‘Our Selves Unknown’ takes the book ‘Landscape in Distress’ as its raw material, reconfiguring its photographic illustrations, text and cover design into pencil and ink drawings, using a working process of self-enforced rules and restrictions, obstacles and chance.
‘Our Selves Unknown’ takes the book ‘Landscape in Distress’ as its raw material, reconfiguring its photographic illustrations, text and cover design into pencil and ink drawings, using a working process of self-enforced rules and restrictions, obstacles and chance.
2014-01-01
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A 5 minute, 2D, straight-ahead animated film by Bruce Bickford.
A collaborative experiment between 14 artists around the globe. Each artist creates a background, All backgrounds are traded randomly, and then animated upon freely.
We swoop through action-filled rooms. Again and again, we fly past people and events without ever recognizing what is really going on. This film is a three-minute version of an endless-loop video originally designed as a project for exhibitions. It was shown at the Kunststiftung Baden-Württemberg, the Künstlerhaus in Stuttgart and the Goethe Institut in Paris.
Here There gives graphic form to memory’s malleable, straying lines. It begins as a traveler’s sketchbook, drawn in Croatia in the summer of 2014, but details soon fade away into abstract impressions on the edges of memory. This film is a reduction to the essence, a condensed feeling of one place and time.
An animated exploration of the restraining and freeing of a bounded soul. A journey on the never-ending search of belongingness.
This experimental animated short shows the life of a forest through storms, seasons, and a variety of art forms.
A blind man accidentally loses his guide-dog. Alone in the dark in a big city, he discovers that his strength lies in recognising his own vulnerability.
This family story contains a private reading of ten years in the history of Spain, from the birth of two brothers of the author until the death of the Spanish dictator in 1975.
Souvenirs, memories, nostalgia, alienation, the ephermal quality of life ...these are the subjects of this animated diary. The film is not made in the usual way (screenplay, storyboard) and was born at the moment when the author sat at his desk and began animating.
Remote Life Drawings is an animated collage of abstract images that illustrate the neighbourhood of Taipei Artist Village in Taiwan. TAV is located at the centre of four distinct districts that exist in harmony in central Taipei. The film connects the four districts by using morphing animation, presenting the vague and complex atmosphere around the village.
A figure known as "The Assassin" descends from the heavens into a nightmarish pit full of monsters, titans, and cruelty.
Video Weavings is a link between the modern (video) and the ancient (weaving) technologies. Video Weavings are based on poetic mathematical rhymes, or algorithms, visualized in real time on the warp and weft of video's horizontal and vertical scanning electron beams, color phosphors, plasma cells, and LCD pixels.
Barry Doupé's lusty A Boy on a Dock Blowing His Nose features vaguely articulated, quasi-human doodles and Spirographs animated within a bizarre netherworld of its own humid imagination.