Moseeqa Fy Al 7ay Al Sharqy(1971)

وراك وراك(ar)

يا أنا يا انت(ar)

Sayed The Servant(ar)

The fugitive Sayed seeks refuge with his uncle who works as a cook for a wealthy family. When the family's daughter gets divorced for the third time, the family enlist Sayed's help to marry her as a mohallel so she could reunite with her husband.

ليلة رهيبة(ar)

Hard Labor Hotel(ar)

Al-Soul Maslehi (Samir Ghanem) runs a prison, and his father-in-law (Zakaria Mawafi) offers to rent prison cells as hotel rooms so that he can consummate his marriage to his fiancée (Nora).

Deposit with Honors(ar)

About the general manager of the modern buildings company named Sherbini, enjoys a high status among his employees in the company, and follow events and discover that El Sherbini has a certificate of forgery, but he feared to be clear.

Sayedaty El Gameela(ar)

Al-Kashash(ar)

The play is about a simple, poor man who decides to steal a million pounds from a wealthy businessman, and go to jail to hide from him.

No Longer Kids(ar)

The play tells the story of four siblings trying to stop their father from leaving his family for another woman after one of them accidentally finds a love letter from an unknown woman to their father.

The man who got his wife married(ar)

The play revolves around Safwat El-Sherbiny, who comes out of the grave to tell Ghafir his story with his manager at work who was abusive to him, and was trying in various ways to get close to his beautiful wife, desirous of her.

Without You(ar)

A Kuwait play about a family that is looking for a house maid to help them with house work and displays house maid problems and how badly they are treated.

Raya and Sakina(ar)

Two sisters (Riya) and (Skina), start a gang to kidnap rich women with the help of Riya's husband. Skina, in an effort to avoid suspicion, try to marry a policeman who is not aware of the sisters' criminal activity.

Al Ostaz Mazzika(ar)

The Sword Of The Arabs(ar)

The play deals in a social comic framework, the period of the Iraqi invasion of Kuwait in 1990, and what was experienced by Kuwaitis and Iraqis alike during the aggression period, through the social changes that occurred in both societies in that period.

الجميلة والوحشين(ar)

Bye Bye Arab(ar)

A dark Kuwaiti comedy that follows "Arab," an idealist who embarks on a fantastical journey with "Marjan the Genie" to unite the Arab world—only to confront a reality far from his hopes.

Matar El Hob(ar)

The theatrical events revolve around a comic frame about Adel (Youssef Shaaban), the handsome young man who works at the airport as an air monitor, who is linked to the engagement of Mona (Mervat Amin), the beautiful air hostess, but he loves the air hostesses ’rhythm in his love. The countryside is based on his cousin (Adel), and he is fascinated by the beauty of girls who love (Adel), and tries to imitate (Adel), but in his rural way, which generates funny comic scenes.

Al-Manakh Knights(ar)

The first Gulf economic play centered on an issue that affected members of Kuwaiti society, which sparked widespread controversy between Kuwaiti society and the Gulf community in general, and the issue was the "Al Manakh Market" crisis in 1982, which ended in losses exceeding $ 22 billion. Where the story tells about the second oil boom of the Gulf states at the end of the seventies and the beginning of the eighties of the twentieth century AD where the price of oil increased continuously until the Gulf countries recorded large financial surpluses, so the money poured into the stock market significantly until it opened a stock trading office in a semi-parallel office and was named a market "Al Manakh" in which money flowed greatly from almost all segments of Kuwaiti society and even foreign residents and some individuals from the Gulf states and increased frantic speculation and increased buying and selling for the future until it reached astronomical numbers.

Lock Up Your Daughters(ar)

Dr. Raafat faces challenges and difficulties in raising his three daughters, Fawzia (Sanaa Younis), Soso (Shreihan) and Nadia (Ijlal Zaki).

God Save Gomaa(ar)