SECOND DAY OF THE RING CYCLE. Alberich's brother Mime raises the orphan Siegfried, hoping that Siegfried will kill Fafner and enable Mime to gain the ring. Mime attempts unsuccessfully to reforge the Nothung. Fulfilling prophecy, Siegfried reforges the sword himself and kills Fafner, who has the form of a dragon. When he accidentally tastes the dragon's blood spilt on his hands, Siegfried understands the song of a woodbird, who instructs him to take the Ring from Fafner. Reading Mime's thoughts of betrayal, Siegfried kills the dwarf as well. The woodbird also informs Siegfried of a mysterious woman asleep in the midst of fire, and Siegfried sets off to find her. After defeating a disguised Wotan and breaking his spear, Siegfried successfully awakes Brünnhilde, and the two fall in love. Filmed at the Bayreuth Festspielhaus in June & July 1992.
Siegfried
Brünnhilde
Mime
Erda
Alberich
Fafner
Waldvogel
SECOND DAY OF THE RING CYCLE. Alberich's brother Mime raises the orphan Siegfried, hoping that Siegfried will kill Fafner and enable Mime to gain the ring. Mime attempts unsuccessfully to reforge the Nothung. Fulfilling prophecy, Siegfried reforges the sword himself and kills Fafner, who has the form of a dragon. When he accidentally tastes the dragon's blood spilt on his hands, Siegfried understands the song of a woodbird, who instructs him to take the Ring from Fafner. Reading Mime's thoughts of betrayal, Siegfried kills the dwarf as well. The woodbird also informs Siegfried of a mysterious woman asleep in the midst of fire, and Siegfried sets off to find her. After defeating a disguised Wotan and breaking his spear, Siegfried successfully awakes Brünnhilde, and the two fall in love. Filmed at the Bayreuth Festspielhaus in June & July 1992.
1992-07-03
8
As a result of a successful conspiracy against Menshikov, Peter II is prematurely recognized as an adult and is in a hurry to be crowned in Moscow. The Dolgoruky brothers gather for this celebration. There were eight of them - all-powerful and influential representatives of the ancient Rurikovich family - and among them the beautiful Ekaterina, the daughter of the huntsman Alexei.
Esen, a young man who has been expelled from his village, escapes with the daughter of one of the most powerful men in the village. Whilst being pursued, he is forced to fight for her hand in a battle that results in the destruction of a sacred totem tree. This puts the whole village in jeopardy, and it is up to Esen to redeem himself and save them all.
In hustle and bustle of urban life, we sometimes don't know our neighbors next door. And in the village, everyone knows each other and lives with the joys, troubles, and worries of a neighbor, like one big family. That's why a person is pulled to their small homeland, to their roots. The one who forgets their roots experiences a burdensome emptiness and dissatisfaction with their achievements in life.
Naruto, Shikamaru, and Sakura are executing their mission of delivering a lost pet to a certain village. However, right in the midst of things, troops led by the mysterious knight, Temujin, attack them. In the violent battle, the three become separated. Temujin challenges Naruto to a fight and at the end of the fierce battle, both fall together from a high cliff...
The Author, i.e. J. R. R. Tolkien himself (played by Zinovij Gerdt), tells "his" story: the life of Bilbo Baggins, a quiet and enjoyable hobbit, is turned upside down when he decides to join the wizard Gandalf and a company of thirteen dwarves in an attempt to regain a treasure stolen from the latter. [Soviet television movie adaptation of "The Hobbit"]
Comedy icon Dave Chappelle makes his triumphant return to the screen with a pair of blistering, fresh stand-up specials. Filmed at the Moody Theater in Austin, Texas, in April 2015.
This time taking on the rival Tung Sing triad, who is attempting to usurp Hung Hing influence in Hong Kong by having Tung Sing member Crow frame Ho Nam for the murder of Hung Hing Chairman Chiang Tin Sang. On the plus side, Chicken finds a new love interest in Wasabi, the daughter of the comedic priest, Father Lethal Weapon Lam.
The Dwarves, Bilbo and Gandalf have successfully escaped the Misty Mountains, and Bilbo has gained the One Ring. They all continue their journey to get their gold back from the Dragon, Smaug.
This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.
Eren Yeager and others of the 104th Training Corps have just begun to become full members of the Survey Corps. As they ready themselves to face the Titans once again, their preparations are interrupted by the invasion of Wall Rose—but all is not as it seems as more mysteries are unraveled. As the Survey Corps races to save the wall, they uncover more about the invading Titans and the dark secrets of their own members.
Someone from another planet crashed on Earth and evil is chasing him, and then love appears, and it defeats evil through an amulet.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
Scooby-Doo and the mystery inc gang battle fiends and gobs of eerie monsters.
Deadpool sees an opportunity to save the day, but it doesn't go entirely as planned.
Two Minions are busy at work in the mailroom. One of them, bored, decides to throw a box of expired PX-41 samples into its designated chute.
A girl is haunted by an evil spirit in her family home. Several bad things begin to happen around her house and to her family members. An old character rises back and tries to save the family from their doomed fate.
Documentary about the victorious German national football team - called "Die Mannschaft" - and their journey to the 2014 FIFA World Cup in Brazil.
A priceless relic is stolen from identical royals Queen Margaret and Princess Stacy, who enlist the help of their sketchy look-alike cousin Fiona Pembroke to retrieve it.
Ángela Vidal, the young television reporter who entered the building with the firemen, manages to make it out alive. But what the soldiers don't know is that she carries the seed of the strange infection. She is to be taken to a provisional quarantine facility, a high-security installation where she will have to stay in isolation for several days. An old oil tanker, miles off shore and surrounded by water on all sides, has been especially equipped for the quarantine.
A pair of newlyweds must fight to survive when their wedding reception descends into chaos and carnage when their guests become infected by a virus that turns them into hungry zombies.
Pushkin folk tale as comedic opera whose sultry elements expand an Oriental influence. Korsakov portrays the story of Tsar Nicholas II, punished for his cowardice and despotism, using satire to condemn Russia's autocratic ruler.
Opera based on the story of Edward II and Piers Gaveston. Music by George Benjamin, libretto by Martin Crimp. BBC broadcast of the 2018 premiere at the Royal Opera House, the composer conducting, prefaced by commentary and interviews.
Live performance of Philip Glass's opera Kepler (2009) by the Landestheater Linz Upper Austrian State Theater in 2011, conducted by Dennis Russell Davies.
Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of Notre-Dame and of his impossible and tragic love for Esmeralda, a beautiful gypsy. A love condemned by injustice and hypocrisy. Quasimodo forced by his ugliness to look at the world from the top of a tower one day he falls madly in love with Esmeralda who sees dancing and singing on the square in front of the cathedral. But Esmeralda is in love with Febo, the handsome captain of the King's guards. Febo is fiancé of Fiordaliso, a young and rich bourgeois, but the exotic and sensual beauty of the gypsy does not leave indifferent the man who immediately falls in love with her. Even Frollo, the archdeacon of the cathedral, is attracted by the gypsy and spying on the moves of the two lovers in a raptus of jealousy and repressed carnal desire to get rid of the rival stabbing Febo behind.
Macbeth" was Giuseppe Verdi's first attempt at music drama and also the first manifestation of his profound love for Shakespeare's work. Verdi took great pains with this opera, displaying special enthusiasm for it as he concentrated on the main characters of Lady Macbeth, Macbeth and the witches. This recording of Luca Ronconi's production is conducted by Giuseppe Sinopoli, who brings fresh color to Verdi's score. The cast, headed by Renato Bruson and Mara Zampieri, are strongly supported by a fine-toned and adaptable chorus who ably meet the demands of Verdi's great "chorus opera.
Anja Harteros excels in the title role of Michael Sturminger’s cinematic staging of Puccini’s “Tosca”, the centrepiece of Salzburg Easter Festival. Aleksandrs Antoņenko compellingly portrays Cavaradossi, while Ludovic Tézier is a thrillingly malevolent Scarpia. Christian Thielemann leads the Staatskapelle Dresden. “Tosca” is a political thriller with a heart-breaking love story that gives a vivid account of the harassment of artists, political persecution, torture and arbitrary executions. In Salzburg it is set in the Mafiosi world of modern day Rome and is “the perfect thriller … reminiscent of Scorsese’s ‘Goodfellas’” (Kleine Zeitung), a “film noir”
Charming, light-hearted and fizzing with subversive wit, Neil Armfield's sparkling production of the marriage of Figaro captures Mozart's most popular Opera. In this classic performance, recorded live at the Sydney Opera House, Patrick Summers conducts a energetic fresh-voiced cast, headed up by baritone Teddy Tahu Rhodes and Taryn Fiebig who make a vivacious, appealing pairing as Figaro and Susanna, while Peter Coleman-Wright triumps as the lascivious Count Almaviva.
German composer Richard Wagner wrote Parsifal, which is a three-act opera that tells the story of the title character's quest to save the Knights of the Holy Grail by returning the Holy Spear, healing King Amfortas, and carrying out the sacred ceremony of uncovering the Holy Grail.
The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.
With this DVD and Blu-ray of Rodelinda, one of Handel’s most emotionally complex operas, conductor Emmanuelle Haïm adds to her impressive Erato catalogue of the composer’s works. The imaginative production, by Jean Bellorini, was seen at the Opéra de Lille in Autumn 2018, and the cast features soprano Jeanine De Bique in the title role, countertenor Tim Mead as her husband Bertarido and another countertenor, Erato’s rising star Jakub Józef Orliński as Unulfo. Reviewing the production, Le Monde noted Emmanuelle Haïm’s “intimate connection with this music, which she knows how to unleash in all its violence, passion and heart-wrenching expressivity.”
Rufus Wainwright's original opera finds Emperor Hadrian devastated after his lover Antinous drowns in the Nile River. While matters of state encroach on his grief, and advisors clamour for war against a radical new threat to the Empire, Hadrian slips out of time to re-encounter the vision and reality of Antinous—and learn the truth about what happened on the Nile.
Coming just before the mature final works, Verdi's Simon Boccanegra - along with Un Ballo in Maschera, Les Vêpres Siciliennes, La Forza del Destino and Don Carlos - occupy a strange but fascinating hinterland in the career of the composer. Each of the operas, influenced by Verdi's political involvement in the Risorgimento for the reunification of Italy during the period, are very much concerned with the exercise of power, but they all rely on typically operatic conventions of bel canto and French Grand Opéra in their use of personal tragedies and unlikely twists of fate to highlight the human feelings and weaknesses that lie behind their historical dramas. Written in 1859, but revised by the composer in 1881, Piave's libretto given an uncredited reworking by Arrigo Boito, Simon Boccanegra is consequently one of the more interesting works from this period, certainly from a musical standpoint. Live from Teatro all Scala, Milan 2010.
In his 'new life' as a baritone, Placido Domingo has triumphed in the role of Francesco Foscari in Los Angeles, London and Vienna. Now he takes to the role to La Scala, Milan, the theatre that is the symbol of Italian opera. I due Foscari, premiered in 1844, famously one of Verdi's darkest operas, is staged by Alvis Hermanis, who made such an impact at the Salzburg Festival with "Die Soldaten" and "Il trovatore". Domingo is joined by two of Italy's most exciting singers, the soprano Anna Pirozzi and the tenor Francesco Meli, and the acclaimed Italian conductor Michele Mariotti. The Financial Times was deeply moved by Domingo's performance, calling his interpretation of the role "sublime".
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
Main hero is a singing boat refugee – orange boy Maroc. He dreams about freedom. Lemon girl Lisa collects singing seashells and dreams about love. Lisa’s father is a businessman, owner of a ketchup factory and tomato plantation. He loves money. And so the opera begins: Poor Maroc escapes from his homeland and defying stormy waters take a boat across the sea to the “promised land”. Upon arrival he is forced into being a slave worker in a tomato plantation instead of freedom, democracy, wealth and parties he had hoped for. Despite the initial let down our orange boy is destined to gain happiness – selfish Lisa falls in love with him and sets him free. We see an orange revolution – houses are blown up and tomatoes are made from ketchup, all in the name of democracy! Movie that is full of rebellion and love has happy ending – we will see sour-sweet culmination of lemon girl’s and orange boy’s love.
The season kicks off with Boitos resplendent retelling of Goethes Faust, a monumental work of 'choral grandeur and melodic richness' (The New York Times) in one of the most impressive productions ever seen at the War Memorial Opera House. The cast includes Ramón Vargas, a tenor 'in ravishing voice' (Financial Times), as the philosopher who sells his soul to the Devil; the 'luminous, compelling' Patricia Racette (Washington Post) as the woman he desires; and, in the vividly menacing title role, the 'seductively malevolent' bass-baritone Ildar Abdrazakov, a 'fullbodied bass-baritone' renowned for his 'wonderfully evil portrayals' (The New York Times).
In the awe-inspiring Teatro Olimpico,Vicenza, Cecilia Bartoli, recognised as one of the best singers of our time, gives the most outstanding recital of work from a variety of composers such as Caccini, Schubert, Handel, Vivaldi, Bellini, Donizetti,Mozart, Rossini, Viardot and Bizet.
Performed live at the Royal Opera House, Covent Garden, Gluck's opera in three acts is conducted by Hartmut Haenchen. Performers include Jochen Kowalski, Gillian Webster and Jeremy Budd, alongside the Royal Opera Chorus and Orchestra. When Orpheus mourns for his late wife Eurydice, the god Cupid offers him the chance to descend into the underworld and lead her back to the land of the living, on the condition that he does not look at her face. He sets out on his journey, but his path to the Elysian Fields is blocked by the fierce Furies.