Hope Ways

High School High(en)

Richard Clark has just left the well-known Wellington Academy to teach at Marion Barry High School. Now, he will try to inspire the D-average students into making good grades and try to woo a fellow teacher.

My Brother Loves Me Too Much(ja)

Setoka Tachibana is a female high school student who has confessed her feelings to other boys 12 times, but has been rebuffed each time. Her older brother Haruka Tachibana cares for his younger sister deeply, but he keeps secret from her that they are not blood related. One day, Setoka's first love Takane Serikawa appears after many years and approaches her.

Terminal(pt)

A-Girl(ja)

Sisters Mariko and May, along with Mariko's bad-tempered boyfriend, become involved with Ichiro, an arrogant, womanising male model.

Isabel(pt)

Isabel, a sommelière in São Paulo, dreams of escaping her boss and opening her own bar. When plans don’t go as expected, she must decide whether to halt everything or take bold steps to uncork her fate on her own terms.

RÉVEILLON 2024 OU: O Cine-Monstro da Virada(pt)

A group of friends gathers to celebrate the end of 2023 and the beginning of 2024. Captured through a cellphone camera, the film showcases their various interactions while highlighting the artistic and cultural influences that shape their lives.

Jembatan Pensil(id)

Inal, Nia, Aska, Yanti, Attar, and Ondeng struggled to get education in a free school built by the teacher. Inal, who is blind and Ondeng, who has “backwardness”, have to go through winding journeys to and from school. Ondeng's ability to draw sketches makes him always "record" everything he is passionate about: his father's life as a fisherman and the fragile bridge that his friends always walk on. His goal: to build the bridge. When that fragile bridge collapsed while they were crossing, it didn't discourage them. Ondeng's thoughts that always remember his father and his fear of being abandoned by his father made Ondeng out of control and did not realize the dangers of taking his own boat to the sea.

Um Olhar Inquieto: o Cinema de Jorge Bodanzky(pt)

Capturing Memories(en)

Time passes, slips away, dissolves. But what if we could hold it for a moment? "Capturing Memories" is a dive into the essence of the inconsistent, an invitation to reflect on the importance of preserving moments before they are lost in oblivion. Through visual fragments, the documentary reveals how small scenes of everyday life carry echoes of the past and seeds of the future. In a world where everything passes, what really remains? This film is a tribute to the art of immortalizing the moment, to the beauty of seeing beyond the present and to the need to give meaning to what may one day become a memory.

Angel's Friends - Between Dream and Reality(it)

A television movie based on the animated series and settled between the first and the second season aired, in Italy, on 23 April 2011. The movie focuses on the Angels attending the Summer School at the Sunny College in Alpinville, where Raf hopes she will not meet Sulfus. The Devils show up at the school and Raf tells Sulfus she has fallen in love with someone else. Meanwhile, the Earthly ones receive the task of refurbishing the Theatre of Princes (Italian: Teatro dei Principi) and organising a play, Romeo & Juliet by William Shakespeare. However, they are attacked by a mysterious hooded man who wants them to leave the theatre. The Angels and the Devils decide to investigate and find out the truth about Tyco and Sai's fate. At last, Raf and Sulfus conclude that they'll decide what to do about their future together once returned to the Golden School for the new term.

Just Don't Think I'll Cry(de)

High-school senior Peter considers the adults around him to be hypocritical, self-congratulatory, and immersed in the past. He gets suspended for writing an essay that his teachers consider to be a challenge to the state. Just Don't Think I'll Cry became one of twelve films and film projects-almost an entire year's production-that were banned in 1965-1966 due to their alleged anti-socialist aspects. Although scenes and dialogs were altered and the end was reshot twice, officials condemned this title as "particularly harmful." In 1989, cinematographer Ost restored the original version, and this and most of the other banned films were finally screened in January 1990. Belatedly, they were acclaimed as masterpieces of critical realism.

The Exam(ku)

Rojin is a young Kurdish woman about to take the university entrance exam. Rojin's unhappily married older sister Shilan decides to help her pass at any cost, hoping to give her a more emancipated life. Thus, the sisters inevitably become entangled in a huge network of corruption that connects all parts of society.

La langue est donc une histoire d'amour(fr)

Phakiso High(en)

School kids go on a trip where a friendship between Kgomotso and the school bully brews into romance. Kgomotso learns there is more to the boy they thought was a bully than meets the eye.

Billy Madison(en)

Billy Madison is the 27 year-old son of Bryan Madison, a very rich man who has made his living in the hotel industry. Billy stands to inherit his father's empire, but only if he can make it through all 12 grades, 2 weeks per grade, to prove that he has what it takes to run the family business.

I don’t know if i'll have to say everything again(pt)

A short film that presents a small excerpt of the family life between a homosexual son and a mother diagnosed with Alzheimer's. The film presents Fernando's conflict in his search for acceptance and recognition from his mother, which is made difficult by the difficult progression of the disease and, possibly, by a veiled prejudice.

Classe que Derreteu(pt)

Beginning Responsibility: A Lunchroom Goes Bananas(en)

The food in Plumcrest School Cafeteria has gone on strike to protest the poor lunchroom manners of the children! After Banana issues a two-week ultimatum, the students take some positive steps toward better lunchroom manners.

Reciclo(pt)

The Long Voyage of the Yellow Bus(pt)

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!