VICTORIA XXI(2019)

Thot-Fal'N(en)

This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."

Politická karikatura(cs)

The Mumps(cs)

In the diary of a six-year-old girl, Marie, we learn what important things happened during one holiday month before she started first grade and how she perceived the changes in her family.

Drifters(cs)

Trapped in a nomadic world that makes less and less sense, Eliška yearns for a safer and more stable life for herself and her little brother Aleš. As illegitimate repo men begin frequenting their home, Eliška’s uncertainty about her and her brother’s future reaches a crescendo and she is forced to take action to protect Aleš from this shady and dangerous life.

Moonwalker(en)

This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.

Inversion(cs)

A film about the complicated friendship of three adolescent girls, two swimming pools, and one malicious act of revenge.

Magda(cs)

One chance encounter and a night spent together help Magda to discover what she probably doesn't need to live anymore and what she might need.

Sing for Us(cs)

When Eva (14) goes to the lake with her older brother and his friends, she finds herself under her body’s control, of which she is still ashamed at her age.

Music Box(cs)

The mysterious mechanism of a music box keeps playing different versions of the same melody. In isolation and an atmosphere of fear you might think that other melodies do not exist because it helps to bear the constant pain. False notes give hope for a better fate and freedom but no one knows what price they'll have to pay.

The Incredible Wardrobegadget of Dr. Stein(cs)

When professor Stein's dog dies in an accident, he's ready to do whatever it takes to get him back. He builds an incredible life-reviving machine but instead of a cute pup a hideous monster comes out of it. How can the monster prove that it has the dog's good heart inside?

Blue Cow(en)

When his business partner retires, an overly-attentive cafe owner, embraces the challenge of working solo.

Dino Bone(en)

After seeing a suggestive fossil of two dinosaurs "getting it on," an anxious father tells his curious son a series of little white lies to avoid having "The Talk."

Untouchable(en)

A masseuse's journey to find the human touch.

Luciano(es)

A sensationalist television show unravels the sordid story of Luciano Fernández and analyzes the possible motives that led him to murder a child. (Inspired by a real event that occurred in the forest of Verrières, Paris, on May 27th, 1964.)

Blood Orgy of the Leather Girls(en)

A gang of women wreak havoc in the city, killing various men who have treated women poorly. And sometimes they do it just for fun.

El desastre de Annual(es)

La Escala(es)

Experimental film by Aldo Francia that consists in diverse situations through the 123 steps of the Santa Justina staircase in the Cerro Larraín of Valparaíso.

Perfect World(da)

A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".

Enter Hamlet(en)

Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.

The Cracks(pl)

Teresa is suffering from postnatal depression after the birth of her son. In an effort to find comfort elsewhere she temporarily moves back with her husband to her parents’ house. However, the young woman’s family home conjures up memories of a previous relationship and a past love that perhaps has yet to be extinguished.