Tongue(2020)

Parallel Trips(en)

Turkish and Greek islanders talk about their losses and their experience of shifting residences across to the north and to the south post-1974. In this Turkish and Greek Cypriot joint production, Zaim and Chrysanthou deal with extremely sensitive socio-historical material successfully.

Pictures of Ghosts(pt)

Downtown Recife’s classic movie palaces from the 20th century are mostly gone. That city area is now an archaeological site of sorts that reveals aspects of life in society which have been lost. And that’s just part of the story.

Familiar Phantoms(ar)

Familiar Phantoms is an experimental documentary short film about memory, history and trauma.

Starting Place(fr)

In this film from late in his career, Kramer returns to Hanoi after nearly 25 years to re-envision the city’s struggle through an uncertain and daunting past, present, and future. The Vietnamese characters in the film are diverse: Kramer’s former guide from an earlier visit in 1969; a tight-rope walker in the national circus; a man who took photos of B-52s and another who lost his fingers shooting them down.

L'ordre Français : 17 Octobre 1961(fr)

“In Algeria, we are restoring order, what we mean by French order,” declared Michel Debré, Prime Minister, under the presidency of Charles De Gaulle, in April 1956. It was, of course, order colonial in defiance of the republican order, in Algeria as in Paris where, on October 17, 1961, Algerians flocking from suburban slums were massacred by the police of prefect Maurice Papon, while they were peacefully marching for the independence of their country. On October 17, 2001, a commemorative plaque was placed in Paris on the Saint-Michel bridge: "In memory of the many Algerians killed during the bloody repression of the peaceful demonstration of October 17, 1961." A surge of racial hatred, less than 20 years after the roundup of the Jews in July 1942. An Algerian, victim of this roundup, told us, holding back his tears, "I still have nightmares."

Evaporating Borders(en)

Evaporating Borders is a poetically photographed and rendered film on tolerance and search for identity. Told through 5 vignettes portraying the lives of migrants on the island of Cyprus, it passionately weaves themes of displacement and belonging.

Tricky Memory(en)

The lastest neuroscience discoveries show surprising results: false memories, distortion, modification, déjà vus. Our memory is affected in many ways, and deceives us every day. The very fact of recalling souvenirs modifies them. The everyday consequences are manyfold. To what extent can we rely on our souvenirs? How much credit can we give them during trials? Even more shocking, scientists have proved to be able to manipulate our memory: creating artificial souvenirs, deleting, emphasizing or restoring them on demand.

Their Houses(en)

Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.

50 Years of Cyprus: Separation(tr)

32.Day, a news classic by Mehmet Ali Birand, is with you this time with the documentary 50 Years of Cyprus!

50 Years of Cyprus: War and Peace(tr)

32.Day, a news classic by Mehmet Ali Birand, is with you this time with the documentary 50 Years of Cyprus!

50 Years of Cyprus: Final(tr)

32.Day, a news classic by Mehmet Ali Birand, is with you this time with the documentary 50 Years of Cyprus!

Unknown White Male(en)

The true story of Doug Bruce who woke up on Coney Island with total amnesia. This documentary follows him as he rediscovers himself and the world around him.

RE:MEMBER(en)

RE:MEMBER is a documentary, split into three chapters, that provides insights into the topics of memory, media, and history, specifically through the lens of two millennial participants. Through their testimonies and introspections, we start to see the rift between the media they were nostalgic for and the reality we currently live in. They also consider how our current attitudes towards media have shaped our previous environments and how we can change society to better our future generations.

In Memoriam (La derrota conviene olvidarla)(es)

We Never Said Goodbye To You Varosha(en)

Varosha, the only city on the world without people, the loneliest city... Varosha is a province in Cyprus that is closed with fences and unpopulated since 1974.

History and Memory: For Akiko and Takashige(en)

This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri’s family wrapped their memories of that experience in a shroud of silence and forgetting. This film raises questions about collective history – questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.

Shâd Bâsh(fr)

Mujeres en la isla: las otras hijas del mestre(es)

being queer here(en)

A portrait of Toronto, as defined by the spaces its queer residents inhabit and the memories they’ve created there.

Horizon: How Does Your Memory Work?(en)

You might think that your memory is there to help you remember facts, such as birthdays or shopping lists. If so, you would be very wrong. The ability to travel back in time in your mind is, perhaps, your most remarkable ability, and develops over your lifespan. Horizon takes viewers on an extraordinary journey into the human memory. From the woman who is having her most traumatic memories wiped by a pill, to the man with no memory, this film reveals how these remarkable human stories are transforming our understanding of this unique human ability. The findings reveal the startling truth that everyone is little more than their own memory.