The theatrical events revolve around a comic frame about Adel (Youssef Shaaban), the handsome young man who works at the airport as an air monitor, who is linked to the engagement of Mona (Mervat Amin), the beautiful air hostess, but he loves the air hostesses ’rhythm in his love. The countryside is based on his cousin (Adel), and he is fascinated by the beauty of girls who love (Adel), and tries to imitate (Adel), but in his rural way, which generates funny comic scenes.
The theatrical events revolve around a comic frame about Adel (Youssef Shaaban), the handsome young man who works at the airport as an air monitor, who is linked to the engagement of Mona (Mervat Amin), the beautiful air hostess, but he loves the air hostesses ’rhythm in his love. The countryside is based on his cousin (Adel), and he is fascinated by the beauty of girls who love (Adel), and tries to imitate (Adel), but in his rural way, which generates funny comic scenes.
1970-07-15
0
In an attempt to reignite their relationship, a couple goes on a vacation to a waterpark where they argue incessantly about even the most menial things. The relationship faces an even tougher challenge upon the introduction of a young woman on vacation alone.
Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy. After being appointed to a run-down New York parish, O'Malley's worldly knowledge helps him connect with a gang of boys looking for direction, eventually winning over the aging, conventional Parish priest.
A divorced couple try to pretend they are still happily married in order to get $100,000 from the woman's divorce-disapproving aunt.
The jobless Somaa is happily married to Lola. He finds a job as a secretary at a fashion house owned by the spinster Howayda, who lives with her brother Fawzy. But as the job requires that the secretary be single, Somaa claims he is. When Lola finds out, she asks Somaa to quit, but he refuses, so she starts working as a model for Howayda, whereupon Fawzy falls for Lola and proposes to her.
No Days Off for Death” is a film that depicts an altered rendition of our own world to explore themes of grief and over corporatisation, the narrative takes place from two perspectives that ultimately come together; one of a nameless Grim Reaper (only referred to as “Death”) who only wants to take a long overdue holiday from their endless mundane work in the corporate underworld and a grieving man (Max) contemplating committing suicide after a breakup leaves him at the end of his rope. When Death is sent on a job to see that Max goes through with his plan, they decided to try and convince Max to keep on living, an altruistic act Max reluctantly engages with even if death just wants their holiday.
Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.
Juliet Forrest is convinced that the reported death of her father in a mountain car crash was no accident. Her father was a prominent cheese scientist working on a secret recipe. To prove it was murder, she enlists the services of private eye Rigby Reardon. He finds a slip of paper containing a list of people who are 'The Friends and Enemies of Carlotta'.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
The whole village mourns when General O'Leary, owner of a hunting estate in South Ireland, is killed in an accident. His nephew, Jasper O'Leary, takes over the state and soon has aroused the displeasure of all, with the exception of Serena McGluskey, as much a schemer as he is a cad. Led by Thady O'Heggarty, the villagers plot to drive Jasper away. They use the occasion of "O'Leary Night", when the ghost of the first O'Leary walks the halls, to create general chaos.
The story of Elwood P. Dowd who makes friends with a spirit taking the form of a human-sized rabbit named Harvey that only he sees (and a few privileged others on occasion also.) After his sister tries to commit him to a mental institution, a comedy of errors ensues. Elwood and Harvey become the catalysts for a family mending its wounds and for romance blossoming in unexpected places.
Father Brown is only too happy to interfere with the work of the police in solving tricky criminal cases, usually with resounding success. That's why the clergyman is transferred to a sleepy island called Abbott's Rock. At first, nothing happens there, but somehow Father Brown seems to be attracted to crime: Soon a gang of thieves is up to no good on the island. So Brown makes the headlines again, and is punitively transferred once more. This time he finds himself in a quiet Irish millionaire community.
Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.
Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.
When his mother eloped with an Italian opera singer, Louis Mazzini was cut off from her aristocratic family. After the family refuses to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member who stands between himself and the family fortune. But when he finds himself torn between his longtime love and the widow of one of his victims, his plans go awry.
Ollie is running for mayor and an old flame threatens to blackmail him.
Wahid provides a brief account of his life beginning with his move to the city in search for employment after persuasion from his girlfriend, Rahmah. He soon finds himself caught in a host of sticky situations as he navigates towards finding steady employment. Gado Gado is one of the 91 sole-surviving Cathay-Keris Malay Classics film titles made during Singapore’s Golden Cinema era from the 1950s to early 1970s, and preserved by the Asian Film Archive. In 2014, the collection was inscribed onto the UNESCO Memory of The World Asia-Pacific Register, a list of endangered library and archive holdings. At 35 minutes long, the film is the only musical variety short from the Cathay-Keris catalogue.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
The film revolves around Mohsen (Mahmoud Zulfikar), who secretly marries Qamar (Camelia) without his aristocratic family knowing about his marriage. One day, his father asks him to come home because he has chosen the daughter of a fish merchant to be his wife to save the family from bankruptcy. For Mohsen and Qamar's marriage not to be exposed, Qamar is forced to travel as a nanny to work for Mohsen's father. From the moment she is appointed, all the men in the house begin to pursue her to express their admiration for her.