Sex, animal cruelty, Jesus and politics! Movies evoke emotions - some more than others. In this documentary, Maria Månson explores the Danish films that have outraged, angered, provoked... and have put Denmark on the cinematic map. This is a celebration of those who dared to step across the accepted border between good and bad.
Self – Host / Interviewer
Self – Interviewee
Self – Interviewee
Self – Interviewee
Self – Interviewee
Self – Interviewee
Self – Interviewee
Self – Interviewee
Self – Interviewee
In the age of social media, nearly every day brings a new eruption of outrage. While people have always found something to be offended by, their ability to organize a groundswell of opposition to – and public censure of – their offender has never been more powerful. Today we're all one clumsy joke away from public ruin. Can We Take A Joke? offers a thought-provoking and wry exploration of outrage culture through the lens of stand-up comedy, with notables like Gilbert Gottfried, Penn Jillette, Lisa Lampanelli, and Adam Carolla detailing its stifling impact on comedy and the exchange of ideas. What will the future will be like if we can't learn how to take a joke?
One-man armies, meet-cutes, casual strolls away from huge explosions — stars and industry insiders toast and roast these cinematic chestnuts and more.
Comedian Adam Rowe sets out to explore the question: what is the role of comedy in today’s increasingly divided, febrile and hostile world? In order to answer this, he is tasked to explore the controversial subject of Cultural Appropriation and then deliver a brand new stand-up comedy routine about it to an audience who have been affected by it.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
The life and professional career of the Spanish filmmaker Florián Rey (1894-1962), a brilliant artist who began his career in silent films and had great commercial success during the Second Republic (1931-1936): a journey to the early days of Spanish cinema.
The amazing story of stunts, men and women who risk their lives every day on set to get the perfect action scene.
This feature-length documentary delves into the trilogy, opening with the inspiration and vision for the new Batman films and inching its way toward the Rises finale and the culmination of nearly a decade of creative blood, sweat and tears. Candid, thoughtful and extensive, and comprised of revealing behind-the-scenes footage, countless interviews, audition tapes (with Christian Bale and Cillian Murphy doning the cape and cowl), and a narrative grip and momentum all its own, it leaves no stone unturned.
The life and work of one of the great masters of Italian cinema, Sergio Leone (1929-89); a rich and fascinating portrait through unpublished testimonies of collaborators, actors, directors and critics who reconstruct every aspect of his creative activity.
Filmmaker Jonas Mekas follows his friend, film director Martin Scorsese, and his cast and crew, through various locations during the shooting of his film The Departed, released in 2006.
An account of the life and work of American film director Sam Peckinpah (1925-84), a tortured artist whose genius and inner demons changed the Western genre forever.
In 1818, Mary Shelley wrote Frankenstein; or, The Modern Prometheus, a powerful and timelessness novel which eternal theme is nothing other than man's quest for the secret of life. Since then, the Creature became a pop culture icon, overshadowing the novel and Doctor Frankenstein himself.
Macario 'Mac' Gómez talks about his long career as a film poster designer.
Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
London After Midnight (1927), directed by Tod Browning and starring Lon Chaney, is the most sought-after lost film by fans of fantastic cinema. Has this mythical treasure finally been found in an old South American cinema?
An account, in his own words and those of his relatives, of the life and work of the brilliant Manuel Pérez-Sanjulián Clemente, one of the most important Spanish illustrators of all times.