Afghanistan. Perhaps good to remind you that Kalisher comes from the Region. Born in Ashchabat (Turkmenistan), he lived and worked until 1967 in Tasjkent, Uzbekistan. Followed by “The barefoot Erudite”(1988), and “The Obedient Pupil”(1991) the animation shows an interest in respectively Persian, Chinese and Indian wisdom and mysticism, not very common yet at the time in the atheistic oriented Soviet Union
Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.
Deep in the heart of Autodale lives their Mayor. As old as the town itself, a once great inventor, now a gangly and decaying but undying thing which the townsfolk have long forgotten, but continue to echo his machine-obsessed beliefs.
Lynch's first film project consists of a loop of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.
It's Christmas Day in the home of Granny, and her pet cat Sylvester delights at chasing her new Tweety Bird and takes fright at the bulldog unwrapped from under the tree.
The film describes the chaotic phase in life of a new mother. Pumped up with hormones and lacking sleep, this intense time has burned deep into the protagonist's heart.
A compact, full-color cut-out animation as ephemeral as the colors swimming on the surface of a soap bubble. The eternal round shape, the orb (sun, moon, symbol of the whole self) balloons its inimitable and joyous course through scene after scene of celestial delight, fixing at last as the mystical globe encasing the lovers whose course it has paralleled throughout the film.
We are first presented a cobweb castle, filled with the haunting doubts of the young protagonist. Spirits appear on the screen and are heard on the soundtrack. Gradually a female guide emerges and escorts the young man into an antechamber to another (and possibly higher) world.
For the first time I am animating hand-painted engraved cut-outs on a full-color background. The film is mood-filled: A duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman between them appears, cat-masked. The mask dissolves away. Her spirit passes into the face of the sun upon the sun upon the sun flower. But Harlequin cannot escape death. The blue world engulfs him.
Lawrence Jordan used forty-six engraved Gustave Doré illustrations from "Idylls of the King" as settings for his extravagantly romantic saga. As Enid, the protagonist, is seen in a vast array of scenes from deep forests to castle keeps. Her champion is sometimes with her, sometimes away fighting archetypal foes. She dies and, through the magic of Gustav Mahler's resurrection symphony, lives again. Jordan explores themes of love, death and resurrection.
Why do dogs bark at such innocent creatures as pigeons and squirrels... what are they afraid of? This film answers that eternal question. Preserved by the Academy Film Archive.
A mutant hero, a virtual bank heist. A digital action thriller. A three fingered virus is let loose on a computer system with the express purpose of erasing a student loan.
As a single parent in an unfamiliar country, Ma’s entire life centers around raising Luan, her rambunctious young daughter. Likewise, Luan spends her childhood indulging in endless quality time with her playful, loving mother. However, as Luan grows up, it isn’t long before daily life interferes and causes mother and daughter to grow apart. By channeling their feelings into cooking, the two strive to find their way back to each other, one homemade meal at a time.
Wealthy but alone, a king spends his days obsessively polishing shiny objects throughout his opulent castle. After a visit from a puckish forest wizard, the king earns a blessing – or curse – that turns anything he touches to gold.
When the chaotically misfortunate Jenkins and the monotonously lucky Lou run into each other one morning, they find a thrilling and fulfilling change of pace as they hurtle down the hills of San Francisco in an ice cream cart.
A butterfly explores the ruins of an ancient civilization that leads to a underground cave. In the cave, the butterfly meets the Humanoid butterfly.