Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched.
Self - Pier Paolo Pasolini family's lawyer
Miriam Yeung plays a half-Chinese who represents her father (a Shaolin monk who defected to Japan after falling in love with a Japanese) at a martial arts tournament. What she really wants is to experience first love (with Ekin Cheng, a marketing executive) and become a movie star. Both which are fulfilled in her stay in Hong Kong.
In 1916, a group of prisoners plot their escape from the notorious fortress located in French Guiana.
Natsu, the older of two sisters, has a relationship with Yonosuke, the local kimono trader. Unlike her more conservative sister Oshichi she tries to use sex as a means to climb to a better social position. To even attempt that she first needs to get out of the Buddhist monastery she is working at...
A woman with a troubled past introduces lust, depravity and sex to a religious commune.
A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.
An Astronaut responding to a distress beacon in deep space slips into a wormhole and finds himself in the afterlife.
This work – the only opera that follows the career of the Roman Emperor Caligula and his madness, passion and power – was a great success when it was first performed in Venice, largely because of the originality and the fine psychological insight of its libretto and the subtelty of its musical score. There have been some memorable puppet-theatre performances of opera, but with Caligula Le Poème Harmonique and Arcal invite us to savour something quite original by bringing together two artistic traditions that have long been separated: those of Venetian opera and Sicilian puppet-theatre. On stage, the singers and instrumentalists, conducted by Vincent Dumestre, lend their voices and rich sound to the pupi of Mimmo Cuticchio, large stick-puppets belonging to a great theatrical tradition dating back to the seventeenth century.
"Kissing Metal" is the story of Philippe, a down and out European film producer, who lives in a tent in the shadow of his unfinished house in Brentwood. Philippe is struggling to sell a film he made five years ago to foreign distributors. Nearly broke, and on the verge of eviction, he seeks spiritual help from Master Atchoum, a Buddhist Guru. Master Atchoum pushes him into practicing Buddhism and convinces him to buy an expensive metal sculpture of Buddha. Empowered by the support of his new-found "religion," Philippe starts turning things around. Through a series of serendipitous events...and some very unorthodox maneuvering, he becomes a success. But, he soon discovers that all is not what it appears to be.
Six men and women who are completely underground to one another have been given false memories and are living together as a family in a capsule hall. They know nothing about the outside world, and that they are broadcasted as a real-life soap opera in the imaginary community of Champon City.
Dinner Time is noted as the first sound cartoon short made after Warner Bros.' success with The Jazz Singer and produced even before Walt Disney's first sound cartoon, Steamboat Willie (though released after).
The inspiring true story of an accomplished open water swimmer's attempt to become the first woman to swim 30 miles through a stretch of cold, rough and shark-inhabited waters off of the San Francisco coast.
The tragic story of two brothers grappling with the death of their father. One was loved and the other unfairly neglected by a father who left him nothing. The entire inheritance goes to the favorite son, who needs it less and cares little about money.
Analyzes the typical features of the punto, a Cuban musical tradition from the days of Spanish colonialism.
Oupa en Ouma try to survive during harsh conditions on a farm. With no one around to help. they rely on nothing but their faith.
Bernie Madoff is at the hub of the biggest conspiracy the world has ever known, according to Mr. X. Dave Edmund, a small Independent film maker puts it all on the line to bring the world the truth.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
He was an anarchist and provocateur. Underground filmmaker and a cheeky fuck. Several of today's veterans in the Norwegian film industry started their career with him. Yet there are few today who know Bredo Greve. In Bredo Greve - filmrebell you will get to know the filmmaker's marvelous film history. Greve was always ready for a good fight, and he used film to pinpoint problems in society that are still scarily relevant.
Portrait of Pier Paolo Pasolini and his literary and cinematographic activity in the proletarian Rome.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
2nd Edition of Loose Change documentary. What if...September 11th was not a surprise attack on America, but rather, a cold and calculated genocide by our own government?We were told that the twin towers were hit by commercial jetliners and subsequently brought down by jet fuel. We were told that the Pentagon was hit by a Boeing 757. We were told that flight 93 crashed in Shanksville, Pennsylvania. We were told that nineteen Arabs from halfway across the globe, acting under orders from Osama Bin Laden, were responsible. What you will see here will prove without a shadow of a doubt that everything you know about 9/11 is a complete fabrication. Conspiracy theory? It's not a theory if you can prove it.Written and narrated by Dylan Avery, this film presents a rebuttal to the official version of the September 11, 2001 terrorist attacks and the 9/11 Commission Report.
Director Chung Ji-Young criticizes the thought that older directors have difficulties in making certain movies. Actress Yoon Jin-Seo agonizes over her identity as an actress. In 2009, before the movie "Unbowed" was made, they met and planned a documentary about Korean movies, including the processes a Korean movie goes through and difficulites. "Ari Ari the Korean Cinema" is a documentary with interviews of Korean directors, actors and actresses.
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
Belgian filmmaker Eric Pauwels' meditation on dream, travel and film.
Director Denys Arcand made an inquiry on textile industry in Quebec, meeting employers and workers of that industry.
A look at the life and work of Christina Lindberg, the most famous Swedish model of the 1970s and star of exploitation cinema.
An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.
Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner -- who all give an interesting perspective on the worlds most famous spy.
Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.