Wild Wheels(1992)

The Wild World of Ted V. Mikels(en)

THE WILD WORLD OF TED V. MIKELS, a new documentary by Kevin Sean Michaels (no blood relation to Ted, but the same spirit), is a rollicking look at the independent cinema and film pioneering of Ted V. Mikels, who has been producing films for over 60 years. Way before limited-budget action films became termed as "grindhouse," Ted was wowing audiences with his own special brand of guts, gore, humor, violence and most of all -- style. THE CORPSE GRINDERS 1 + 2, THE ASTRO-ZOMBIES, 10 VIOLENT WOMEN, MISSION: KILLFAST, THE BLACK KLANSMAN, THE DOLL SQUAD, THE WORM EATERS and GIRL IN GOLD BOOTS are some of Ted's films that have made their cinematic mark.

The Serpent's Kiss(en)

A man sends a young architect to build an extravagant garden to bankrupt the husband of the woman he once loved.

Inside Out(en)

Families in an idyllic suburban neighborhood are taunted by a mysterious doctor who moves in to town and spins a web of psychological chaos that changes their lives forever.

A Woman, Her Men, and Her Futon(en)

Recently divorced, aspiring filmmaker Helen (Jennifer Rubin) enters into a love triangle fueled by sexual hunger and manipulation. But as she attempts to define herself and fulfill her wants and needs, she must choose between her independence and her men. As Helen's exploits with controlling lover Paul (Michael Cerveris), casual beau Randy (Grant Show) and friend Donald (Lance Edwards) become fodder for her script, her choice becomes clear.

Bloodlust(en)

Three vampires wander the streets of Melbourne killing, screwing and taking drugs. They decide to carry out a heist, stealing three million and attracting the attention of various psychotics, who chase them through a blood spattered odyssey into the Melbourne underground.

Let's Make a Movie(en)

Let's Make a Movie is the story of Cassie Thompson (Played by Hallie York), a college dropout and ex-film student who is tired of being disrespected and downtrodden, has decided that she's had enough. In a subconscious effort to turn her life around, she decides to make a movie with a rag-tag group of friends. The only problem is the movie is impossible for her to film without a $100 million budget, and her cast and crew are neurotic and inexperienced, to say the least. Will Cassie prevail and finish her movie, or will this become another mark on her long list of failures?

Locked Off(en)

Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?

Here at the Water's Edge(en)

Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.

Alain Cavalier - Sept chapitres, cinq jours, 2 pièces-cuisine(fr)

A “Cinéma, de notre temps” series episode directed by french filmmaker Jean-Pierre Limosin, originally aired 26 January 1996.

Citizen Ken Loach(en)

A “Cinéma, de notre temps” series episode directed by french filmmaker Karim Dridi, originally aired 2 July 1997.

The Home Cinema of the Dardenne Brothers(fr)

A “Cinéma, de notre temps” series episode directed by french film filmmaker Jean-Pierre Limosin, originally aired sometime around 2006.

Le Cinéma de grand-père(fr)

Remarkable life story of Henri Diamant-Berger, a director and screenwriter whose devotion to cinema led him to collaborate with some of the greatest actors and filmmakers of his time.

Neil Diamond: I'm Glad You're Here with Me Tonight(en)

The majestic Neil Diamond live! Prepare to melt.

Film ohne Fesseln - Das neue Hongkong Kino(de)

A German documentary on Hong Kong cinema.

Mysteries of Ancient China(en)

Archeologists discover a pit filled with terracotta warriors buried to protect the grave of the First Emperor of China.

Radikalslöjdaren(sv)

Animación en la sala de espera(es)

The Space in Between(en)

A new piece in which Linklater and actor-cowriters Julie Delpy and Ethan Hawke discuss the trilogy, moderated by critic Kent Jones.

Almodóvar, todo sobre ellas(es)

When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.

This Is Rockbitch(en)

Rock Bitch is a group of female musicians who live in a sex commune. The girls see themselves as striking a blow for women everywhere, and they are doing it through the medium of rock music.