2020-07-01
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A rustic comedy about a small-town bowling alley entrepreneur who learns that being scammed is not the end of the world.
Victor, a disillusioned 60-something whose marriage is on the rocks, opts to relive the week of his life when, 40 years earlier, he met his true love through a company that allows customers to return to the time period of their choosing.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
Takatora Kureshima (Kamen Rider Zangetsu) visits a former Yggdrasill Corporation experimental project site located in the poverty and conflict stricken Republic of Torukia. He is visiting the site for the first time in 8 years, and is suddenly attacked! Suprised he stumble and falls into a giant hole which leads into an underground city. This underground city is the most dangerous place in the republic, in which many young men are killed defending themselves while trying to survive. These men use Lock Seeds and Drivers to transform into Armored Riders. Due to the fall Takatora has lost his memory. He is helped by the leader of Team Orange Ride. Unbeknownst to them, there are cameras hidden all around the underground city. The ones behind the cameras are responsible for the conflicts in the city. One man in particular is seeking revenge on Takatora for a specific reason...
A true story about one US and one USSR delegate who, during 1982 talks in Geneva between USA and USSR on limiting medium-range nukes in Europe, met by accident in a nearby forest while on a stroll and informally started a key discussion.
When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.
Four actors go to a cabin in the woods to write, direct, and act in a film that will jump-start their careers. Their idea is a horror film about a man with a bag over his head, but what happens when that man mysteriously shows up?
Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.
A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court.
Quotations From a Ruined City was first performed as a workshop production for the Los Angeles Festival in a former shoe store on Hollywood Boulevard. The production subsequently moved to a vacant pajama factory in New York's meatpacking district and went on to be presented by multiple European presenters. It was Abdoh's final work. "Quotations from a Ruined City is a sort of apocalyptic follies: an evening of song, dance, poetry, nudity and torture set in a world whose center has clearly long ceased to hold. Created and directed by the gifted young theatrical cult artist Reza Abdoh, the work is a kaleidoscopic catalogue of images of decay and destruction that range through the centuries and around the globe."--New York Times, 1994.
One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.
Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.
An aging actor remembers his past stage triumphs and contemplates a dim future on the stage of an empty theatre. The film was nominated for an Oscar for Best Live Action Short Film.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
An ex-theater actor is given one more chance to star in a musical yet his alcoholism may prevent it from happening.
Thirteen men and women wake up in a mansion, not knowing who each other is or why they have been abducted. To escape from the mansion, infested by Zombies, they must work together but cannot set aside their suspicions that one or more of their number is involved.