The Ruin(2018)

NAO_VA_EMBORA.mp4(pt)

Grinder-Man - G-VTR01(ja)

A 19-minute short film featuring the six performances of the Japanese performance art group Grinder-Man. Only released on VHS.

Frammenti di una Festa Furiosa(it)

Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving between a plethora of disciplines – egyptology, history of religions, German philology, literary criticism - passed away prematurely, not without leaving bright fragments which throw light on mechanisms beneath many socio-cultural practices, for instance regarding cultural belonging, the functions of myth in modern society. He saw kind of “mythological machines” at work underneath our cultural production of meanings, historically determined, departing from a void, something that is still in culture but as residue, a missing link to an alleged authentic experience nowadays compromised up to the point to became just rhetoric, a byword, which is in no way neutral, but a tool, a macchina, for maintaining the status quo and serving the power apparatus. As in the case of holidays, celebrations and festivals.

Night Terror(en)

Strange things occur tonight whether the paranormal phenomenon is the invisible invasion of aliens from outer space or light flashes of another dimension? We will never know. Are we alone or may we encounter extraterrestrial species that are coming at night to conquer our dreams, our body and mind? What are you afraid of?

Instinct(xx)

A woman strolls through nature, embraces trees, and enjoys stunning views. She dances around a large tree, then suddenly falls into darkness, wakes up in a completely different setting, and wonders if she was dreaming or if this is her dream.

Playpausesong(fr)

Chelsea Hotel No.2(en)

Da Corte found inspiration in Leonard Cohen's music, particularly the 1974 song "Chelsea Hotel #2," after which he named his breakthrough video in 2010. Filmed on a cellphone, Chelsea Hotel No. 2 takes place against a white backdrop that highlights the vibrant colors of random objects and foodstuffs Da Corte manipulates in front of the camera. His hands—covered in flour, ground coffee, sequins, packing tape, or aluminum foil—enter and exit the frame to perform a series of bizarre tasks. He stacks and presses slices of bread, squeezes purple dish soap into a neon green hamper, peels a banana with a gold hoop, rolls a calla lily into green bubble wrap, cuts bologna with large rusty scissors, and paints unripe cherries with red nail polish. We also see a gilded head of lettuce sprouting a rose on top of an overturned yellow basket and the fall of a standing broom and a blue chair as one of its legs is pulled out.

you don't know JACK like I did.(en)

An experimental re-edit of Jack Frost, starring Michael Keaton.

I’m Scared But I’ve Been Here Before(en)

A short film adaptation of the titular poem by Melissa Lozada-Oliva.

Il malatino(it)

Candle(en)

Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring in and out of her body. In her last remaining fragments she tries to make amends with her spirit before her remaining fragments either decay or create.

Moby Dick(he)

Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.

Sculpture(fa)

Video art of sculpture is the real life story of Rumi (Mevlana) and Shams Tabrizi. Rumi and Shams are well known international poets of Persian language. One day, Rumi invites Shams Tabrizi to his house, Shams throws the book into the pool of water and Rumi is worried and Shams returns the book to Rumi without any trace of water. The lost half of the sculpture in the film is a representation of the same concept, in which the dance of Sama, the sculptor's mind and the role of the face are visible. "Sculpture" has won more than 57 International Awards, third place (semi-final) in called Flickers' Rhode Island International Film Festival (Academy Award ® Qualifying, BAFTA Qualifying, Canadian Screen Award Qualifying) , Crown Point International Film Festival(Chicago) ,Vegas Movie Awards,Global Shorts( Los Angeles),(US),Gold Star Movie Awards (US),One-Reeler Short Film Competition (US),Accolade Competition (US),Berlin International Art Film Festival and many other events.

[sound of subtitles](en)

Deaf artist Seo Hye Lee gives new subtitles to a selection of archive films about pottery, ones which playfully examine the disparity between how people with different levels of hearing experience art.

Green Grey Black Brown(en)

Departing from the traditional factory lines of production on the plastic plant manufacturing industry. From there, the film expands into the realm of synthetic nature, portraying a highly engineered landscape,developed by startups. The images appear to be bound together by a dark slime—an oily, recurrent presence as a connection to the strange and gory logics of petro capitalism and global territories of extraction.Petroleum, in both refined and unrefined forms, serves as a temporal vector: it is the raw material for plastic plants, Revealing the absurd techno-solutionist vision of the future.

Studies(ko)

“Kim has explored the conditions of contemporary life encompassed by digital media and representational devices, creating original video work that combine powerful images and unfamiliar narratives based on autobiographical experiences . . . His new work, Studies (2024), is a fiction film with cinematic experimentation borrowing from the horror film genre. Heecheon Kim has invented a fantasy of horror that opens up a new dimension of creation in which the fragility of borders allows a possibility of narratives.”

star born brutal(en)

'star born brutal' is a diaristic exploration of liberation and trauma, in which recurrent memories oscillate between the Imaginary and the Real. The filmmaker is confined by an overwhelming desire to recover a wholeness which is tied to the memories shaping their identity. Within this struggle, the schizophrenic experience creates a deterritorialization of masculinity, and embraces the fluidity of trauma and attachment in its absence. In this context, masculinity becomes a negotiation for an emancipation from the suffering inherent to birth.

Redoubt(en)

The goddess Diana and her two attendants traverse the rugged terrain of Idaho’s Sawtooth Mountains in pursuit of the elusive wolf. An Engraver (Matthew Barney) furtively documents their actions in copper engravings and provokes a series of confrontations. The characters communicate through dance, letting movement replace language as they pursue each other and their prey.

All Star Video(ja)

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

The Was(en)

A collaboration between Soda_Jerk and The Avalanches.